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Author : Charles Robert Maturin
Publisher : Unknown
Page : 166 pages
File Size : 55,7 Mb
Release : 1824
Category : Electronic
ISBN : BL:A0018909242
Author : Anonim
Publisher : BRILL
Page : 256 pages
File Size : 55,6 Mb
Release : 2022-10-17
Category : Literary Criticism
ISBN : 9789004483743
Gothic: Origins and Innovations brings together nineteen papers from an international group of scholars currently researching in the field of the Gothic which take a fresh, contemporary look at the tradition from its eighteenth-century inception to the twentieth century. Topics and authors include the current usage and definition of the term 'Gothic'; the eighteenth-century rise of the genre; the Sublime; Victorian sensation fiction, and authors such as Coleridge, Mary Shelly, Maturin, LeFanu, Washington Irving, Robert Louis Stevenson, Bram Stoker, John Neale, Jack London, Herman Melville, Dickens, Henry James and the movie version of his Turn of the Screw, The Innocents. This wide-ranging set of discussions brings to the subject a new set of perspectives, revising standard accounts of the origins of the genre and extending the historical and cultural contexts into which traditional literary history has tended to confine the subject. Framed by a lively and challenging introduction, the collection brings to bear a full range of contemporary critical instruments, approaches, and interdisciplinary languages, ranging from the new vocabularies of the socio-cultural to the latest debates in the psychoanalytic field. It provides a stimulating introduction to recent thinking about the Gothic.
Author : Benjamin Williams Mathias
Publisher : Unknown
Page : 484 pages
File Size : 53,7 Mb
Release : 1832
Category : Council of Trent
ISBN : BL:A0020264690
Author : Bradford A. Anderson,Jonathan Kearney
Publisher : Bloomsbury Publishing
Page : 416 pages
File Size : 40,5 Mb
Release : 2018-04-19
Category : Religion
ISBN : 9780567678881
Drawing on the work of leading figures in biblical, religious, historical, and cultural studies in Ireland and beyond, this volume explores the reception of the Bible in Ireland, focusing on the social and cultural dimensions of such use of the Bible. This includes the transmission of the Bible, the Bible and identity formation, engagement beyond Ireland, and cultural and artistic appropriation of the Bible. The chapters collected here are particularly useful and insightful for those researching the use and reception of the Bible, as well as those with broader interests in social and cultural dimensions of Irish history and Irish studies. The chapters challenge the perception in the minds of many that the Bible is a static book with a fixed place in the world that can be relegated to ecclesial contexts and perhaps academic study. Rather, as this book shows, the role of the Bible in the world is much more complex. Nowhere is this clearer than in Ireland, with its rich and complex religious, cultural, and social history. This volume examines these very issues, highlighting the varied ways in which the Bible has impacted Irish life and society, as well as the ways in which the cultural specificity of Ireland has impacted the use and development of the Bible both in Ireland and further afield.
Author : Paddy Lyons,Willy Maley,John Miller
Publisher : Cambridge Scholars Publishing
Page : 430 pages
File Size : 44,6 Mb
Release : 2013-10-17
Category : Literary Criticism
ISBN : 9781443853583
The long nineteenth century, arguably the most significant period in Irish history, is marked by a series of events that changed the political landscape of the nation forever and gave rise to art and ideas of international importance. At one end of this tumultuous period, we have Grattan’s Parliament, the United Irishmen, the Rebellion of 1798 led by Wolfe Tone, and the Union of 1801, and at the other, the fall of Parnell, the Easter Rising, Civil War and partition. Between times there are the great hinge events of Catholic Emancipation, the Famine, and the Land War. From Wolfe Tone to Maud Gonne, Ireland went through a period of enormous upheaval that carved out the culture and politics of the modern nation. Irish Studies has not yet fully engaged with the range and richness of this material, nor have critics in the various Anglophone literary fields grasped the extent to which Irish and Scottish events and authors contributed decisively to the development of their own areas. Bringing together an international line-up of established and emerging scholars, Romantic Ireland: From Tone to Gonne takes Irish Studies in new directions, in particular in terms of a cross-cultural comparison with Scotland and the distinct phenomenon of Unionism, thus breaking out of the double binds of Anglo-Irish approaches. The Irish-Scottish interface throws up fascinating insights that enhance our awareness of the interaction between colonialism, nationalism and culture. All of the major figures of the period are represented here, from Edgeworth and Moore to Yeats and Synge, but there are other, often less noticed but hugely significant writers, such as Charles Robert Maturin, Dion Boucicault and May Laffan. There are non-Irish commentators on Ireland like Cobbett and Engels, as well as a series of key Scottish figures – including Burns and Scott – in addition to lesser-known or lesser-noticed Scottish writers with strong Irish interests such as R. M. Ballantyne and Robert Tannahill – whose work opens up new and promising avenues into Irish writing.
Author : Sam Hirst
Publisher : Anthem Press
Page : 188 pages
File Size : 45,7 Mb
Release : 2023-07-11
Category : Literary Criticism
ISBN : 9781839981555
Theology in the Early British and Irish Gothic, 1764–1832 reassesses the relationship between contemporary theology and the Gothic. Investigating Gothic aesthetics, depictions of the supernatural and portrayals of religious organisations, it explores how the Gothic engages with contemporary theologies, both Dissenting and Anglican. Moving away from the emphasis on either a monolithic Protestantism or on the Gothic as a secular mode, it shows the ways in which the Gothic exploration of the transcendent and the obscure cannot be separated from the diverse theologies of its day. The project maps how the Gothic not only reflects but actively engages in the theological debates and controversies contemporary to its efflorescence.
Author : Anonim
Publisher : Unknown
Page : 696 pages
File Size : 53,7 Mb
Release : 1824
Category : Electronic
ISBN : CHI:79229559
Author : Anonim
Publisher : Unknown
Page : 696 pages
File Size : 54,6 Mb
Release : 1824
Category : Electronic
ISBN : SRLF:AA0001508746
Author : Anonim
Publisher : Unknown
Page : 610 pages
File Size : 54,7 Mb
Release : 1824
Category : Electronic
ISBN : OXFORD:590692600
Author : Anonim
Publisher : Unknown
Page : 792 pages
File Size : 48,9 Mb
Release : 1824
Category : England
ISBN : UCD:31175009759765
Author : Anonim
Publisher : Unknown
Page : 770 pages
File Size : 43,5 Mb
Release : 1824
Category : England
ISBN : STANFORD:36105007790459
Author : Thomas ROBINSON (D.D., Master of the Temple.)
Publisher : Unknown
Page : 136 pages
File Size : 50,9 Mb
Release : 1851
Category : Electronic
ISBN : BL:A0018874524
Author : Charles Robert Maturin
Publisher : Lulu.com
Page : 736 pages
File Size : 49,6 Mb
Release : 2015-08-16
Category : Fiction
ISBN : 9781329604933
Charles Robert Maturin's well-known novel, Melmoth the Wanderer (1820), occupies a high-point in Gothic literature. Lurid, vivid, sacrilegious, paranoid, anti-Catholic, painfully tortuous and gleefully drawn out in its depictions of suffering, its title character tries to find victims miserable enough to take over his bargain with "the enemy of mankind." Maturin displayed his talents of "darkening the gloomy" by interweaving tales of Melmoth's intended victims: the Englishman Stanton, ensnared into an insane asylum; the Spaniard Moncada, trapped in monasteries and prisons of the Inquisition; Immalee, an innocent child of nature; Elinor, a Puritan maiden crossed in love, blighted by cruel deception. All are confronted with Melmoth's icy seductions. Maturin's uncanny aptitude for alternating vertiginous intensity with brooding melancholy and despair leads the reader to a dark side of the psyche where the heavy price paid for redemption often tests human fortitude and conviction beyond the limits of endurance."
Author : Anonim
Publisher : Unknown
Page : 762 pages
File Size : 55,8 Mb
Release : 1824
Category : Electronic
ISBN : OXFORD:591001941
Author : Monika Elbert
Publisher : Routledge
Page : 318 pages
File Size : 55,7 Mb
Release : 2016-02-17
Category : Literary Criticism
ISBN : 9781317006879
Offering a variety of critical approaches to late eighteenth- and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic. The essays expand on now well-known approaches to the Gothic (such as those that concentrate exclusively on race, gender, or nation) by focusing on international issues: religious traditions, social reform, economic and financial pitfalls, manifest destiny and expansion, changing concepts of nationhood, and destabilizing moments of empire-building. By examining a wide array of Gothic texts, including novels, drama, and poetry, the contributors present the Gothic not as a peripheral, marginal genre, but as a central mode of literary exchange in an ever-expanding global context. Thus the traditional conventions of the Gothic, such as those associated with Ann Radcliffe and Monk Lewis, are read alongside unexpected Gothic formulations and lesser-known Gothic authors and texts. These include Mary Rowlandson and Bram Stoker, Frances and Anthony Trollope, Louisa May Alcott, Elizabeth Gaskell, Theodore Dreiser, Rudyard Kipling, and Lafcadio Hearn, as well as the actors Edmund Kean and George Frederick Cooke. Individually and collectively, the essays provide a much-needed perspective that eschews national borders in order to explore the central role that global (and particularly transatlantic) exchange played in the development of the Gothic. British, American, Continental, Caribbean, and Asian Gothic are represented in this collection, which seeks to deepen our understanding of the Gothic as not merely a national but a global aesthetic.