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With sixteenth century Germany experiencing the ravages of the Bubonic Plague, Martin Luther was asked to comment on whether Christians could flee home and labors on account of the plague. Anna Marie Johnson introduces and comments on Luther's 1527 treatise "Whether One May Flee the Deadly Plague," still surprisingly relevant with the pandemic.
The year is 1665 and the plague has come to the city of London. For Henry Harper, apprentice apothecary, life will never be the same. His father has died of the plague, and his mother and brother have fled to the country. Now Henry is alone and must find a way to escape from the city he loves, before he, too, is struck down ... (From back cover).
Plague, Quarantines and Geopolitics in the Ottoman Empire by Birsen Bulmus Pdf
Did you know that many of the greatest and most colourful Ottoman statesmen and literary figures from the 15th to the early 20th century considered plague as a grave threat to their empire? And did you know that many Ottomans applauded the establishment of a quarantine against the disease in 1838 as a tool to resist British and French political and commercial penetration? Or that later Ottoman sanitation effort to prevent urban outbreaks would help engender the Arab revolt against the empire in 1916? Birsen Bulmus explores these facts in an engaging study of Ottoman plague treatise writers throughout their almost 600-year struggle with this epidemic disease. Along the way, she addresses the political, economic and social consequences of the methods they used to combat it.
It has a plan . . . Leon is stuck in England. Grace is on her way to New Zealand and Freya to the 'New United States' in Cuba. The virus has assimilated all of humanity except for these three communities and now it is prepared to talk with them. How they each choose to respond to the virus, will ultimately decide their fate in Plague World, the apocalyptic finale to the Remade trilogy from bestselling author of the TimeRiders series, Alex Scarrow.
Plague Searchers: Flee Quick, Go Far by Rob Wills Pdf
The first months of London's Great Plague of 1665 give no hope of any improvement, only an ominous warning of worse to come. Those who can are fleeing the city. Those who can't - the poor, the old, and a dedicated few - must stay to face the growing danger. The ancient women of the parish of St Cyneswide and St Tibba, the Searchers, Viewers and Keepers, who have weathered the disappearance of one of their own, face further calls on their courage and resilience. The plot against the King simmers, supported by folk of fire and faith, dismissed by others as the work of fanatics. There are those who will stop at nothing and threaten the whole city. But ... the parish still finds solace in singing; small children play their joyous, sometimes fractious, street games; and young people find each other. Volume 2 of Plague Searchers - Flee quick, go far - continues this gripping tale with its friendships and feuds, songs and psalms, plots and betrayals.
Plague is a terrifying mystery. In the Middle Ages, it wiped out 40 million people -- 40 percent of the total population in Europe. Seven hundred years earlier, the Justinian Plague destroyed the Byzantine Empire and ushered in the Middle Ages. The plague of London in the seventeenth century killed more than 1,000 people a day. In the early twentieth century, plague again swept Asia, taking the lives of 12 million in India alone. Even more frightening is what it could do to us in the near future. Before the collapse of the Soviet Union, Russian scientists created genetically altered, antibiotic-resistant and vaccine-resistant strains of plague that can bypass the human immune system and spread directly from person to person. These weaponized strains still exist, and they could be replicated in almost any laboratory. Wendy Orent's Plague pieces together a fascinating and terrifying historical whodunit. Drawing on the latest research in labs around the world, along with extensive interviews with American and Soviet plague experts, Orent offers nothing less than a biography of a disease. Plague helped bring down the Roman Empire and close the Middle Ages; it has had a dramatic impact on our history, yet we still do not fully understand its own evolution. Orent's retelling of the four great pandemics makes for gripping reading and solves many puzzles. Why did some pandemics jump from person to person, while others relied on insects as carriers? Why are some strains more virulent than others? Orent reveals the key differences among rat-based, prairie dog-based, and marmot-based plague. The marmots of Central Asia, in particular, have long been hosts to the most virulent and frightening form of the disease, a form that can travel around the world in the blink of an eye. From its ability to hide out in the wild, only to spring back into humanity with a terrifying vengeance, to its elusive capacity to develop suddenly greater virulence and transmissibility, plague is a protean nightmare. To make matters worse, Orent's disturbing revelations about the former Soviet bioweapon programs suggest that the nightmare may not be over. Plague is chilling reading at the dawn of a new age of bioterrorism.
Author : Susan L. Einbinder Publisher : University of Pennsylvania Press Page : 273 pages File Size : 49,9 Mb Release : 2022-10-11 Category : History ISBN : 9781512822885
A wave of plague swept the cities of northern Italy in 1630–31, ravaging Christian and Jewish communities alike. In Writing Plague Susan L. Einbinder explores the Hebrew texts that lay witness to the event. These Jewish sources on the Great Italian Plague have never been treated together as a group, Einbinder observes, but they can contribute to a bigger picture of this major outbreak and how it affected people, institutions, and beliefs; how individuals and institutions responded; and how they did or did not try to remember and memorialize it. High self-consciousness characterizes many of the authorial voices, and the sophisticated and deliberate ways these authors represented themselves reveal a complex process of self-fashioning that equally contours the representation and meaning of plague. Conversely, it is under the strain of plague that conventions of self-fashioning come to the fore. In the end, what proves most striking is how quickly these accounts retreated into obscurity. Why was this plague, which was among the most documented of all outbreaks since the Black Death of the fourteenth century, ultimately consigned to silence in Jewish memory? Did the memory take shape outside the written or material remains that we typically consult, in ephemeral forms that were lost over time? How much were the official genres of commemoration responsible for the erosion of historical particularity? How much did these conventionalized forms of mourning help individuals find language for private experience? And how, conversely, was private experience reconfigured to signify public grief? Throughout Writing Plague, Einbinder unearths and analyzes a cluster of little-known texts, reading them as much for the things about which they remain silent as for the things they seem openly to express. It is a compelling hybrid work of literary criticism and historical reflection about premodern constructions of self and community.
Representing the Plague in Early Modern England by Rebecca Totaro,Ernest B. Gilman Pdf
This collection offers readers a timely encounter with the historical experience of people adapting to a pandemic emergency and the corresponding narrative representation of that crisis, as early modern writers transformed the plague into literature. The essays examine the impact of the plague on health, politics, and religion as well as on the plays, prose fiction, and plague bills that stand as witnesses to the experience of a society devastated by contagious disease. Readers will find physicians and moralists wrestling with the mysteries of the disease; erotic escapades staged in plague-time plays; the poignant prose works of William Bullein and Thomas Dekker; the bodies of monarchs who sought to protect themselves from plague; the chameleon-like nature of the plague as literal disease and as metaphor; and future strains of plague, literary and otherwise, which we may face in the globally-minded, technology-dependent, and ecologically-awakened twenty-first century. The bubonic plague compelled change in all aspects of lived experience in Early Modern England, but at the same time, it opened space for writers to explore new ideas and new literary forms—not all of them somber or horrifying and some of them downright hilarious. By representing the plague for their audiences, these writers made an epidemic calamity intelligible: for them, the dreaded disease could signify despair but also hope, bewilderment but also a divine plan, quarantine but also liberty, death but also new life.
Written in a lively and compelling style, this book explains the hidden relationship between Judaism and the world of infectious disease. It combines history, medicine, science, and religion and gives us a new appreciation of how Jews and Judaism have been deeply shaped by plagues and pandemics, from ancient times up to the present.
In the time of a devastating pandemic, seven women and three men withdraw to a country estate outside Florence to give themselves a diversion from the death around them. Once there, they decide to spend some time each day telling stories, each of the ten to tell one story each day. They do this for ten days, with a few other days of rest in between, resulting in the 100 stories of the Decameron. The Decameron was written after the Black Plague spread through Italy in 1348. Most of the tales did not originate with Boccaccio; some of them were centuries old already in his time, but Boccaccio imbued them all with his distinctive style. The stories run the gamut from tragedy to comedy, from lewd to inspiring, and sometimes all of those at once. They also provide a detailed picture of daily life in fourteenth-century Italy.
The Plague, Pestilence & Apocalypse MEGAPACK ® by Robert Reed,Jack London,Edgar Wallace,Raymond F. Jones,Lafcadio Hearn Pdf
Everyone loves a good disaster story. Fire, famine, disease, war...the world as we know it might end in a million different ways. The Plague, Pestilence, and Apocalypse MEGAPACKTM explores some of the holocausts that might befall mankind, with a special emphasis on plagues (a personal favorite theme of the publisher). If this volume proves popular, we'll do additional volumes focusing on other apocalyptic events... Ice ages? Atomic war? The death of the sun? The possibilities are endless. Included in this volume: PALLBEARER, by Robert Reed PANDEMIC, by J. F. Bone WINGS OF THE BLACK DEATH, by Norvell Page THE MAN WHO LIVED, by Raymond F. O'Kelley THE UNPARALLELED INVASION, by Jack London THE 4TH PLAGUE, by Edgar Wallace THE GERM GROWERS, by Robert Potter THE ANIMALS SICK OF THE PLAGUE, by Jean de La Fontaine THOTH, by Joseph Shield Nicholson THE MASQUE OF THE RED DEATH, by Edgar Allan Poe THE GREAT GRAY PLAGUE, by Raymond F. Jones THE SCARLET PLAGUE, by Jack London THE PLAGUE IN BERGAMO, by Jens Peter Jacobsen THE PLAGUE, by Teddy Keller THE LAST MAN, by Mary Shelley A LEGEND, by Lafcadio Hearn THE DUST OF DEATH, by Fred M. White THE COFFIN CURE, by Alan E. Nourse If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 180+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
Plague Image and Imagination from Medieval to Modern Times by Christos Lynteris Pdf
This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.
Plague and Empire in the Early Modern Mediterranean World by Nükhet Varlik Pdf
This is the first systematic scholarly study of the Ottoman experience of plague during the Black Death pandemic and the centuries that followed. Using a wealth of archival and narrative sources, including medical treatises, hagiographies, and travelers' accounts, as well as recent scientific research, Nükhet Varlik demonstrates how plague interacted with the environmental, social, and political structures of the Ottoman Empire from the late medieval through the early modern era. The book argues that the empire's growth transformed the epidemiological patterns of plague by bringing diverse ecological zones into interaction and by intensifying the mobilities of exchange among both human and non-human agents. Varlik maintains that persistent plagues elicited new forms of cultural imagination and expression, as well as a new body of knowledge about the disease. In turn, this new consciousness sharpened the Ottoman administrative response to the plague, while contributing to the makings of an early modern state.
The preeminent meditation on plagues and pandemics from the Islamic world, now in English for the first time A Penguin Classic Six hundred years ago, the author of this landmark work of history and religious thought—an esteemed judge, poet, and scholar in Cairo—survived the bubonic plague, which took the lives of three of his children, not to mention tens of millions of others throughout the medieval world. Holding up an eerie mirror to our own time, he reflects on the origins of plagues—from those of the Prophet Muhammad’s era to the Black Death of his own—and what it means that such catastrophes could have been willed by God, while also chronicling the fear, isolation, scapegoating, economic tumult, political failures, and crises of faith that he lived through. But in considering the meaning of suffering and mass death, he also offers a message of radical hope. Weaving together accounts of evil jinn, religious stories, medical manuals, death-count registers, poetry, and the author’s personal anecdotes, Merits of the Plague is a profound reminder that with tragedy comes one of the noblest expressions of our humanity: the practice of compassion, patience, and care for those around us.