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Even though public and critical reaction to the first exhibited fauvist works was one of hostility and astonishment, fauvist paintings are today among the most loved of all twentieth-century art. Here are the artists--their works, relationships, achievements, affinities, and critics. 170 illustrations.
This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group. Genuinely new art is always challenging, sometimes even shocking to those unprepared for it. In 1905, the paintings of Matisse, Derain, Vlaminck and their friends shocked conservative museum-goers; hence, the eventual popularity of art critic Louis Vauxcelles's tag les fauves, or wild beasts by which these artists became known. Although it lasted only three or four years, Fauvism is recognized as the first artistic revolution of international consequence in the 20th century. It was based on the glorification of pure saturated colors and the free expression of primitivism. It was a dynamic sensualism; an equilibrium of passion and order, fire and austerity that could not last. By the end of 1908, Fauvism collapsed in the face of Cubism, which, moreover, several Fauve artists helped to form.
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
Author : Ellen C. Oppler Publisher : New York : Garland Pub. Page : 480 pages File Size : 55,6 Mb Release : 1976 Category : Art ISBN : UOM:39015016859145
"Excited handling of pure colors and drastic simplification of line: such was Fauvism, the first art revolution of the twentieth century ... This comprehensive study illustrates the work of some twenty artists, French, German, Dutch and Russian, and fills in the essential background of pre-Fauvism going back to Monet, Gaugain and Van Gogh."--Back cover.
Author : Museum of Modern Art, New York Publisher : Unknown Page : 172 pages File Size : 43,5 Mb Release : 1976 Category : Electronic ISBN : 087070639X
History of Modern Painting: Matisse, Munch, Rouault; fauvism [and] expressionism, by M. Raynal [and others]-[3] From Picasso to surrealism; cubism, futurism, the Blue Rider, metaphysical painting, Dada, abstract art, purism, the realist reaction, the Bauhaus, poetic painting [and] surrealism, by M. Raynal [and others by Maurice Raynal Pdf
From Fauvism to Impressionism by Albert Marquet,David F. Setford,Centre Georges Pompidou Pdf
Albert Marquet (1875-1947) is one of the most forgotten and neglected artists of the twentieth century. His early career followed that of Matisse, his close and lifelong friend. They were students together of the French symbolist painter Gustave Moreau and were important members of the Fauve movement. After that brief early affiliation, Marquet refused to ally himself with any dominant art style, preferring instead his own intuition; consequently, he developed a unique approach which drew from both Fauvism and Impressionism but was entirely his own. From Fauvism to Impressionism: Albert Marquet is the catalogue of an exhibition of Marquet's work that will be touring the United States for the next two years. It showcases the artist's energetic landscapes, portraits, and startling nudes, and is accompanied by new essays placing his work in the context of modern art.
Fauvism, Origins and Development by Marcel Giry Pdf
"Despite its having been the subject of several books, Fauvism remains a little known artistic movement. The author demonstrates that Fauvism constitutes a specific pictorial system for the expression of reality - a system that can be clearly defined not by any preliminary doctrine, but by dynamic action. He also explains how these paintings are not merely the result of a technique of expression using pure colors, but rather a lyrical translation of the artist's relationship to the universe - a new type of spatial awareness."--BOOK JACKET.
