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Taking the ten biggest lies from history and looking at the people who propagated them, social commentator and expert historian Otto English shows how our past has been bent and broken, used and abused over time to fit the ends of some of the world's most powerful people.
**An International Bestseller** Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Jo Hedwig Teeuwisse, better known as The Fake History Hunter, is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. In this fascinating and illuminating book, Teeuwisse debunks 101 myths so you can correct your friends and family, and arm yourself with the tools to spot and debunk fake history wherever you encounter it.
Howard Zinn’s A People’s History of the United States has sold more than 2.5 million copies. It is pushed by Hollywood celebrities, defended by university professors who know better, and assigned in high school and college classrooms to teach students that American history is nothing more than a litany of oppression, slavery, and exploitation. Zinn’s history is popular, but it is also massively wrong. Scholar Mary Grabar exposes just how wrong in her stunning new book Debunking Howard Zinn, which demolishes Zinn’s Marxist talking points that now dominate American education. In Debunking Howard Zinn, you’ll learn, contra Zinn: How Columbus was not a genocidal maniac, and was, in fact, a defender of Indians Why the American Indians were not feminist-communist sexual revolutionaries ahead of their time How the United States was founded to protect liberty, not white males’ ill-gotten wealth Why Americans of the “Greatest Generation” were not the equivalent of Nazi war criminals How the Viet Cong were not well-meaning community leaders advocating for local self-rule Why the Black Panthers were not civil rights leaders Grabar also reveals Zinn’s bag of dishonest rhetorical tricks: his slavish reliance on partisan history, explicit rejection of historical balance, and selective quotation of sources to make them say the exact opposite of what their authors intended. If you care about America’s past—and our future—you need this book.
As Napoleon himself once said, 'History is a version of past events that people have decided to agree upon.' Noted down in historical documents, copied and widely repeated, it doesn't take long for a version of the truth to become accepted as fact. But who invents these false accounts in the first place, and why do they gain traction so quickly? Far from concerning the obscure and insignificant parts of our history, these fundamental inaccuracies and downright lies colour the depiction of many of those pivotal characters and events we learnt about at school. Cleopatra, Marco Polo, Captain Cook, Joan of Arc; most of us could reel off a fact or two about each. But as this intriguing book reveals, a closer examination of these core parts of our social and political history shows that often all was not as it seemed, and that the agendas of those responsible for recording these events had a huge impact on what was reported and what was covered up.
The Buried Spitfires of Burma by Andy Brockman,Tracy Spaight Pdf
Rumours of buried Spitfires from the Second World War have spread around the world for seventy-five years. In April 2012, the press reported that the UK had negotiated an agreement with Myanmar for the recovery of twenty crated Spitfires, reportedly buried after WW2. Astonishingly the agreement came about through the single-minded determination of a farmer, David Cundall. Armed with a high-tech survey showing mysterious shapes under the surface of Yangon International Airport, David's expedition is equipped with JCB excavators. But instead of Spitfires, the team unearths a tale of fake history. The Buried Spitfires of Burma explores what happened next as David Cundall's dream unravelled over the course of a historical 'whodunnit' that spans seven decades and three continents. It follows one of the most bizarre stories since the sensational Hitler Diaries hoax.
This incredible exploration of the murky world of pseudo-history reveals the mix of proven facts, informed speculation, and pure fiction behind lost continents, ancient super-civilizations, and conspiratorial cover-ups—as well as the revisionist historical foundations of religions such as the Nation of Islam and the Church of Jesus Christ of Latter-day Saints. Drawing on the best scholarship available, Ronald H. Fritze shows that in spite of strong, mainstream historical evidence to the contrary, many of these ideas have proved durable and gained widespread acceptance. As the examples in Invented Knowledge reveal, pseudo-historians capitalize on and exploit anomalies in evidence to support their claims, rather than examining the preponderance of research as a whole.
Author : Michael Stolberg Publisher : Walter de Gruyter GmbH & Co KG Page : 637 pages File Size : 49,7 Mb Release : 2021-11-22 Category : History ISBN : 9783110733549
Learned Physicians and Everyday Medical Practice in the Renaissance by Michael Stolberg Pdf
Michael Stolberg offers the first comprehensive presentation of medical training and day-to-day medical practice during the Renaissance. Drawing on previously unknown manuscript sources, he describes the prevailing notions of illness in the era, diagnostic and therapeutic procedures, the doctor–patient relationship, and home and lay medicine.
When a new technology makes people ill, how high does the body count have to be before protectives steps are taken? This disturbing book tells a dark story of hazardous manufacturing, poisonous materials, environmental abuses, political machinations, and economics trumping safety concerns. It explores the century-long history of "fake silk," or cellulose viscose, used to produce such products as rayon textiles and tires, cellophane, and everyday kitchen sponges. Paul Blanc uncovers the grim history of a product that crippled and even served a death sentence to many industry workers while also releasing toxic carbon disulfide into the environment. Viscose, an innovative and lucrative product first introduced in the early twentieth century, quickly became a multinational corporate enterprise. Blanc investigates industry practices from the beginning through two highly profitable world wars, the midcentury export of hazardous manufacturing to developing countries, and the current "greenwashing" of viscose as an eco-friendly product. Deeply researched and boldly presented, this book brings to light an industrial hazard whose egregious history ranks with those of asbestos, lead, and mercury.
Winner, 2023 Columbia University Press Distinguished Book Award Winner, 2023 Frank Luther Mott / Kappa Tau Alpha Research Award Winner, 2023 Journalism Studies Division Book Award, International Communication Association Winner, 2023 History Book Award, Association for Education in Journalism and Mass Communication Long before the current preoccupation with “fake news,” American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. From fibs about royal incest in America’s first newspaper to social-media-driven conspiracy theories surrounding Barack Obama’s birthplace, Andie Tucher explores how American audiences have argued over what’s real and what’s not—and why that matters for democracy. Early American journalism was characterized by a hodgepodge of straightforward reporting, partisan broadsides, humbug, tall tales, and embellishment. Around the start of the twentieth century, journalists who were determined to improve the reputation of their craft established professional norms and the goal of objectivity. However, Tucher argues, the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn’t have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. Dressed up in legitimate journalistic conventions, this “fake journalism” became inextricably bound up with right-wing politics, to the point where it has become an essential driver of political polarization. Shedding light on the long history of today’s disputes over disinformation, Not Exactly Lying is a timely consideration of what happens to public life when news is not exactly true.
Fake News Nation by James W. Cortada,William Aspray Pdf
Fake News Nation tells the story of how false information has flooded American public life for over 230 years. The authors show how lies, misrepresentations, and rumors have drawn America into wars, covered up assassinations, influenced national elections, and impacted contentious policy issues such as the effects of smoking and climate change.
The Courtauld by Ernst Vegelin van Claerbergen,Alexandra Gerstein,Karen Serres,Ketty Gottardo,Barnaby Wright,Coralie Malissard,Rachel Sloan,Alixe Bovey Pdf
The Courtauld is one of the United Kingdom's great art collections, displayed throughout the magnificent historic setting of Somerset House in central London. This elegant book is a curated selection of its highlights -- paintings, drawings, prints, sculpture and decorative arts -- each beautifully illustrated and accompanied by an insightful commentary. Notable among these treasures are remarkable Impressionist and Post-Impressionist paintings, including the world-famous A Bar at the Folies-Bergère by Édouard Manet and Vincent van Gogh's Self-Portrait with Bandaged Ear. This book is also an engaging account of how The Courtauld became an internationally renowned center for the teaching and research of art history, conservation and curating. It was founded nearly a century ago in the belief that art has the power to enrich people's lives. The Courtauld continues that mission today, promoting the understanding of the visual arts and offering a place where everyone can find enjoyment and inspiration.
Author : Peter Charles Hoffer Publisher : University of Michigan Press Page : 204 pages File Size : 55,8 Mb Release : 2020-01-02 Category : History ISBN : 9780472054527
Fake history is not a harmless mistake of fact or interpretation. It is a mistake that conceals prejudice; a mistake that discriminates against certain kinds of people; a mistake held despite a preponderance of evidence; a mistake that harms us. Fake history is like the Zombies we see in mass media, for the fake fact, like the fictional Zombie, lives by turning real events and people into monstrous perversions of fact and interpretation. Its pervasiveness reveals that prejudice remains its chief appeal to those who believe it. Its effect is insidious, because we cannot or will not destroy those mischievous lies. Zombie history is almost impossible to kill. Some Zombie history was and is political, a genre of what Hannah Arendt called “organizational lying” about the past. Its makers designed the Zombie to create a basis in the false past for particular discriminatory policies. Other history Zombies are cultural. They encapsulate and empower prejudice and stereotyping. Still other popular history Zombies do not look disfigured, but like Zombies walk among us without our realizing how devastating their impact can be. Zombie History argues that, whatever their purpose, whatever the venue in which they appear, history Zombies undermine the very foundations of disinterested study of the past.
Fake History: The American Civil War, Slavery, and Dissecting the Popular Narrative. by David Manderbach Pdf
In a straightforward manor; author David Manderbach addresses the inaccuracies of the foundation of the attacks to the Southern Heritage and America's History; the association to Slavery. A fabricated narrative of the Civil War, and the guilt of slavery, that existed since recorded time; has been laid at the feet of the Southern cause and those that celebrate their Southern heritage. The onslaught against all things southern has evolved into like condemnation of America itself, for our founding fathers, our national anthem and historical figures of all sorts in the move to gain political advantage, create a class of victims with an endless thirst for retribution of slavery that will never be satisfied. The myth of the occurrences of early America; which all came to a head in 1860; and a war followed; killing 800,000 Americans. This book breaks it down with a summary of early American politics that led to the Civil War, and the war itself. American history is for all Americans; no matter their forefathers past. The truth of these events must be realized for there to be understanding and true reverence for what our forefathers gave us all today.
The Ottoman Empire was a hub of flourishing intellectual fervor, geopolitical power, and enlightened pluralistic rule. At the helm of its ascent was the omnipotent Sultan Selim I (1470-1520), who, with the aid of his extraordinarily gifted mother, Gülbahar, hugely expanded the empire, propelling it onto the world stage. Aware of centuries of European suppression of Islamic history, Alan Mikhail centers Selim's Ottoman Empire and Islam as the very pivots of global history, redefining such world-changing events as Christopher Columbus's voyages - which originated, in fact, as a Catholic jihad that would come to view Native Americans as somehow "Moorish" - the Protestant Reformation, the transatlantic slave trade, and the dramatic Ottoman seizure of the Middle East and North Africa. Drawing on previously unexamined sources and written in gripping detail, Mikhail's groundbreaking account vividly recaptures Selim's life and world. An historical masterwork, God's Shadow radically reshapes our understanding of a world we thought we knew.A leading historian of his generation, Alan Mikhail, Professor of History and Chair of the Department of History at Yale University, has reforged our understandings of the past through his previous three prize-winning books on the history of Middle East.