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Author : John L. Fell
Publisher : Univ of California Press
Page : 412 pages
File Size : 43,6 Mb
Release : 1983
Category : Motion picture industry
ISBN : 0520047583
Author : Scott Simmon
Publisher : CUP Archive
Page : 196 pages
File Size : 50,6 Mb
Release : 1993-07-30
Category : Performing Arts
ISBN : 0521388201
An introduction to the work of the first widely acknowledged master filmmaker.
Author : Tom Gunning
Publisher : University of Illinois Press
Page : 334 pages
File Size : 44,6 Mb
Release : 1994
Category : Art
ISBN : 025206366X
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Author : Marilyn Fabe
Publisher : Univ of California Press
Page : 312 pages
File Size : 55,7 Mb
Release : 2014-10-14
Category : Performing Arts
ISBN : 9780520279971
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Author : George Pavlou
Publisher : Cambridge Scholars Publishing
Page : 166 pages
File Size : 53,7 Mb
Release : 2018-12-21
Category : Performing Arts
ISBN : 9781527523999
This book offers a significant and original contribution to studies on D.W. Griffith and film, through a systematic analysis of the director’s chase scenes, which create suspense and resolution in his films. The predominance of the emphasis of building suspense differs in the various stages of his chase scenes. The primary source of material discussed here is Griffith’s films after 1913 when he left the Biograph Company. Griffith’s post-Biograph films are more complete and representative of his techniques than his earlier films, which were subject to financial constraints while he was still innovating and developing his cinematic techniques. Most of his films used in this analysis were provided by the Museum of Modern Art in New York City. The purpose of this study is to determine a definition of a Griffithian chase scene in terms of his editing techniques. Categories are established, defining specific tools. This is done by determining and documenting consistencies, comparisons, and specific patterns occurring in his chase scenes that generally do not occur in his general editing. Griffith’s basic mechanics in editing are filmic time and space, parallel action, referential crosscutting, and decomposition. A major finding in this book is that Griffith’s chase scenes are the most important part of his films in terms of suspense and resolution. His chase scenes are complex, unique and sometimes even unpredictable. As such, this is an important new work on D.W. Griffith, and will be of interest to scholars and others interested in both the director and film, and will also be an asset to libraries and bookstores.
Author : Melvyn Stokes
Publisher : Oxford University Press
Page : 432 pages
File Size : 41,6 Mb
Release : 2008-01-15
Category : History
ISBN : 9780199887514
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
Author : Charles River Editors
Publisher : Unknown
Page : 50 pages
File Size : 42,9 Mb
Release : 2020-01-29
Category : Electronic
ISBN : 9798606187508
*Includes pictures *Includes contemporary reviews of Griffith's movies *Includes a bibliography for further reading "Remember how small the world was before I came along? I brought it all to life: I moved the whole world onto a 20-foot screen." - D.W. Griffith He was a pioneering film director who had 518 films to his credit. His work spanned the silent and sound eras. Most of his films were completed in a span of 15 years. But today he is known only for one of his films, one considered by historians to be a landmark in cinema as well as the most controversial ever made. He could not escape the controversy of this one film before he died in relative obscurity, his contributions to the motion picture industry forever marred. The story of D.W. Griffith is one of triumph and tragedy, of a man who almost singlehandedly created the American motion picture industry, but whose prejudices and ego have permanently colored how he is perceived. In 1958, James Agee wrote of Griffith and his time, "This was the only time in movie history that a man of great ability worked freely, in an unspoiled medium, for an unspoiled audience, on a majestic theme which involved all that was, and brought to it, besides his abilities as an inventor and artist, absolute passion, pity, courage, and honesty. He achieved what no other known man has ever achieved. To watch his work is like being witness to the beginning of melody, or the first conscious use of the lever or the wheel, the emergence coordination, and first eloquence of language, the birth of an art, and to realize that this is all the work of one man." It would be an overstatement to say that D.W. Griffith created Hollywood; but Hollywood would have been quite different without his complicated genius. As historian Richard Griffith put it, "the origins of older arts are lost in prehistory, their creators unknown or barely guessed at," but for the movies, "we have an almost complete record of the 'birth of an art.' The creator of film art was David Wark Griffith." D.W. Griffith: The Life and Legacy of the Hollywood Director Who Made The Birth of a Nation profiles Griffith's upbringing and his career, profiling the notorious movie that he continues to be remembered by. Along with pictures of important people, places, and events, you will learn about Griffith like never before.
Author : Richard Barsam
Publisher : Indiana University Press
Page : 508 pages
File Size : 48,9 Mb
Release : 1992-11-22
Category : Performing Arts
ISBN : 0253207061
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Author : Ira H. Gallen
Publisher : FriesenPress
Page : 582 pages
File Size : 42,6 Mb
Release : 2015-12-15
Category : Performing Arts
ISBN : 9781460260999
Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.
Author : Iris Barry
Publisher : Unknown
Page : 98 pages
File Size : 52,8 Mb
Release : 1965
Category : Motion pictures
ISBN : UOM:39015020676543
Author : Paolo Cherchi Usai
Publisher : Bloomsbury Publishing
Page : 220 pages
File Size : 47,6 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781839020049
THE GRIFFITH PROJECT Paolo Cherchi Usai, General Editor Volume 12: Essays on D.W. Griffith Edited by Paolo Cherchi Usai and Cynthia Rowell With contributions by William M. Drew, Helmut Färber, André Gaudreault, Philippe Gauthier, Lea Jacobs, Joyce Jesionowski, Charlie Keil, Richard Koszarski, Arthur Lennig, Pat Loughney, David Mayer, Russell Merritt, Jan Olsson, Paul Spehr, Yuri Tsivian, Linda Williams In early 1996, an international group of 35 specialists in silent cinema volunteered to write commentaries on more than six hundred films directed, written, produced and supervised by D.W. Griffith – or featuring him as a performer – for the eleven-volume series The Griffith Project, the largest monograph ever assembled on an individual film director, in conjunction with the massive retrospective held at the Pordenone Silent Film Festival from 1996 to 2008. All authors involved in The Griffith Project were bound to strict editorial rules, most notably the fact that all titles in the series would be assigned to them in pre-determined groups rather than as a result of their own individual preference for this or that specific entry. The patience and commitment demonstrated by all scholars in this endeavor requires at least a symbolic recognition. We therefore invited the members of the project team to write an essay on a (D.W. Griffith-related) topic of their own choice. The papers included in this volume constitute the response to our carte blanche invitation. Our offer was also extended to other experts on D.W. Griffith who, for various reasons, were unable to participate in The Griffith Project but consistently supported it with their generous advice and insight. This volume brings The Griffith Project to completion, as 2008 sees the last installment of the D.W. Griffith program at the Pordenone Silent Film Festival with the screening of his films produced between 1925 and 1931. Not surprisingly, twelve years of research on D.W. Griffith have unearthed an impressive wealth of knowledge but also an equally amazing array of new questions, certainly enough of them to fill several more volumes. Some of them (including the increasingly complex issue of D.W. Griffith's role as production supervisor) are only introduced or barely mentioned here, but we are confident that what we have called the 'Griffith Project' will continue – at the Giornate and elsewhere – with more research and newly found or preserved prints. PAOLO CHERCHI USAI is Director of the National Film and Sound Archive of Australia. He is co-founder of the Pordenone Silent Film Festival and of the L. Jeffrey Selznick School of Film Preservation at George Eastman House (Rochester, New York). He directed the experimental feature film Passio (2007). His latest book is David Wark Griffith (Editrice Il Castoro, 2008).
Author : Paolo Cherchi Usai
Publisher : Bloomsbury Publishing
Page : 188 pages
File Size : 46,8 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781839020087
No other silent film director has been so extensively studied as D. W. Griffith. However, only a small group of his more than 500 films has been the subject of a systematic analysis and the vast majority of his other works stills await proper examination. For the first time in film studies, the complete creative output of Griffith - from Professional Jealousy (1907) to The Struggle (1931) - will be explored in this multi-volume collection of contributions from an international team of leading scholars in the field. Created as a companion to the on-going retrospective held by the Pordenone Silent Film Festival, The Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century.
Author : Robert Lang
Publisher : Rutgers University Press
Page : 328 pages
File Size : 40,6 Mb
Release : 1994
Category : Performing Arts
ISBN : 0813520274
The birth of a nation follows the lives of two white families divided by, and enduring, the American Civil War, and includes elaborate cameos of historical events such as the assassination of Abraham Lincoln.
Author : Paolo Cherchi Usai
Publisher : Bloomsbury Publishing
Page : 383 pages
File Size : 43,6 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838718978
No other silent film director has been so extensively studied as D. W. Griffith. However, only a small group of his more than 500 films has been the subject of a systematic analysis and the vast majority of his other works still awaits proper examination. For the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy' (1907) to 'The Struggle' (1931) - will be explored in this multi-volume collection of contributions from an international team of leading scholars in the field.
Author : Paul Grainge
Publisher : Edinburgh University Press
Page : 616 pages
File Size : 51,7 Mb
Release : 2007-01-11
Category : Performing Arts
ISBN : 9780748628940
An introduction to film history, this anthology covers the history of film from 1895. It is arranged chronologically, and each chapter contains an introduction on the key developments within the period. Various types of film history are undertaken to enable students to become familiar with different types of film historical research.
