For A Poet S Wunderkammer Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of For A Poet S Wunderkammer book. This book definitely worth reading, it is an incredibly well-written.
This is a curio cabinet full of the objects of our life. Miniature deserts, Small chili restaurants, and inch high roller coasters that tested our nerve and our poetic lives. Miniature poetry books in leather bindings piled in every corner and you closer than my very own heart
Author : Christian Mieves,Irene Brown Publisher : Taylor & Francis Page : 308 pages File Size : 42,8 Mb Release : 2017-01-12 Category : Art ISBN : 9781317517931
Wonder in Contemporary Artistic Practice by Christian Mieves,Irene Brown Pdf
Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work.
Towards a Digital Epistemology by Jonas Ingvarsson Pdf
This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
The Wunderkammer of Lady Charlotte Guest by Erica Obey Pdf
"Lady Charlotte's translation of the Mabinogion opens a window into several important nineteenth-century intellectual issues. It sheds light on the interrelationships among antiquarianism, philosophy, folklore collection, and children's literature that underlie the works of such seminal creators of the Victorian fairy tale as the Brothers Grimm.".
Contemporary Nordic Literature and Spatiality by Kristina Malmio,Kaisa Kurikka Pdf
This open access collection offers a detailed mapping of recent Nordic literature and its different genres (fiction, poetry, and children’s literature) through the perspective of spatiality. Concentrating on contemporary Nordic literature, the book presents a distinctive view on the spatial turn and widens the understanding of Nordic literature outside of canonized authors. Examining literatures by Danish, Norwegian, Swedish, and Finnish authors, the chapters investigate a recurrent theme of social criticism and analyze this criticism against the welfare state and power hierarchies in spatial terms. The chapters explore various narrative worlds and spaces—from the urban to parks and forests, from textual spaces to spatial thematics, studying these spatial features in relation to the problems of late modernity.
The Oxford Handbook of Greek and Roman Mythography by R. Scott Smith,Stephen M. Trzaskoma,Stephen Trzaskoma Pdf
The field of mythography has grown substantially in the past thirty years, an acknowledgment of the importance of how ancient writers "wrote down the myths" as they systematized, organized and interpreted the vast and contested mythical storyworld. With the understanding that mythography remains a contested category, that its borders are not always clear, and that it shifted with changes in the socio-cultural and political landscapes, The Oxford Handbook of Greek and Roman Mythography offers a range of scholarly voices that attempt to establish how and to what extent ancient writers followed the "mythographical mindset" that prompted works ranging from Apollodorus' Library to the rationalizing and allegorical approaches of Cornutus and Palaephatus. Editors R. Scott Smith and Stephen M. Trzaskoma provide the first comprehensive survey of mythography from the earliest attempts to organize and comment on myths in the archaic period (in poetry and prose) to late antiquity. The essays also provide an overview of those writers we call mythographers and other major sources of mythographic material (e.g., papyri and scholia), followed by a series of essays that seek to explore the ways in which mythographical impulses were interconnected with other intellectual activities (e.g., geography and history, catasteristic writings, politics). In addition, another section of essays presents the first sustained analysis between mythography and the visual arts, while a final section takes mythography from late antiquity up into the Renaissance. While also taking stock of recent advances and providing bibliographical guidance, this Handbook offers new approaches to texts that were once seen only as derivative sources of mythical data and presents innovative ideas for further research. The Oxford Handbook of Greek and Roman Mythography is an essential resource for teachers, scholars, and students alike.
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
A volume of the renowned Russian author’s letters and diary entries: “an evocative chronicle of [his] life, beginning with the 1917 revolution” (The Guardian, UK). Mikhail Bulgakov was one of the most important literary voices of Soviet Russia. Yet his books were banned in his own country and his greatest novel, The Master and Margarita, was only published more than twenty years after his death. In Manuscripts Don't Burn—the title, a line from his famous novel—J.A. E. Curtis presents a gripping and intimate chronicle of Bulgakov's life, drawn from his own personal writings. Among other documents, Curtis draws on a partial copy of one of Bulgakov’s diaries which was presumed lost until it was uncovered in the KGB’s archives. That diary and those of the author’s third wife record the nightmarish precariousness of life during the Stalinist purges. Also included are letters to Stalin, in which Bulgakov pleads to be allowed to emigrate; letters to his siblings; intimate notes to his second and third wives; and letters to and from other writers such as Gorky and Zamyatin.
"What began in 1959 as a simple homage to the modernist poet H.D. (Hilda Doolittle) developed into an expansive and unique quest for a poetics that would fuel Duncan's great work into the 1960s and 1970s. A meditation on both the roots of modernism and its manifestation in the writings of H.D., Djuna Barnes, Ezra Pound, D.H. Lawrence, Gertrude Stein, William Carlos Williams, Virginia Woolf, and many others, Duncan's wide-ranging work is especially notable for illuminating the role women played in creating literary modernism"--From publisher description.
In the Frame by Jane Hedley,Nick Halpern,Willard Spiegelman Pdf
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
Every poem an epitaph, every poem a ticket to ride, from Sappho’s “bittersweet” eroticism to the “wild civility” of Robert Herrick. Martin Corless-Smith is a poet, painter, and translator of canonical poems, and each of these vocations is on view in this memorable defense of poetry as he reads from Virgil to Notley in sight of the impossible blue of Bellini’s Doge Leonardo Loredan and Piranesi’s otherworldly Pyramid of Cestius while contemplating the paradoxes of the finite body of the poet dreaming immortal poetry. —Keith Tuma Querying the embodiment of poetry, Corless-Smith begins in the body of the poet—living and/or dead—and passes from there through the body of the reader in order to argue the mutual construction of the body of a poem as a shared body and a new commons, which, like all things vital to survival—air, water, hope—must be maintained as open and available to all. These succinct, elegant essays perform this maintenance and, in the process, return us to all poetry charged with the energy and insight necessary to continue that maintenance ourselves. —Cole Swensen