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The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.
Like Shakespeare's Juliet, Annabella, accompanied by her down-to-earth nurse, is introduced to a series of suitors to her hand. Like Juliet, she finds all of them unsatisfactory - and rightly so, for the audience know that the nastiest of them is having an affair with her domineering aunt. Like Juliet, Annabella is wooed by a sensitive and passionate young man whose love she returns - but this young man happens to be her own brother, Giovanni. When they consummate their love and she, to avoid the scandal of extramarital pregnancy, agrees to marry her aunt's lover, the tragic outcome is inevitable. John Ford, writing his psychologically powerful and intellectually challenging tragedies in the early years of King Charles I's reign, is a playwright of the first rank, as 20th-century directors have shown both in the theatre and on film.
John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
Author : John Ford Publisher : Manchester University Press Page : 186 pages File Size : 49,7 Mb Release : 1985 Category : English drama ISBN : 0719015332
John Ford's "'Tis Pity She's a Whore": A Retelling by David Bruce Pdf
This is an easy-to-read retelling of John Ford's tragedy "'Tis Pity She's a Whore." In this tragedy, a brother and sister fall in love and commit incest.
'Tis Pity She's a Whore is one of the most controversial plays ever staged in the English theatre. In this illuminating Handbook, Martin White: - Offers an in-depth, moment-by-moment analysis of the play, looking at how it might be performed on stage - Provides vital contextual material on John Ford's social and literary influences - Reconstructs the play's performances in Ford's own time and examines later stage, television and film productions - Guides the reader through the often heated critical and theatrical responses to the dramatic work
Who is the Real Whore of Parma? – Representation of Women in Ford’s "'Tis Pity She’s a Whore" by Lisa Sangmeister Pdf
Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Marburg, course: Concept of Love, language: English, abstract: Not only because of its provoking title, ‘Tis Pity She’s a Whore can be described as John Ford’s most controversial play (Anderson 92). The play’s main plot portrays the passionate but forbidden love between the siblings Giovanni and Annabella. Moreover, ‘Tis Pity is an extraordinary violent play with “... several vivid action sequences” (Abate 94). All in all, there are five murder victims, Annabella’s tutress Putana is blinded, and her father Florio drops dead. The play reaches its brutal climax when Giovanni enters the feast with Annabella’s heart on his dagger. Nonetheless, the Cardinal does only blame one person for what has happened in the course of the play: “Of one so young, so rich in Nature’s store, | Who could not say, ‘Tis Pity she’s a whore?” (V.vi.158-159). The Cardinal’s final condemnation seems to be “... unnecessarily vindictive” (Hopkins ix) because Annabella has not only repented of her sins, but she was also killed by her brother and her heart was displayed on his dagger. Besides, Corinne S. Abate points out that there are several other characters “... who could claim this denunciation and our pity” (Abate 94).
Handbook of English Renaissance Literature by Ingo Berensmeyer Pdf
This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore by John Ford,John Webster Pdf
These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet. Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence. JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s. JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.
Tis Pity She's a Whore is a tragedy written by John Ford. It was first performed c. 1626 or between 1629 and 1633, by Queen Henrietta's Men at the Cockpit Theatre. The play was first published in 1633, in a quarto printed by Nicholas Okes for the bookseller Richard Collins.
