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Terry Southern is an acclaimed satirist of American culture, the writer responsible for Candy and the screenplay of Dr. Strangelove. In Flash and Filigree, his first novel, he delivers yet another outrageously funny commentary on the dark side of our national life. Frederick Eichner, world-renowned dermatologist, is visited by the entrancingly irritating Mr. Felix Treevly, who comes to him as a patient and stays as an obsession. Mr. Treevly leads the doctor into a series of hilarious and increasingly weird situations, which, with the assistance of a drunken private detective, a mad judge, a car crash, and a hashish party, finally drive him to mayhem. A wild whirlwind of a novel, Flash and Filigree is a work of comic genius from one of the wittiest writers of our time.
A satirical dream-logic journey through the dark heart of 1950s Los Angeles Dr. Frederick Eichner, world-renowned dermatologist, is visited by the entrancingly irritating Felix Treevly who comes to him as a patient and stays as an obsession. Prosaic incidents blossom into bizarre developments with the sharpened reality of dreams as the spectral Mr. Treevly leads the doctor into a series of increasingly weird situations. With the assistance of a drunken private detective, a mad judge, a car crash, a game show called “What’s My Disease,” and a hashish party, Treevly drives Eichner to madness and mayhem. It is through comedy and a strange blend of violence and poetic delicacy that the novel charms. Southern’s first novel, Flash and Filigree was turned down by seventeen timorous American publishers. It was Southern’s mentor, the “genius” English novelist Henry Green, who brought the book to the attention of a leading British publishing house, which released it to high praise. A fast-paced dark comedy, Flash and Filigree established Terry Southern as one of the finest American prose stylists to emerge in Paris after the War. This ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate.
Frederick Eichner, world-renowned dermatologist, is visited by the entrancingly irritating Mr. Felix Treevly, who comes to him as a patient and stays as an obsession.
DIVDIVIn this uproarious and wicked cult-classic, Southern skewers American greed and pomposity /divDIVGuy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: complacency, greed, corruption, and idiocy. Determined to “make it hot for people,” Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom. Concocting deliciously perverse mayhem, he throws a million one-hundred-dollar bills into an enormous vat of steaming offal, proving just what people will do for money, and he promotes a new silky shampoo that turns hair to wire and a deodorant that becomes a time-released stench-bomb. He inserts subliminally suggestive and perverse images into well-loved classic films, takes a howitzer on safari, and brings a panther to a kennel club dog show. His most elaborate adventure is an ultra-exclusive cruise aboard the S.S. Magic Christian, where elite passengers are treated to a series of madcap indignities./divDIV /divDIV The Magic Christian is a hilarious and savagely satiric view of American commercialism, rich in Southern’s deft handling of detail, dialogue, and delightful deviancy./divDIV /divDIVThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate./div/div
Red-Dirt Marijuana and Other Tastes by Terry Southern Pdf
Before New Journalism, before the waggish cinema of Woody Allen, before the Gonzo World of Hunter S. Thompson, Saturday Night Live, and National Lampoon, there was the legendary Terry Southern—author of Candy and The Magic Christian and the screenwriter of Dr. Strangelove and Easy Rider. Red-Dirt Marijuana and Other Tastes, widely recognized as an underground classic, is a collection of Southern's short pieces, two dozen hilarious, well-observed, and devastating sketches that expose the hypocrisy of American social mores. This edition features an introduction by George Plimpton, one of Southern's longtime literary allies and former editor of The Paris Review. “Terry Southern is the illegitimate son of Mack Sennett and Edna St. Vincent Millay.” —Kurt Vonnegut “Terry Southern writes a clean, mean, coolly deliberate, and murderous prose.” —Norman Mailer “If there was a Mt. Rushmore of modern American humor, Terry Southern would be the mountain they carve it on.” —Michale O'Donoghue “Impressive . . . He is both acutely aware of, and the absolute master of the nuances, the ludicrous snobbishness, the deliberate exclusivity of clique vocabulary. . . . With demoniacal cunning he masquerades as the guardian of taste, of responsibility, and of common decency (Mr. Southern's italics, of course).” —New York Times
DIVA darkly hilarious, wildly erotic satire of Hollywood/divDIV /divDIVKing B., the world’s most admired filmmaker—winner of a string of Oscars and awards from Cannes to Venice—takes on a new project: the most expensive, star-studded, high-quality, X-rated film ever made. He joins forces with producer Sid Krassman, who’s made a fortune with B movies, and Angela Sterling, a misunderstood sex symbol who longs to do “serious” work. After convincing the principality of Liechtenstein to host the production in exchange for a distribution exclusive to boost tourism, King B. and Krassman arrive with cast and crew to make The Faces of Love. While keeping the nature of the film secret from American bankers, King B. lines up a host of European and American big-name stars. But word leaks out to the local religious groups and possibly even the Vatican. Between the Cardinal’s attempts to sabotage production and the big egos and even bigger libidos behind the scenes, the enterprise plummets into hilarious anarchy./divDIV /divDIVBlue Movie is comic eroticism at its best—populated by over-the-top characters, memorable dialogue, and perverse vignettes, and colored by razor-sharp insights into the film industry./divDIV /divDIVThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate./div
Now Dig this by Terry Southern,Nile Southern,Josh Alan Friedman Pdf
Collecting the most controversial work from the prolific founding father of "new journalism," this anthology of countercultural rantings, riffs, and revolutionary writings carries readers from the 1950s through the sexual revolution and into the 1990s.
DIVAn evocative, poignant coming-of-age novel set in rural Texas in the 1930s/divDIV /divDIVThrough events small and large, thirteen-year-old Harold Stevens grows up during a pivotal summer in the red-dirt backcountry of West Texas. With his friend C.K. Crow, the black field hand who works for Harold’s father, he shoots deer and quail, fishes for catfish, mends fences, grows and learns about marijuana, and tests his emerging manhood against bullies, bulls, and the irresistible charms of his horse-riding older cousin. During a hysterical trip to a circus sideshow, Harold and a buddy sneak backstage to see “The Great Hermaphrodite” and the “funny little old Monkey Man,” whom they try to buy a beer. But danger waits on the fringe of this innocent time. When C.K.’s brother, Big Nail, appears after escaping from a chain gang, an inevitable and violent confrontation between the brothers is set in motion—a confrontation that will mark the end of Harold’s childhood. /divDIV /divDIVThis insideview of Southern’s roots in Alvarado, Texas, where pastoral innocence belied an undercurrent of racism and violence, brings this novel of a boy’s transition to maturity vividly alive. /divDIV /divThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate.
Terry Southern and the American Grotesque by David Tully Pdf
This work offers a critical biography and analysis of the varied literary output of novels, short stories, screenplays, poetry, articles and essays of the American writer Terry Southern. The book explores Southern's career from his early days in Paris with friends like Samuel Beckett, to swinging London in such company as the Rolling Stones, to filmmaking in Los Angeles and Europe with luminaries like Stanley Kubrick. His writings are examined in chronological order. David Tully was granted unprecedented access by Terry Southern's family to rare, unpublished work from his private archives. This study offers the first comprehensive examination of the career of this major American writer.
In the early fall of 1958, the notorious Olympia Press in Paris published a novel entitled Candy, an erotic, Rabelaisian satire loosely based on Voltaire's Candide by one Maxwell Kenton, pseudonym of its coauthors, Terry Southern and Mason Hoffenberg. The novel drew the attention of the French censors, was banned, reissued by Olympia's intrepid publisher under the title Lollipop, rebanned, then again reissued. Within years it became one of the most talked-about novels of the tumultuous 1960s, selling in the millions of copies in America alone, its success prompting Hollywood to turn it into a movie. The hilarious, rollicking, sometimes tragic story of Candy's public career is recounted here in full. From the book's humble beginnings in late 1950s Paris through its agonizing three-year gestation (sometimes on paper napkins) and the authors' wily, often self-destructive business dealings with their equally wily French publisher, to its chaotic and controversial publication in the United States, The Candy Men follows Candy's underground then mainstream success—with unblinking scrutiny on the details, including the legal shenanigans that surrounded it, the blatant piracy that plagued it, and the star-studded cast that helped make it into one of the worst movies of all time. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
Since opening up their day spa, The Haven, the wonderful women of the Hot Flash Club have been busy indulging the beleaguered, nerve-frazzled throngs. Now, in Nancy Thayer’s hilarious new Hot Flash novel, it’s the friends’ turn to grab some soothing, and much-deserved R&R. When a long-time Haven client asks the gals to housesit her Nantucket hideaway for the summer, they’re beyond thrilled; the cozy island enclave is the perfect place to shop, swim, chill, and plan Marilyn’s upcoming wedding to Ian, her Scottish fiancé. And Marilyn desperately needs the break, since Ian’s grown son has crashed at the couple’s place with no departure date in sight. Soon after they arrive, the other hot flashers surrender to their own summer flings: Shirley entertains a steamy dalliance with a scruffy, sexy local fisherman that could lead to something deeper; Faye finds her dream house, but restoring it could be a costly nightmare; craft-maven Polly is enthralled by the island’s bounty, from shell art to lightship baskets; and even hardboiled Alice swoons with romantic adventure–or is it seasickness? But this lovefest among the sand and ocean breezes is not without its consequences. Each woman must determine for herself what she is willing to give up in order to hold onto what she has found–and all of them fear that Shirley is on the brink of making a huge mistake, one that threatens their harmony and their business. But these concerns may be eclipsed by the mystery surrounding the disappearance of family heirlooms at the house where they are staying, and rumors that the place harbors spirits other than Grey Goose and Tanqueray. Nancy Thayer continues her hugely successful Hot Flash series with this wickedly funny, delightfully bawdy tale. These irresistible women spring to life–along with their passions, their sorrows, their joys, and, most importantly, their friendship. So pack your bags and join these fabulous five for a season of fun, sun, love, sex, and estrogen therapy.
