Film Criticism And Digital Cultures

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Film Criticism and Digital Cultures

Author : Andrew McWhirter
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 44,8 Mb
Release : 2016-08-26
Category : Social Science
ISBN : 9781786720399

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Film Criticism and Digital Cultures by Andrew McWhirter Pdf

'The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism.

Film Criticism and Digital Cultures

Author : Andrew McWhirter
Publisher : Unknown
Page : 262 pages
File Size : 41,7 Mb
Release : 2024-06-14
Category : Electronic books
ISBN : 1350986445

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Film Criticism and Digital Cultures by Andrew McWhirter Pdf

"The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism."--

Film Criticism and Digital Cultures

Author : Andrew McWhirter
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 48,7 Mb
Release : 2016-08-26
Category : Performing Arts
ISBN : 9781786730398

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Film Criticism and Digital Cultures by Andrew McWhirter Pdf

'The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism.

Film Criticism in the Digital Age

Author : Mattias Frey,Cecilia Sayad
Publisher : Rutgers University Press
Page : 284 pages
File Size : 55,7 Mb
Release : 2015-04-20
Category : Performing Arts
ISBN : 9780813573649

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Film Criticism in the Digital Age by Mattias Frey,Cecilia Sayad Pdf

Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Rethinking Cultural Criticism

Author : Nete Nørgaard Kristensen,Unni From,Helle Kannik Haastrup
Publisher : Springer Nature
Page : 271 pages
File Size : 48,6 Mb
Release : 2020-11-30
Category : Political Science
ISBN : 9789811574740

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Rethinking Cultural Criticism by Nete Nørgaard Kristensen,Unni From,Helle Kannik Haastrup Pdf

This edited volume examines cultural criticism in the digital age. It provides new insights into how critical authority and expertise in a cultural context are being reconfigured in digital media and by means of digital media, as the boundaries of cultural criticism and who may perform as a cultural critic are redefined or even dissolved. The book applies cross-media and cross-disciplinary perspectives to advance cultural criticism as a wide-ranging and multi-facetted object of study in the 21st century. Presenting a broad collection of case studies, including global cases such as the Golden Globe, the Intellectual Dark Web, YouTube, Rotten Tomatoes and Artsy and particular national contexts such as Britain, the Czech Republic, Denmark and the Netherlands, the book showcases the many theoretical and methodological approaches that may serve as useful frameworks for studying new critical voices in the digital age. It will be of interest to media, communication and journalism scholars as well as scholars from a range of aesthetic disciplines.

Cinematic Perspectives on Digital Culture

Author : Norman Taylor
Publisher : Springer
Page : 242 pages
File Size : 41,7 Mb
Release : 2012-10-10
Category : Social Science
ISBN : 9781137284624

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Cinematic Perspectives on Digital Culture by Norman Taylor Pdf

Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.

Technology and Culture, the Film Reader

Author : Andrew Utterson
Publisher : Psychology Press
Page : 172 pages
File Size : 46,6 Mb
Release : 2005
Category : Cinematography
ISBN : 0415319854

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Technology and Culture, the Film Reader by Andrew Utterson Pdf

Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.

Deep Mediations

Author : Karen Redrobe,Jeff Scheible
Publisher : U of Minnesota Press
Page : 421 pages
File Size : 42,6 Mb
Release : 2021-03-09
Category : Performing Arts
ISBN : 9781452962948

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Deep Mediations by Karen Redrobe,Jeff Scheible Pdf

The preoccupation with “depth” and its relevance to cinema and media studies For decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies. The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

Cineaste on Film Criticism, Programming, and Preservation in the New Millennium

Author : Cynthia Lucia,Rahul Hamid
Publisher : University of Texas Press
Page : 380 pages
File Size : 46,7 Mb
Release : 2017-11-01
Category : Performing Arts
ISBN : 9781477313435

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Cineaste on Film Criticism, Programming, and Preservation in the New Millennium by Cynthia Lucia,Rahul Hamid Pdf

Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.

Goodbye Cinema, Hello Cinephilia

Author : Jonathan Rosenbaum
Publisher : University of Chicago Press
Page : 408 pages
File Size : 53,9 Mb
Release : 2010-10-15
Category : Performing Arts
ISBN : 9780226726663

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Goodbye Cinema, Hello Cinephilia by Jonathan Rosenbaum Pdf

The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe’s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multi-faceted talent. Goodbye Cinema, Hello Cinephilia gathers together over fifty examples of Rosenbaum’s criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum’s polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn’t disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing—one in which Hollywood will continue to feel the shockwaves of the digital age—Jonathan Rosenbaum remains a valuable guide. Goodbye Cinema, Hello Cinephilia is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us to elucidate.

Film Criticism as a Cultural Institution

Author : Huw Walmsley-Evans
Publisher : Unknown
Page : 0 pages
File Size : 40,6 Mb
Release : 2018
Category : Film criticism
ISBN : 1138186589

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Film Criticism as a Cultural Institution by Huw Walmsley-Evans Pdf

Crisis and continuity in film criticism -- Institutional approaches to film criticism -- Sites of film criticism -- The profession of film criticism -- Film critics circles -- Film criticism and the internet -- Epilogue: Film criticism in the 21st century

Cinephilia in the Age of Digital Reproduction

Author : Scott Balcerzak,Jason Sperb
Publisher : Wallflower Press
Page : 264 pages
File Size : 46,6 Mb
Release : 2009
Category : Computers
ISBN : STANFORD:36105215152021

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Cinephilia in the Age of Digital Reproduction by Scott Balcerzak,Jason Sperb Pdf

This title explores the increasing relevance of digital media in the consumption and analysis of film.

Extreme Cinema

Author : Mattias Frey
Publisher : Rutgers University Press
Page : 299 pages
File Size : 40,8 Mb
Release : 2016-03-15
Category : Art
ISBN : 9780813576527

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Extreme Cinema by Mattias Frey Pdf

Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the “taboo-breakers” of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation.

Cinema and Technology

Author : Bruce Bennett,Marc Furstenau,Adrian MacKenzie
Publisher : Palgrave MacMillan
Page : 288 pages
File Size : 54,6 Mb
Release : 2008-11-27
Category : Business & Economics
ISBN : UOM:39015078771261

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Cinema and Technology by Bruce Bennett,Marc Furstenau,Adrian MacKenzie Pdf

The essays collected in Cinema and Technology map out a new interdisciplinary terrain, combining contemporary analyses of material and visual culture, deploying the methods of film studies, media and cultural studies, media anthropology, and science and technology studies. Rather than describing a technological "crisis," or separating the technological and aesthetic halves of the cinema, they present a manifold, expansive reconsideration of the life of technologies in the cultures, theories and practices of cinematic production and consumption.

The Virtual Life of Film

Author : D. N. RODOWICK,David Norman Rodowick
Publisher : Harvard University Press
Page : 208 pages
File Size : 43,5 Mb
Release : 2009-06-30
Category : Performing Arts
ISBN : 9780674042834

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The Virtual Life of Film by D. N. RODOWICK,David Norman Rodowick Pdf

As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.