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Winckelmann's writing has a richness and density that take it well beyond the bounds of the simple rationalist art history and Neo-classical art theory with which it is usually associated. He often seems to speak disturbingly directly to our present awareness of the discomforting ideological and psychic contradictions inherent in supposedly ideal symbolic forms.
The Spirit Poured Out on All Flesh by Amos Yong Pdf
Offers a fascinating look at Pentecostalism's place in global theology and shows how Christians from other traditions can benefit from recent developments in Pentecostal theology.
The Biblical “One Flesh” Theology of Marriage as Constituted in Genesis 2:24 by René Gehring Pdf
This book provides a thorough study of the sole biblical foundation of marriage as given in the short description of Genesis 2:24: "For this reason a man shall leave his father and his mother, and be joined to his wife; and they shall become one flesh." All the other biblical texts dealing with marriage are traced back to this basis that was declared as the original ideal by Jesus even in the times of the New Testament and the emerging Christian church. Thoughts about crucial questions concerning marriage, divorce, remarriage, and even what we might expect of marriage in the world to come are thus presented in the light shining forth from the first pages of the Scriptures. The intriguing connections to the biblical plan of redemption, conversion, and baptism are also investigated, developing a deeper understanding of the human-divine covenant that is exemplified by this beautiful Edenic marriage pattern.
"Antiquity on Display" offers an insight into the history of the imaginative reproductions of architecture housed in Berlin's Pergamon Museum and the shifting regimes of the authentic in museum displays from the 19th century to the present.
What is a woman? What is a man? How do they—and how should they—relate to each other? Does our yearning for "wholeness" refer to something real, and if there is a Whole, what is it, and why do we feel so estranged from it? For centuries now, art and literature have increasingly valorized uniqueness and self-sufficiency. The theoreticians who loom so large within contemporary thought also privilege difference over similarity. Silverman reminds us that this is but half the story, and a dangerous half at that, for if we are all individuals, we are doomed to be rivals and enemies. A much older story, one that prevailed through the early modern era, held that likeness or resemblance was what organized the universe, and that everything emerges out of the same flesh. Silverman shows that analogy, so discredited by much of twentieth-century thought, offers a much more promising view of human relations. In the West, the emblematic story of turning away is that of Orpheus and Eurydice, and the heroes of Silverman's sweeping new reading of nineteenth- and twentieth-century culture, the modern heirs to the old, analogical view of the world, also gravitate to this myth. They embrace the correspondences that bind Orpheus to Eurydice and acknowledge their kinship with others past and present. The first half of this book assembles a cast of characters not usually brought together: Friedrich Nietzsche, Sigmund Freud, Marcel Proust, Lou-Andréas Salomé, Romain Rolland, Rainer Maria Rilke, Wilhelm Jensen, and Paula Modersohn-Becker. The second half is devoted to three contemporary artists, whose works we see in a moving new light:Terrence Malick, James Coleman, and Gerhard Richter.
Long before Under the Dome, this novel of a town trapped within an invisible force field earned a Nebula Award nomination for the author of Way Station. Nothing much ever happens in Millville, a small, secluded Middle-American community—until the day Brad Carter discovers he is unable to leave. And the nearly bankrupt real estate agent is not the only one being held prisoner; every resident is confined within the town’s boundaries by an invisible force field that cannot be breached. As local tensions rapidly reach breaking point, a set of bizarre circumstances leads Brad to the source of their captivity, making him humanity’s reluctant ambassador to an alien race of sentient flora, and privy to these jailers’ ultimate intentions. But some of Millville’s most powerful citizens do not take kindly to Carter’s “collaboration with the enemy,” even under the sudden threat of global apocalypse. Decades before Stephen King trapped an entire town in Under the Dome, science fiction Grand Master Clifford D. Simak explored the shocking effects of communal captivity on an unsuspecting population. Nominated for the Nebula Award, All Flesh Is Grass is a riveting masterwork that brilliantly reinvents the alien invasion story.
The Illustrated Kitchen Bible by Victoria Blashford-Snell Pdf
The Illustrated Kitchen Bible is all quality content-a tremendous resource of over 1,000 delicious, achievable, and international recipes, with sumptuous photography, precise text, and innovative ideas. This book takes recipes and techniques and puts them under the microscope. How to get the best when shopping? What the preparation and cooking stages are? What to look for? What should it feel and smell like? How to save the day if something isn''t right? What to serve with it? What to do with the leftovers (if there are any)? The result is home cooking at its most perfect. Victoria Blashford-Snell trained at Le Cordon Bleu, runs a highly successful catering company in London, and is a regular cooking teacher and demonstrator in Italy, Somerset, and at London''s Books for Cooks. She has co-authored DK's Hors d'Oeuvres. Austrialia chef Brigitte Hafner writes the weekly recipes for The Sydney Morning Herald's Good Living and Melbourne Age's Epicure sections and with partner James Broadway, runs a popular wine bar and eatery in Melbourne's Fitzroy called The Gertrude Street Enoteca.
About the author. A. Victor Coonin is James F. Ruffin Chair of Art at Rhodes College. He has received fellowships and grants from the Mellon, Kress, and Fullbright foundations and has served on committees for the Fullbright, National Endowment for the Humanities, and College Art Association. Author of numerous articles and editor of 2 books, this is his first monograph. -- Publisher's website.
In Fictions of Land and Flesh Mark Rifkin explores the impasses that arise in seeking to connect Black and Indigenous movements, turning to speculative fiction to understand those difficulties and envision productive ways of addressing them. Against efforts to subsume varied forms of resistance into a single framework in the name of solidarity, Rifkin argues that Black and Indigenous political struggles are oriented in distinct ways, following their own lines of development and contestation. Rifkin suggests how movement between the two can be approached as something of a speculative leap in which the terms and dynamics of one are disoriented in the encounter with the other. Futurist fiction provides a compelling site for exploring such disjunctions. Through analyses of works by Octavia Butler, Walter Mosley, Nalo Hopkinson, Melissa Tantaquidgeon Zobel, and others, the book illustrates how ideas about fungibility, fugitivity, carcerality, marronage, sovereignty, placemaking, and governance shape the ways Black and Indigenous intellectuals narrate the past, present, and future. In turning to speculative fiction, Rifkin illustrates how speculation as a process provides conceptual and ethical resources for recognizing difference while engaging across it.
Drawn in part from the authors combat experience in France during WW I, the novel is an exploration of the lives of soldiers in the Australian Imperial Force from the Ypres campaign in 1917 until just before the Armistice. The plot follows three soldiers in the same battalionCharl Bentley, a naive and handsome raw recruit eager for combat; Frank Jeffreys, a schoolteacher whose intellect and anxiety have led to disillusionment; and Jim Blount, a resourceful and courageous warrior-hero who remains undaunted by battle despite being wounded. The novel bears an unmistakable Australian point of view, particularly in its wry sense of humor in spite of the dark subject matter and in its vehement disdain for British commanders who viewed the AIF volunteers as disposable.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840 by Maureen McCue Pdf
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Corporeity and Affectivity by Karel Novotny,Pierre Rodrigo,Jenny Slatman,Silvia Stoller Pdf
The articles in this volume reflect upon the intersections of corporeity and affectivity in Maurice Merleau-Ponty’s phenomenology. They illuminate the meaning of his phenomenology regarding corporeity and affectivity from various phenomenological perspectives. Corporeity and Affectivity explores his invaluable contribution in interdisciplinary and trans-disciplinary respect, including the humanities, the arts and the sciences. Contributors include: Alexei Chernyakov (†), Jagna Brudzińska, Universität Köln, IFiS PAN Warschau, Nicola Zippel, Sapienza University of Rome, Department of Philosophy, Karel Novotný, Faculty of Humanities, Charles University of Prague, James Mensch, Charles University in Prague, Faculty of Humanities, Annabelle Dufourcq, Charles University Prague, Faculty of Humanities, Juho Hotanen, University of Helsinki, Silvia Stoller, Universität Wien, Pierre Rodrigo, Université de Bourgogne, Dijon, Antonino Firenze, University Pompeu Fabra, Barcelona, Shaun Gallagher, University of Memphis, Department of Philosophy, Kwok-ying Lau, The Chinese University of Hong Kong, Monika Murawska, The Academy of Fine Arts, Warsaw, Irene Breuer, Bergische Universität Wuppertal, Mauro Carbone, Université “Jean Moulin” Lyon 3, Faculté de philosophie, László Tengelyi, Bergische Universität Wuppertal, Björn Thorsteinsson, University of Oceland, Institute of Philosophy, Mikkel B. Tin, Telemark University College, Porsgrunn, Tamás Ullmann, ELTE University of Budapest, Institute of Philosophy, Johann P. Arnason, La Trobe University, Melbourne; Charles University, Faculty of Humanities, Prague, Michael Staudigl, Vienna University, Department of Philosophy, Suzi Adams, Flinders University, Adelaide