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Paintings by Fitz Hugh Lane by John Wilmerding,Fitz Henry Lane,National Gallery of Art (U.S.) Pdf
A catalogue of paintings by maritime artist Fitz Hugh Lane. Established as one of the masters of 19th-century American painting, Lane depicts the character of maritime New England.
Paintings by Fitz Hugh Lane by John Wilmerding Pdf
A catalogue of paintings by maritime artist Fitz Hugh Lane. Established as one of the masters of 19th-century American painting, Lane depicts the character of maritime New England. The 61 paintings on view, dating from 1844 to 1864, primarily depicted ships and coastal scenes of New England. The exhibition was largely selected from the collection of the Museum of Fine Arts, Boston, and the Cape Ann Historical Association in Gloucester, Massachusetts.
American Masters from Bingham to Eakins by Franklin Kelly,John Wilmerding Pdf
John Wilmerding was curator of American art and senior curtor 1977-1983 and deputy director 1983-1988, at the National Gallery of Art. Item discusses Wilmerding's collection and his career at the gallery.
"Tells the story of American marine painting from the colonial period to the present, grouping artists by their styles and setting their work in historical context."--Dust jacket.
Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita)
Author : Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita) Publisher : Oxford University Press, USA Page : 328 pages File Size : 45,7 Mb Release : 2007-01-05 Category : Art ISBN : 9780195345667
Nature and Culture : American Landscape and Painting, 1825-1875, With a New Preface by Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita) Pdf
In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine
This overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.
Lowell, a historic industrial city, owes its life to the broad Merrimack River. Renowned for its water-powered textile mills, it was also a city rich in natural beauty, where spiritual and cultural values took root. Postcards from the 1890s to the 1940s bear witness to riverscapes, varied waterways, arched bridges, and green parks. Vintage cards depict grand churches and stately mansions, some now altered or gone, and rare interior views. Informative text accompanies the images of yellowbricked colleges, pastoral neighboring environs, dignified cemeteries, and imposing monuments, such as the captivating Lion Monument.
Author : Ben T. Simons Publisher : W W Norton & Company Incorporated Page : 248 pages File Size : 52,9 Mb Release : 2004 Category : Art ISBN : 0393060632
Author : Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 658 pages File Size : 43,6 Mb Release : 2000 Category : Art, American ISBN : 9780870999574
Art and the Empire City by Metropolitan Museum of Art (New York, N.Y.) Pdf
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
