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Author : Roy W. Gibbons Publisher : University of Ottawa Press Page : 135 pages File Size : 44,9 Mb Release : 1981-01-01 Category : Music ISBN : 9781772823417
A selection of thirty-two traditional fiddle tunes transcribed from tapes with commentary concerning the tunes’ melody, performers, and annotations. An analysis of the ten extant versions of “La grande gigue simple” and the ten versions of its derivative “Red River Jig” are also provided.
Canadian fiddle music receives the credit and recognition it deserves in this lively collection of tunes from virtually every province and ethnic group in Canada. Originally published in 1990, this project is the result of generous donations by numerous fiddlers and fans of fiddle music. In addition to the preservation and popularization of this folk music form, the contributors shared these common goals in this endeavor: composer recognition, folk music revitalization in Canada and abroad, acknowledgement of the violin and its own origins in the development of fiddle music and its place in Canadian society, note reading and chording, and to pay tribute to many great fiddlers. This revised edition features contributions of 200 of the best tunes from the first printing as well as 200 new tunes. They consist of hornpipes, strathspeys, polkas, waltzes, calypsos, reels, clogs, two-steps, jigs, airs, breakdowns, schottishes, marches, rags, and laments. A bibliography and the background of each composer is included.
Author : Roy W. Gibbons Publisher : University of Ottawa Press Page : 53 pages File Size : 48,8 Mb Release : 1982-01-01 Category : Music ISBN : 9781772823462
This introduction to the folk fiddling tradition of Prince George, British Columbia, offers a brief overview of the genre, biographical sketches of three of the region’s fiddlers, and fourteen melodies.
Couldn't Have a Wedding Without the Fiddler by Ken Perlman Pdf
13. The Role of Radio and Recordings -- 14. The Repertoire -- 15. "It's Amazing How Quick It Did Go Down"--16. "If Everybody Does a Little Bit, Great Things Can Happen" -- 17. "There's Been a Big Revival of Music on the Island" -- Appendix A. Musical Examples -- Appendix B. Lists of Interview Sessions -- Appendix C. Lists of Collected Tunes -- Appendix D. Pronunciation Guide -- Appendix E. Discography and Suggested Listening -- Glossary -- Bibliography -- Index
Fiddle music in the Ottawa Valley by Carmelle Bégin Pdf
A musical exploration of the repertoire of Ottawa Valley fiddler, Dawson Girdwood. Transcripts of the tunes, including variations, embellishments, and bowing indications are provided.
Old-Time Fiddling Across America by DAVID REINER Pdf
A unique collection of 66 fiddle tunes illustrating the major regional styles found across America and Canada. This book contains rare vintage photographs, player's biographical profiles, historical and performance notes, bowing indications, and information on cross-tunings and the American institution of fiddle contests. the authors have collaborated brilliantly on this labor of love to produce a definitive volume of tunes transcribed from recordings by many of the best fiddlers in North America. Exemplary tunes are included from the Northeast, Southeast and Western regions, plus various widespread ethnic styles including Cajun, Irish, Scandinavian, Klezmer, and Eastern European styles.
Fiddle Music of Prince Edward Island by KEN PERLMAN Pdf
Over 425 reels, jigs, set-tunes, waltzes, marches, strathspeys, and airs transcribed from the playing of traditional fiddlers make this a must have title
Music from the Heart follows Emile Benoit, a fiddler from French Newfoundland, through a rapidly changing musical milieu as he moves from a small rural community to international musical and folk festivals. Seeing himself as a representative of French Newfoundland, Benoit viewed his music as an expression of that identity. In Benoit's tunes one finds reference to the people, places, communities, roads, and natural landmarks that have framed his life. The compositions included represent a range of work that evokes his youthful experiences and follow his career as he leaves home, plays with other musicians, and presents his stories to audiences around the world. Quigley has based his study on years of observation of Benoit's compositional practices, his own experiences performing with Benoit, interviews, and analysis of the thoughts and conceptions of the artist himself.
From the author’s preface: “This book was conceived four years ago, almost to the day, at a time when I was teaching fiddle and mandolin in New York City. It was my idea then, with my students in mind, to compile a book of the most often played, most important and most interesting fiddle tunes from the various Celtic and North American traditions. The tunes were chosen by cataloging a large number of recordings by tune title. A tally was taken to find out which had been recorded most often. This established a foundation of material that could not be left out. To this list I added the names of other pieces which had not been recorded as frequently, but which I knew were played regularly and with respect. I admit to sprinkling the collection with a few lesser known tunes which happen to be personal favorites, but I am sure they will hold their own when placed next to the old war horses of the fiddler’s repertoire. . . . Although I started out with my students in mind this book has turned out to be the book that I’ve always wanted and I hope that it will serve the advanced player as well as the beginner.”
Author : George W. Lyon Publisher : University of Calgary Press Page : 178 pages File Size : 51,9 Mb Release : 1999 Category : History ISBN : 9781895176834
Defining community music as non-commercial music performed by local musicians for members of a small group, traditional music aficionado and English professor Lyon (Mount Royal College, Calgary) offers a historical survey of the diverse musical styles played primarily by nonprofessional performers of Alberta, Canada. Abundant, fine b & w historical photographs. Annotation copyrighted by Book News, Inc., Portland, OR.
Newfoundland Fiddle Music in the 21st Century by Dr. Bridget O’Connell Pdf
This meticulously researched anthology presents detailed biographies and transcriptions, including bowing, ornamentation, and accentuation of 39 fiddle tunes as played by 25 Newfoundland fiddlers from locations throughout the island. For unparalleled authenticity, the author’s live field recordings of each tune are available online, offering a unique perspective of the various types of tunes and techniques favoured by past and present Newfoundland fiddlers. Newfoundland, a former British colony, possesses a rich and varied cultural heritage due to its history of unique settlement patterns. Beginning in the 16th century, European migrants from Ireland, Scotland, West-Country England, and France settled on the island, bringing with them their various cultural practices, including their fiddles! This collection provides insight to the backgrounds, geographical locations, and musical preferences of the individual players, and how music-making and the role and status of Newfoundland fiddlers have evolved over time. The tunes included here vary from original compositions and revival collectors’ treasures, to reinterpreted versions of timeless Irish, Scottish, and French tunes. Together, they form a part of the modern-day Newfoundland fiddling tradition. This book will delight fiddle players and any musician who wishes to further enhance their repertoire and technique, or simply learn more about the island of Newfoundland and its music. Includes access to online audio.
