Framing Blackness

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Framing Blackness

Author : Ed Guerrero
Publisher : Temple University Press
Page : 270 pages
File Size : 49,8 Mb
Release : 1993-11-19
Category : Performing Arts
ISBN : 9781566391269

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Framing Blackness by Ed Guerrero Pdf

From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic—African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks. These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in Blaxpoitation films, the fantastic racialized imagery in science fiction and horror films, and the resubordination of blacks in Reagan-era films. Probing the contradictions of such images, Guerrero recalls the controversies surrounding role choices by stars like Sidney Poitier, Eddie Murphy, Whoopie Goldberg, and Richard Pryor. Throughout his study, Guerrero is attentive to the ways African Americans resist Hollywood's one-dimensional images and superficial selling of black culture as the latest fad. Organizing political demonstrations and boycotts, writing, and creating their own film images are among the forms of active resistance documented. The final chapter awakens readers to the artistic and commercial breakthrough of black independent filmmakers who are using movies to channel their rage at social injustice. Guerrero points out their diverse approaches to depicting African American life and hails innovative tactics for financing their work. Framing Blackness is the most up-to-date critical study of how African Americans are acquiring power once the province of Hollywood alone: the power of framing blackness. In the series Culture and the Moving Image, edited by Robert Sklar.

Afrofuturism in Black Panther

Author : Karen A. Ritzenhoff,Renée T. White
Publisher : Rowman & Littlefield
Page : 383 pages
File Size : 42,5 Mb
Release : 2021-08-30
Category : Performing Arts
ISBN : 9781793623584

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Afrofuturism in Black Panther by Karen A. Ritzenhoff,Renée T. White Pdf

Afrofuturism in Black Panther: Gender, Identity, and the Re-making of Blackness, through an interdisciplinary and intersectional analysis of Black Panther, discusses the importance of superheroes and the ways in which they are especially important to Black fans. Aside from its global box office success, Black Panther paves the way for future superhero narratives due to its underlying philosophy to base the story on a narrative that is reliant on Afro-futurism. The film’s storyline, the book posits, leads viewers to think about relevant real-world social questions as it taps into the cultural zeitgeist in an indelible way. Contributors to this collection approach Black Panther not only as a film, but also as Afrofuturist imaginings of an African nation untouched by colonialism and antiblack racism: the film is a map to alternate states of being, an introduction to the African Diaspora, a treatise on liberation and racial justice, and an examination of identity. As they analyze each of these components, contributors pose the question: how can a film invite a reimagining of Blackness?

Spectacular Blackness

Author : Amy Abugo Ongiri
Publisher : University of Virginia Press
Page : 237 pages
File Size : 42,5 Mb
Release : 2010
Category : Art
ISBN : 9780813928593

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Spectacular Blackness by Amy Abugo Ongiri Pdf

Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "authentic blackness" as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture.

The Political Christopher Nolan

Author : Jesse Russell
Publisher : Rowman & Littlefield
Page : 173 pages
File Size : 50,9 Mb
Release : 2023-05-26
Category : Literary Criticism
ISBN : 9781666906202

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The Political Christopher Nolan by Jesse Russell Pdf

Throughout his films, Christopher Nolan champions the Anglo-American Neo-Liberal world order. Nestled within this order, his characters are free to undergo their ludic creation of little worlds of selfhood.

African Americans and Popular Culture

Author : Todd Boyd
Publisher : Bloomsbury Publishing USA
Page : 834 pages
File Size : 55,8 Mb
Release : 2008-10-30
Category : Social Science
ISBN : 9780313064081

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African Americans and Popular Culture by Todd Boyd Pdf

The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs have had enormous impact on American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill Bojangles Robinson, and Bessie Smith paved the way for Jackie Robinson, Nina Simone, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Today, hip hop is the most powerful element of youth culture; white teenagers outnumber blacks as purchasers of rap music; black-themed movies are regularly successful at the box office, and black writers have been anthologized and canonized right alongside white ones. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself. To articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. They provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance; the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. One goal of the project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and to demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.

Representing Blackness

Author : Valerie Smith
Publisher : Rutgers University Press
Page : 258 pages
File Size : 50,5 Mb
Release : 1997
Category : Performing Arts
ISBN : 0813523141

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Representing Blackness by Valerie Smith Pdf

The essays in this collection provide a variety of perspectives on black representation and questions of racial authenticity in mainstream as well as African American independent cinema. This volume includes seminal essays on racial stereotypes, trenchant critiques of that discourse, original essays on important directors such as Haile Gerima and Charles Burnett, and an insightful discussion of black, gay and lesbian film and video. The contributors include Donald Bogle, Thomas Cripps, Jane Gaines, Nathan Grant, Stuart Hall, Tommy L. Lott, Wahneema Lubiano, Mike Murashige, Valerie Smith, James Snead, and David Van Leer. Valerie Smith is a professor of English at UCLA. She is the author of Self-Discovery and Authority in Afro-American Narrative and editor of New Essays on Toni Morrison's "Song of Solomon." A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons.

Contemporary Black American Cinema

Author : Mia Mask
Publisher : Routledge
Page : 286 pages
File Size : 40,5 Mb
Release : 2012-08-21
Category : Performing Arts
ISBN : 9781136308024

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Contemporary Black American Cinema by Mia Mask Pdf

Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson’s and Sidney Poitier’s star vehicles to Lee Daniels’s directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

Black City Cinema

Author : Paula Massood
Publisher : Temple University Press
Page : 281 pages
File Size : 45,9 Mb
Release : 2003-01-22
Category : Performing Arts
ISBN : 9781592130030

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Black City Cinema by Paula Massood Pdf

In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.

Women of Blaxploitation

Author : Yvonne D. Sims
Publisher : McFarland
Page : 232 pages
File Size : 42,9 Mb
Release : 2015-03-26
Category : Performing Arts
ISBN : 9780786451548

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Women of Blaxploitation by Yvonne D. Sims Pdf

With the Civil Rights movement of the sixties fresh in their perspective, movie producers of the early 1970s began to make films aimed toward the underserved African American audience. Over the next five years or so, a number of cheaply made, so-called blaxploitation movies featured African American actresses in roles which broke traditional molds. Typically long on flash and violence but lacking in character depth and development, this genre nonetheless did a great deal toward redefining the perception of African American actresses, breaking traditional African American female stereotypes and laying the groundwork for later feminine action heroines. This critical study examines the ways in which the blaxploitation heroines of the early 1970s reshaped the presentation of African American actresses on screen and, to a certain degree, the perception of African American females in general. It discusses the social, political and cultural context in which blaxploitation films emerged. The work focuses on four African American actresses—Pam Grier, Tamara Dobson, Teresa Graves and Jeanne Belle—providing critical and audience response to their films as well as insight into the perspectives of the actresses themselves. The eventual demise of the blaxploitation genre due to formulaic plots and lack of character development is also discussed. Finally, the work addresses the mainstreaming of the action heroine in general and a recent resurgence of interest in black action movies. Relevant film stills and a selected filmography including cast list and plot synopsis are also included. Instructors considering this book for use in a course may request an examination copy here.

Documenting the Black Experience

Author : Novotny Lawrence
Publisher : McFarland
Page : 280 pages
File Size : 48,7 Mb
Release : 2014-11-11
Category : Social Science
ISBN : 9781476619637

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Documenting the Black Experience by Novotny Lawrence Pdf

History taught at the elementary, middle, high school and even college levels often excludes significant events from African American history, such as the murder of Emmett Till or the murder of four black girls by the Ku Klux Klan in the Sixteenth Street Baptist Church bombing in Birmingham. Such events are integral parts of history that continue to inform America’s racial politics. Their exclusion is a problem that this work addresses by bringing more visibility to documentary films focusing on the events. Books treating the history of documentary films follow a similar pattern, omitting the efforts of filmmakers who have continued to focus on African American history. This book works to make documentary discourse more complete, bringing attention to films that cover the African American experience in four areas—civil rights, sports, electronic media, and the contemporary black struggle—demonstrating how the issues continue to inform America’s racial politics.

Desegregating the Dollar

Author : Robert E. Weems
Publisher : NYU Press
Page : 206 pages
File Size : 44,5 Mb
Release : 1998-02
Category : Social Science
ISBN : 9780814793275

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Desegregating the Dollar by Robert E. Weems Pdf

Despite African Americans' nearly $500 billion collective annual spending power, surprisingly little attention has been devoted to the ways U.S. businesses have courted black dollars in postslavery America. Desegregating the Dollar presents the first fully integrated history of black consumerism during the last century. The World War I-era "Great Migration" of African Americans from the rural South to northern and southern cities stimulated initial corporate interest in blacks as consumers. A generation later, as black urbanization intensified during World War II and its aftermath, the notion of a distinct, profitable African American consumer market gained greater currency. Moreover, black socioeconomic gains resulting from the Civil Rights Movement, which itself featured such consumer justice protests as the Montgomery Bus Boycott, further enhanced the status and influence of African American shoppers. Unwilling to settle for facile black-and-white answers, Weems also explores the roles of blacks who promoted the importance of the African American consumer market to U.S. corporations. Their actions, ironically, set the stage for the ongoing destruction of black-owned businesses. While the extent of educational, employment, and residential desegregation remains debatable, African American consumer dollars have, by any standard, been fully incorporated into the U.S. economy. Basing his conclusions on exhaustive research in trade journals and other primary and secondary materials, Robert E. Weems Jr. has given us the definitive account of the complicated relationship between African Americans, capitalism, and consumerism.

White Balance

Author : Justin Gomer
Publisher : UNC Press Books
Page : 269 pages
File Size : 51,5 Mb
Release : 2020-04-17
Category : Social Science
ISBN : 9781469655819

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White Balance by Justin Gomer Pdf

The racial ideology of colorblindness has a long history. In 1963, Martin Luther King famously stated, "I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." However, in the decades after the civil rights movement, the ideology of colorblindness co-opted the language of the civil rights era in order to reinvent white supremacy, fuel the rise of neoliberalism, and dismantle the civil rights movement's legal victories without offending political decorum. Yet, the spread of colorblindness could not merely happen through political speeches, newspapers, or books. The key, Justin Gomer contends, was film--as race-conscious language was expelled from public discourse, Hollywood provided the visual medium necessary to dramatize an anti–civil rights agenda over the course of the 70s, 80s, and 90s. In blockbusters like Dirty Harry, Rocky, and Dangerous Minds, filmmakers capitalized upon the volatile racial, social, and economic struggles in the decades after the civil rights movement, shoring up a powerful, bipartisan ideology that would be wielded against race-conscious policy, the memory of black freedom struggles, and core aspects of the liberal state itself.

"Baad Bitches" and Sassy Supermamas

Author : Stephane Dunn
Publisher : University of Illinois Press
Page : 194 pages
File Size : 40,5 Mb
Release : 2010-10-01
Category : Performing Arts
ISBN : 9780252091049

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"Baad Bitches" and Sassy Supermamas by Stephane Dunn Pdf

Blaxploitation action narratives as well as politically radical films like Sweet Sweetback's Baadasssss Song typically portrayed black women as trifling "bitches" compared to the supermacho black male heroes. But starting in 1973, the emergence of "baad bitches" and "sassy supermamas" reversed the trend as self-assured, empowered, and tough black women took the lead in the films Cleopatra Jones, Coffy, and Foxy Brown. Stephane Dunn unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on the representation of black femininity. Recognizing a distinct moment in the history of African American representation in popular cinema, Dunn analyzes how it emerged from a radical political era influenced by the Black Power movement and feminism. Dunn also engages blaxploitation's legacy in contemporary hip-hop culture, as suggested by the music’s disturbing gender politics and the "baad bitch daughters" of Foxy Brown and Cleopatra Jones, rappers Foxy Brown and Lil' Kim.

Struggles for Equal Voice

Author : Yuya Kiuchi
Publisher : State University of New York Press
Page : 344 pages
File Size : 48,5 Mb
Release : 2012-10-15
Category : Social Science
ISBN : 9781438444802

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Struggles for Equal Voice by Yuya Kiuchi Pdf

While previous scholarship on African Americans and the media has largely focused on issues such as stereotypes and program content, Struggles for Equal Voice reveals how African Americans have utilized access to cable television production and viewership as a significant step toward achieving empowerment during the post–Civil Rights and Black Power era. In this pioneering study of two metropolitan districts—Boston and Detroit—Yuya Kiuchi paints a rich and fascinating historical account of African Americans working with municipal offices, local politicians, cable service providers, and other interested parties to realize fair African American representation and media ownership. Their success provides a useful lesson of community organizing, image production, education, and grassroots political action that remains relevant and applicable even today.

Darkening Blackness

Author : Norman Ajari
Publisher : John Wiley & Sons
Page : 126 pages
File Size : 47,5 Mb
Release : 2023-11-22
Category : Social Science
ISBN : 9781509555017

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Darkening Blackness by Norman Ajari Pdf

The concept of Afropessimism does not refer to Black people, but rather to the likelihood of white society overcoming its own negrophobia, and to a radical distrust in white narratives of inclusivity. What if the ideas and reforms we regard as progressive were just the new and shiny face of racism? In the time of Black Lives Matter, the unswerving dehumanization and killing of Black people form the bedrock of our civilization. But a vast anti-Black collective feeling also manifests itself as a more insidious shared unconscious, hidden from view by the doctrines we deem as emancipatory. This book challenges the simplistic and pacifying aspects of current African American thought. It puts forward alternatives to intersectionality, poststructuralism, and radical democracy, which are often prioritized in the Black analysis of race, gender, and class. Accessible, historically informed, and politically alert, this book offers a critical analysis of the groundbreaking theories and strategies that radically reimagine the future of Black lives throughout the world.