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Liam O'Flaherty, Kate O'Brien, Elizabeth Bowen, Sean O'Faolain, and Frank O'Connor--as Hildebidle demonstrates, all five authors saw in the Ireland that grew out of the events of 1916-1923 a nation that stifled the creative energies and bright hopes of its youth, and their fiction can be seen as responding in diverse ways to that reality.
After ten years of upheaval -- not only the 'Troubles' in the north of Ireland but also great political and social changes in the south -- Irish writing is healthier, more vital and more searching than it has been for fifty years. This book marks this high point. The writers whose new work appears in this collection range in age from under twenty five to over eighty and differ widely in their choice of subject and theme: but they share a vision of the world and of experience which is coloured in a haunting way by an Irish perspective. Established writers -- Beckett, O'Flaherty, Faol in, Heaney -- have all provided unpublished work; and this is placed beside brilliant new work by younger writers and those with growing reputations. The editors have selected writing in Irish as well as English, and included extracts from novels, plays and short stories as well as poetry. The book is arranged so that a photograph of the writer faces the first page of his or her work. These studies, taken especially by Mike Bunn, provide a memorable exploration in themselves of the personalities of the writers. A book of such striking vidual and literaty impact serves as a timely reminder of the power and importance of the culture of modern Ireland.
A Short History of Ireland's Writers by Prof. A. Norman Jeffares Pdf
An introduction to all the leading Irish writers and some of the lesser known playwrights, novelists, short story writers, poets, placing them in context and providing a list of their works. Commentaries give brief but telling insights into their work. The story of Irish writing is followed, beginning with Swift, and working through playwrights Synge and O'Casey to Beckett and Friel; from nineteenth-century poetry through Yeats to Seamus Heaney and Paul Durcan; in novels, from Maria Edgeworth, through Joyce, Elizabeth Bowen, Kate O'Brien, Flann O'Brien to contemporaries Julia O'Faolain, Roddy Doyle and Anne Enright.
New York University's Glucksman Ireland House opened a quarter-century ago to foster the study of Ireland and Irish America, and since then has led and witnessed tremendous changes in Irish and Irish-American culture. Alice McDermott writes about her son's Irish awakening; Colum McCann's Joycean essay is a brilliant call to action in defence of immigrants and social justice; Colm Tóibín's first visit to New York coincided with the first St Patrick's Day parade led by a woman; Dan Barry reflects on Frank McCourt's Angela's Ashes; and a new poem by Seamus Heaney written not long before his death. Through deeply personal essays that reflect on their own experience, research and art, some of the best-known Irish writers on both sides of the Atlantic commemorate the House's anniversary by examining what has changed, and what has not, in Irish and Irish-American culture, art, identity, and politics since 1993.
Winner of the Sunday Times short story prize Winner of the Edge Hill short story prize A kiss that just won't happen. A disco at the end of the world. A teenage goth on a terror mission. And OAP kiddie-snatchers, and scouse real-ale enthusiasts, and occult weirdness in the backwoods... Dark Lies the Island is a collection of unpredictable stories about love and cruelty, crimes, desperation, and hope from the man Irvine Welsh has described as 'the most arresting and original writer to emerge from these islands in years'. Every page is shot through with the riotous humour, sympathy and blistering language that mark Kevin Barry as a pure entertainer and a unique teller of tales.
Exploring the lives and works of more than 80 Irish writers—including playwrights, novelists, short story writers, poets, essayists, historians, humorists, and philosophers—this book examines Irish writing within the context of each writer’s life and times, while many curious details, such as the secret scribblings of an Irish rector, are revealed. Among those exposed are the author who turned to writing when he ran a sword through a fellow actor; the writer who stole a priest’s name; and the master of words who became “The Invisible Prince.” With wit and style, this book presents the essential biographical details of an diverse range of literary genius, from Jonathan Swift and Oscar Wilde, to Flann O'Brien, Elizabeth Bowen, and Seamus Heaney.
A group of young Irish migrants leave a man called Hopper for dead on an outback road in Australia. They barely know him; no-one will miss him in their world of hostels, wild nights on cheap wine and grinding work on isolated farms. In this powerful novel about the discovery of responsibility, three young people – Fiona, Murph and Hopper – flee the collapse of their country's economy. In the heat and endless spaces of Australia they try to escape their past, but impulsive cruelty, shame and guilt drag them down, and it is easy to make terrible choices.
Irish Writers and Politics by Okifumi Komesu,Masaru Sekine Pdf
Irish Writers and Politics R explores a variety of responses, the essays in this collection (the third in the IASAIL-Japan series) dealing with Irish writers past and present, such as Swift, Burke, Ferguson, Yeats, Lady Gregory, Joyce, Shaw, O'Casey, Stewart Parker, and Desmond Egan as well as Northern Irish poets and playwrights. CONTENTS INTRODUCTION. Masaru Sekine; ENGLISH READERS: THREE HISTORICAL 'MOMENTS'. Vivian Mercier; SWIFT: ANATOMY OF AN ANTI-COLONIALIST. A. Norman Jeffares; EDMOND BURKE: A VOICE CRYING IN THE WILDERNESS. Lorna Reynolds; THE ENIGMA OF SAMUEL FERGUSON. Maurice Harmon; W. B. YEATS: POLITICS AND HISTORY. Donna Gerstenberger; ASCENDENCY NATIONALISM, FEMINIST NATIONALISM AND STAGECRAFT IN LADY GREGORY'S REVISION OF R KINCORA, Maureen S. G. Hawkins; THE FIFTH BELL: RACE AND CLASS IN YEATS'S POLITICAL THOUGHT. John S. Kelly; JAMES JOYCE AND POLITICS. Heather Cook Callow; SAINT JOAN. Declan Kiberd; THE 'MIGHT OF DESIGN' IN R THE PLOUGH AND THE STARS. Christopher Murray; THE WILL TO FREEDOM: POLITICS AND PLAY IN THE THEATRE OF STEWART PARKER. Elmer Andrews; TOO LITTLE PEACE: THE POLITICAL POETRY OF DESMOND EGAN. Brian Arkins; WHO WE ARE: PROTESTANTS AND POETRY IN THE NORTH OF IRELAND. David Burleigh; THEATRE WITH ITS SLEEVES ROLLED UP. Emelie Fitzgibbon; NOTES; NOTES ON CONTRIBUTORS; INDEX R. Irish Literary Studies Series No. 36.
Lines of Vision: Irish Writers on Art by Janet McLean Pdf
Marking the 150th anniversary of the National Gallery of Ireland, celebrated Irish writers find inspiration in its magnificent collection In 1864 the National Gallery of Ireland opened to the public in Dublin. It then housed just 112 paintings. Today the gallery holds over 15,000 works of European art and is notable both for its extensive collection of Irish art and its Italian baroque and Dutch masters paintings. For this anthology, published to mark the 150th anniversary of the National Gallery of Ireland, fifty-six Irish writers have contributed short stories, essays, and poems inspired by pictures in the collection. These literary responses to art are by turns profound, playful, and insightful. Authors include acclaimed figures in contemporary Irish literature, such as Colm Tóibín, John Banville, John Boyne, Roddy Doyle, Colum McCann, Paula Meehan, Paul Muldoon, John Montague, and Seamus Heaney. The pictures that the writers have selected are intriguingly diverse. They range from old master paintings by Caravaggio, Rembrandt, El Greco, and Velázquez to works by Impressionist and Post-Impressionist artists such as Claude Monet and Pierre Bonnard, as well as works by Irish artists such as Jack B. Yeats, John Lavery, Gerard Dillon, and Paul Henry. The book is organized alphabetically by writer and each text is illustrated with the chosen work in color. Edited with preface by Janet McLean, Curator of European Art 1850–1950 at the NGI.
While the Irish Literary Revival began around 1885 and ended somewhere between 1925 and 1940, the Irish Renaissance has continued to the present day and shows no sign of abating. The period has produced some of the most important and influential figures in Irish literature, some of whom are counted among the world's greatest authors. The Revival saw a reestablishment of Ireland's literary connections with its Celtic heritage, and writers such as William Butler Yeats and Lady Gregory drew heavily on the myths and legends of the past. James Joyce boldly reshaped the novel and wrote short fiction of enduring value. Contemporary Irish writers continue to be leading figures and include such authors as Brian Frigl, Seamus Heaney, and Eavan Boland. Included in this reference book are alphabetically arranged entries for more than 70 modern Irish writers, including Samuel Beckett, William Trevor, Patrick Kavanagh, Medbh McGuckian, Sean O'Casey, J. M. Synge, and Nuala Ni Dhomhnaill. Entries are written by expert contributors and reflect a broad range of perspectives. Each entry contains a brief biography that summarizes the author's career, a discussion of major works and themes, an overview of the author's critical reception, and a bibliography of primary and secondary works. An introductory essay reviews the large and growing body of scholarship on modern Irish literature, while an extensive bibliography concludes the volume.
A “beautifully crafted” novel of two sisters’ lives, spanning from 1950s Ireland to modern-day America (Colum McCann, author of Let the Great World Spin). Greta Cahill never believed she would leave her village in west Ireland. Yet one day she found herself on a ship bound for New York, along with her sister, Johanna, and a boy named Michael Ward, a son of itinerant tinkers. Back home, her family hadn’t expressed much confidence in her abilities, but Greta discovers that in America she can fall in love, earn a living, and build a life. She longs to return and show her family what she has made of herself—but that could mean revealing a secret about her past to her children. So she carefully keeps her life in New York separate from the life she once loved in Ireland, torn from the people she is closest to. Decades later, she discovers that her children, with the best of intentions, have conspired to unite the worlds she has so painstakingly kept apart. And though the Ireland of her memory may bear little resemblance to that of present day, she fears it is still possible to lose all . . . “A compelling drama of transatlantic Irish life.” —Billy Collins “Marries a deliciously old-fashioned style of storytelling with a fresh take on the immigrant experience . . . A warm, involving family drama.” —Booklist
**Winner of the International IMPAC Dublin Literary Award** ‘A electrifying masterpiece’ Joseph O’Connor The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are still some posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin' that the city really lives. For years, Bohane has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there's trouble in the air. But now they say his old nemesis is back in town; his trusted henchmen are getting ambitious; and there's trouble in the air... **One of the BBC’s 100 Novels That Shaped Our World** Shortlisted for the Costa First Novel Award Winner of the Authors' Club Best First Novel Award
Unmarried, childless and sickly, Ellen Hutchins was considered an 'unsuccessful' woman, dutifully bound to her family's once grand and isolated estate, Ballylickey House in County Cork. And yet, by the time of her death in 1815, Ireland's first female botanist, self-taught and determined to make her mark, had catalogued over a thousand species of seaweed and plants from her native Bantry Bay. In Marianne Lee's remarkable debut novel, Ellen's rich but tormented inner life is reclaimed from the repression by gender, class and politics of her time, stealing glimpses of the happiness and autonomy she could never quite articulate. As she reaches for meaning and expression through her work, the eruption of a long-simmering family feud and the rise of Ellen's own darkness - her 'quiet tide' - threaten to destroy her already fragile future. A Quiet Tide is a life examined, a heart-breaking, haunting story that at last captures the essence and humanity of a long forgotten Irishwoman.
