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Father Browne's Titanic Album by E. E. O'Donnell Pdf
As a passenger on the first two legs of Titanic's ill fated voyage, Father Francis Browne SJ's photographs are an immensely important record. As well as taking a unique set of photos, Father Browne also assembled an incredibly valuable album of Titanic material such as an original deck plan, menus, letters to him from fellow passengers, contemporary newspaper cuttings and other documents, many of which are reproduced here. Thanks to the gift of a ticket from his uncle, a young Jesuit named Francis Browne travelled on the Titanic during her maiden voyage from Southampton, to Cherbourg to Cork. Invited to remain with the ship as it crossed the Atlantic, Fr Browne was saved from possible disaster by a telegram from his Jesuit superior ordering him to "get off that ship". When the unthinkable happened and the Titanic sank, Fr Browne's photographs appeared on the front pages of newspapers all around the world. For many years the photographs of Fr Browne were forgotten until 1985 when Fr Eddie O'Donnell happened across an old tin trunk in the Jesuit archives and re-discovered 42,000 photographs, including the Titanic collection.
"Thanks to the gift of a ticket from his uncle, a young Jesuit named Francis Browne traveled on the Titanic during her maiden voyage from Southampton, to Cherbourg to Cork. A keen photographer, Fr Browne took many unique photographs of the ship and her passengers. Invited to remain with the ship as it crossed the Atlantic, Fr Browne was saved from possible disaster by a telegram from his Jesuit superior ordering him to "get off that ship". When the unthinkable happened and the Titanic sank, Fr Browne's photographs appeared on the front pages of newspapers all around the world. For many years the photographs of Fr Browne were forgotten until 1985 when Fr Eddie O'Donnell happened across an old tin trunk in the Jesuit archives and re-discovered 42,000 photographs, including the Titanic collection. The book includes many extracts from Fr Browne's personal Titanic album."--Amazon.com.
Frank Browne by David H. Davison,Edwin Davison,Edward Eugene O'Donnell Pdf
Born in Cork, Ireland, Frank Browne (1880-1960) was both a distinguished Jesuit and an accomplished photographer. At age 17, before commencing his studies for the priesthood, he embarked on a tour of Europe armed with a camera. Browne quickly discovered a strong affinity for photography, and continued to take photographs throughout his life. It was not until 1985, however--when Father Edward O'Donnell SJ discovered a large trunk in the Irish Jesuit Provincial's House and found it packed with negatives and photographs--that Browne was catapulted to international fame. Father Browne's remarkable life is recorded in the superb selection of images presented in this book. With wit and a sharp eye, he observed 20th-century Ireland; life as a Jesuit priest; his experience as a passenger on the first leg of the voyage of the Titanic in 1912; and his later travels throughout Europe, Egypt, Yemen, Ceylon, and Australia. This handsome, copiously illustrated volume offers a complete survey of the photographic work of an exceptional man. Exhibition Schedule: Farmleigh House, Dublin (10/22/14-12/22/14)
The Breath Between Waves by Charlotte Anne Hamilton Pdf
Penelope Fletcher gave up everything to board the RMS Titanic. Forced to travel to America for her father's new job, Penelope left her home in Scotland, her beloved grandmother, and even her girlfriend, who promptly got engaged to someone else. Heartbroken, Penelope isn't looking forward to the weeklong journey. Or that her parents want her to find a husband in America. To make matters worse, she also has to share a cabin with a complete stranger. Ruby Cole, her spunky Irish roommate, is unlike anyone Penelope ever met. They become fast friends as they bond over crushing family expectations and sneaking into lush parties together. That Ruby likes women, too, comes as a surprise to Penelope, but she knows their affair can only be temporary. Because as soon as the Titanic arrives in New York, Penelope will have to marry someone of her father’s choosing. Before long, though, they’ll both have to decide what–and who–is really worth fighting for.
Father Francis Browne SJ, Titanic photographer and much decorated war chaplain, began to take flying lessons at Baldonnell Aerodrome, near Dublin, in 1925. His first aerial photographs were taken in 1926 and he was still flying over County Dublin in light aircraft until the 1930s. It was in the 1940s, however, that Fr Browne took most of his photographs of aircraft and airports. Aviation had developed greatly and grass airstrips gave way to concrete runways, as glorified shacks and Nissen huts made way for sophisticated terminal buildings. During the 1950s Fr Browne took commercial flights to visit family in England. Eddie O'Donnell SJ has once again researched the Father Browne Archive and has put together a truly fascinating collection of photographs telling the story of the early years of aviation in Ireland.
What if practical inspiration could be as simple as an eye-opening, heartfelt song? From Grammy-winning star performer, husband, and father, Tim McGraw, comes a beautiful keepsake book, inspired by his uplifting hit, "Humble and Kind." Humble and Kind is the keepsake hardcover volume that combines the emotional power of Tim McGraw's uplifting #1 single and video "Humble and Kind" to elegant line illustrations in a gift book for all seasons. Inspired by McGraw's own life experience as his eldest child embarked on her college career, every parent and graduate can relate to Humble and Kind; with tender clarity, the words reinforce lessons for mindful, compassionate living. The song's pure poetry not only propelled the single up the charts, but its accompanying video-gorgeously produced with images courtesy of Oprah Winfrey's documentary "Belief" -has been viewed by tens of millions since its release, and inspired a community movement at stayhumbleandkind.com. Featuring an introduction from McGraw and an epilogue by the songwriter Lori McKenna, Humble and Kind is a deeply affecting call to action, and the perfect memento for millions of graduates, parents, and children across the continent.
Nothing ever happens in Dawson, Colorado. Until high school senior Cassidy Roekiem’s mom checks into a “wellness center,” but nothing is wrong with her. Then people start seeing lights in the sky and missing chunks of time, but the town insists nothing is going on. And now Hayden, the new boy at school who keeps to himself and is more than a little mysterious, starts to notice her like it’s nothing out of the ordinary. Suddenly, “nothing” is starting to feel a whole lot like something. And everything leads back to Hayden. The boy she’s starting to fall for. The boy with too many dark secrets for his kind heart. The boy she’s pretty sure isn’t human...
Music legend, photographer, and artist Graham Nash reflects on more than fifty years of an extraordinary life in this extensive collection of personal photographs, paintings, and mixed-media artwork. In this curated collection of art and photography from his personal archive, Graham Nash’s life as a musician and artist unfolds in vivid detail. Best known as a founding member of the Hollies and supergroup Crosby, Stills & Nash, Graham developed a love of photography from the time he was a child. Inspired by his father, Nash began taking pictures at 10 years old and would go on to take his camera with him ever since—on tour with the Hollies and later CSN and CSNY, among friends at Laurel Canyon and abroad. Many of his photographs depict intimate moments with family and friends, among them Joni Mitchell, Stephen Stills, and Neil Young. This volume presents these images alongside Nash’s own reflections, telling the story behind the pictures and giving insight into the life of one of the greatest musicians of all time.
Jelly's Blues by Howard Reich,William M. Gaines Pdf
Jelly's Blues vividly recounts the tumultuous life of Jelly Roll Morton (1890-1941), born Ferdinand Joseph Lamonthe to a large, extended family in New Orleans. A virtuoso pianist with a larger-than-life personality, he composed such influential early jazz pieces as "Kansas City Stomp" and "New Orleans Blues." But by the late 1930s, Jelly Roll Morton was nearly forgotten as a visionary jazz composer. Instead, he was caricatured as a braggart, a hustler, and, worst of all, a has-been. He was ridiculed by the white popular press and robbed of due royalties by unscrupulous music publishers. His reputation at rock bottom, Jelly Roll Morton seemed destined to be remembered more as a flamboyant, diamond-toothed rounder than as the brilliant architect of that new American musical idiom: Jazz.In 1992, the death of a New Orleans memorabilia collector unearthed a startling archive. Here were unknown later compositions as well as correspondence, court and copyright records, all detailing Morton's struggle to salvage his reputation, recover lost royalties, and protect the publishing rights of black musicians. Morton was a much more complex and passionate man than many had realized, fiercely dedicated to his art and possessing an unwavering belief in his own genius, even as he toiled in poverty and obscurity. An especially immediate and visceral look into the jazz worlds of New Orleans and Chicago, Jelly's Blues is the definitive biography of a jazz icon, and a long overdue look at one of the twentieth century's most important composers.
The Truth About The Titanic (Illustrated & Annotated Edition) by Archibald Gracie Pdf
This commemorative edition includes all the photos from the first edition of this unbelievable account as well as a detailed essay about the history of steamships and steamship lines up to the year 1912. Furthermore this volume features an interactive table-of-contents as well as perfect formatting for 21st century electronic reading devices 'The Truth About the Titanic', by Colonel Archibald Gracie, is a striking recital of the monumental shipwreck, by the sole survivor of all the men passengers, "stationed during the loading of six or more life-boats with women and children on the port side of the ship.'' The book is written as a tribute and testimony to the "heroism on the part of all concerned." Colonel Gracie refutes many of the press reports of the disaster, as for instance, the Captain and the First Officer shooting themselves, for which statement he says there is no direct testimony. The story of the author's marvelous escape beggars the imagination and gives proof of a remarkable telepathic communication with his wife. Horrible are the scenes described and they bring vividly before you the heroism and endurance that were borne until the arrival of the Carpathia. Some of the testimony taken before the Senate Committee and the British Courts of Inquiry is analyzed and the story of each lifeboat is given according to the testimony given and the different affidavits. The part devoted to J. Bruce Ismay's testimony will be of especial interest to readers. Colonel Gracie's death, eight months after the world's greatest marine disaster, was due to the exposure and strain received at that time, and the restraint is a marked feature in this vivid account of an unprecedented ocean disasterwhich occasioned the sympathy of the world.
The Life of Ludwig van Beethoven (Complete) by Alexander Wheelock Thayer Pdf
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
