Fate And Ambiguity In Oedipus The King Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Fate And Ambiguity In Oedipus The King book. This book definitely worth reading, it is an incredibly well-written.
Fate and Ambiguity in Oedipus the King by Stelios Ramphos Pdf
From the Foreword by Olympia Dukakis: Fate and Ambiguity in Oedipus the King takes the reader on a journey through the play, concentrating on the force of the dramatic action and the poetic means by which Sophocles achieves his effects. In analyzing this quest, the book offers us fascinating insights into the nature of poetry, the function of translation, and the value of redemptive suffering.
In Searching for Oedipus, attorney Ken Glazer recounts his decades-long quest to answer the Riddle of Oedipus: why Oedipus Rex, after 2,500 years, still wields such enormous power. Along the way he slices through the scholarly debate, laying bare the many ways this ancient masterpiece still speaks to us today.
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
The focus of this book rests on an investigation into the links between Laban and Aristotle and aims at proposing a new approach to movement training for the actor. In contrast to the standard Platonic reading, Laban’s development is best understood through the conceptual framework of Aristotle. This not only provides a more secure theoretical approach, but a practical one as well, which establishes the art of movement as a science. This investigation intends to establish Laban’s philosophical foundation upon a reading of Aristotle’s Poetics, and in particular, on the reading of the Poetics by contemporary Greek philosopher Stelios Ramfos in his two-volume book ΜIΜΗΣΙΣ ΕΝΑΝΤΙΟΝ ΜΟΡΦΗΣ Ἐξήγησις είς το Περί Ποιητικής τοῦ Ἀριστοτέλους (MIMESIS VERSUS FORM Exegesis about Aristotle’s Poetics) (1991-1992). What is significant about Stelios Ramfos’ exegesis is that he attempts an analysis and interpretation of the concepts of the Poetics in terms of theatre performance. Ιt is this emphasis on performance that makes the task I have embarked upon possible. The discussion will serve as a critical framework that will propose a new way of applying Laban’s movement concepts to the movement training for actors in practice. The research methodology is also practical. I will therefore also develop and present a performance that attempts to apply Laban’s terms, as these are discussed, in relation to Aristotle, and in relation to the new methodology as well as a syllabus of practical classes addressing actor movement training in both kinaesthesia and characterization. The ultimate goal of the project is to contribute an approach that can inform the way Laban’s concepts are taught and provide suggestions for structuring technical movement classes for actors.
The Dramatic Power Of Fate In "Oedipus The King" by Anonim Pdf
Literature Review from the year 2015 in the subject Didactics - English - Literature, Works, grade: 94%, University of Hartford, language: English, abstract: Over the centuries, people have believed in the influence of divine or diabolical power in their lives. One of the most often discussed themes of ancient Greek tragedy is fatalism, the idea and belief that human actions are guided by the hand of fate, destiny, the gods or some other supernatural forces. The ancient Greeks recognized the role of fate and for them it represented a terrifying unstoppable force. Fates was the will of the gods, and unopposable reality. In the play Oedipus The King (425 B.C.) by Sophocles (496-406 B.C.), Oedipus is a perfect tragic hero, victim of his fate. As the play starts, the citizens of Thebes beg their king, Oedipus, to lift the plague that threatens to destroy the city. Creon, Oedipus’s brother in law, announces that the oracle instructs them to find the murderer of Laius who was king of Thebes before Oedipus. Only this will end the plague. A blind prophet, Tiresias, accuses Oedipus of killing Laius. Angry, Oedipus orders him to leave. Jocasta, the queen, encourages him to ignore prophecies. However, Oedipus is anxious because just before he came to Thebes he killed a man who looked like Laius at a crossroads. Another worry haunts Oedipus: as a young man, he learned from an oracle that he was fated to kill his father and marry his mother. Then, Oedipus becomes determined to find out the truth of his birth. Finally, a shepherd reveals that Oedipus is the son of Laius and Jocasta. The prophecy has come true; Oedipus is devastated by his fate. Later, he finds that Jocasta killed herself. Oedipus is suffering so much that he blinds himself so he will no longer look upon the misery he has caused. In the play, it is the element of fate that leads ultimately to the tragic downfall of the characters.
Author : Th. C. W. Oudemans,André P. M. H. Lardinois Publisher : BRILL Page : 300 pages File Size : 52,9 Mb Release : 1987 Category : History ISBN : 9004084177
Tragedy and Enlightenment by Christopher Rocco Pdf
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
The impulse to try to anticipate the future, and make sense of apparently random events, is irrepressible. Why and how the ancient Greeks tried to foretell the outcome of the present is the subject of Esther Eidinow's lively appraisal, which explores the legacy of ancient Greek notions of luck, fate and fortune in our own era, drawing on approaches to cognitive anthropology. Perhaps the most famous of all sites of prediction is the Oracle at Delphi. But the Delphic Oracle is only the best-known example from a landscape covered by oracular sanctuaries; while across the literary genres of antiquity there are myriad tales - such as that of doomed Oedipus - which wrestle with the cruel vicissitudes of fate and fortune. Exploring some of the key ideas of ancient Greek culture that resonate with modern conceptions of destiny, Eidinow examines the ancients' notion of luck as a means to explain daily experiences. Focusing on writers such as Homer, Herodotus, Thucydides and Demosthenes, the author shows how concepts of fate in antiquity changed over time, in response to social and political currents. She draws too on modern cultural texts like "Terminator 2" and "Lawrence of Arabia", demonstrating how the recurring questions 'what if?' and 'why me?' are fundamental to the human relationship with an uncertain future, whether it be in the ancient past or the present day.
AN EPIC TRAGEDY, WIDELY CONSIDERED TO BE A MASTERPIECE Oedipus Rex, Sophocles’ finest play is considered by many to be the greatest of the classic Greek tragedies. First produced sometime around 429 BC, it exhibits near-perfect harmony of character and action and is a work of extraordinary power which has circulated throughout world culture for thousands of years. After Laius, King of Thebes, learns from an oracle that he is doomed to perish by the hand of his own son, he orders his wife Jocasta to kill his newly born son. Unable to do it, Jocasta entrusts a servant with the task instead, who takes the baby to a mountaintop and leaves him to die of exposure. A passing shepherd rescues the baby and names him Oedipus, taking him to Corinth where he is raised by the childless King Polybus as if it were his own. When Oedipus learns that he is not the biological son of Polybus, he seeks the counsel of the Oracle of Delphi who relates to him that he is doomed to kill his father and marry his mother. The play is a unique combination of a murder mystery, a political thriller, and a psychological whodunit. This ironic story of patricide and incest tells how Oedipus, who has become King of Thebes, in order to stop a plague in his kingdom, is determined to find and punish the former king’s assassin, only to learn that the murderer is himself. At the end of the play, after this truth comes to light, the queen, Jocasta hangs herself while Oedipus, horrified at his patricide and incest, gouges out his own eyes in despair.
Author : Weaver Santaniello Publisher : State University of New York Press Page : 260 pages File Size : 46,8 Mb Release : 2001-10-05 Category : Religion ISBN : 9780791489901
"I have slain all gods—for the sake of morality!" — Friedrich Wilhelm Nietzsche Although often regarded as an atheist who did not take religion seriously, Nietzsche in fact thought deeply about the gods and how they functioned in the human psyche. The son of a Lutheran pastor who dropped theology in college after only one semester, Nietzsche was a profound religious thinker who devoted much of his writing to reevaluating the concept of god that prevailed in nineteenth-century Germany. As this volume demonstrates, Nietzsche sharply discerned between the positive and negative aspects of various gods, including the Christian God, the Jewish God (Yahweh), the Greek gods (especially Apollo and Dionysus), and the Buddha. The essays further touch upon Nietzsche's relationship to prominent religious thinkers of his time, as well as his influence on later religious thinkers, such as Martin Buber and Paul Tillich. Wide-ranging and diverse, Nietzsche and the Gods will be indispensable to our continuing understanding of Nietzsche's thought and to the broader study of philosophy and religion.
Presents a retelling of the classic Greek tragedy of Oedipus, who unknowingly murdered his father and married his mother and then puts out his own eyes when he discovers the truth.