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Frederick Shepherd Converse (1871-1940) by Robert Joseph Garofalo Pdf
Born into Boston wealth, Harvard educated, and German trained (composition), Converse was considered by many to be the most important composer in America just prior to World War I. Performances of his operas by the Metropolitan and Boston Opera companies greatly stimulated acceptance of indigenous American opera.
Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000 by D. J. Hoek Pdf
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
The Review of Italian American Studies by Frank M. Sorrentino,Jerome Krase Pdf
This collection of articles examines the complex nature of identity in the Italian-American community. Sorrentino and Krase have constructed a volume that covers topics of diverse interest, such as the development of Italian-American literary studies and the integration of a uniquely Italian-American sensibility into a larger and dominant idea of European American culture. As an erudite examination of contemporary studies being done on one of the largest ethnic groups in the United States, this work is an essential addition to the ongoing and contentious debates about the nature of ethnicity, identity, assimilation and acculturation in the United States.
Music and History by Jeffrey H. Jackson,Stanley C. Pelkey Pdf
This book begins with a simple question: Why haven't historians and musicologists been talking to one another? Historians frequently look to all aspects of human activity, including music, in order to better understand the past. Musicologists inquire into the social, cultural, and historical contexts of musical works and musical practices to develop theories about the meanings of compositions and the significance of musical creation. Both disciplines examine how people represent their experiences. This collection of original essays, the first of its kind, argues that the conversation between scholars in the two fields can become richer and more mutually informing. The volume features an eloquent personal essay by historian Lawrence W. Levine, whose work has inspired a whole generation of scholars working on African American music in American history. The first six essays address widely different aspects of musical culture and history ranging from women and popular song during the French Revolution to nineteenth-century music publishing in Philadelphia, Pennsylvania. Two additional essays by scholars outside of musicology and history represent a new kind of disciplinary bridging by using the methods of cultural studies to look at cross-dressing in nineteenth- and early twentieth-century opera and blues responses to lynching in the New South. The last four essays offer models for collaborative, multidisciplinary research with a special emphasis on popular music. Jeffrey H. Jackson, Memphis, Tennessee, is assistant professor of history at Rhodes College. He is the author of Making Jazz French: Music and Modern Life in Interwar Paris. Stanley C. Pelkey, Portage, Michigan, is assistant professor of music at Western Michigan University. He is a member of the College Music Society, and his work has appeared in music-related periodicals.
Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee
Author : Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee Publisher : Unknown Page : 720 pages File Size : 49,8 Mb Release : 1970 Category : Catalogs, Union ISBN : UOM:39015082906341
The National Union Catalog, Pre-1956 Imprints by Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee Pdf
Music in Boston: Composers, Events, and Ideas, 1852–1918 is a history of the city’s classical-music culture in the period that begins a decade before the American Civil War and extends to the close of the Great War. The book provides insights into the intellectual foundation of Boston's musical development as revealed in the writings of its significant critics and thinkers, including John Sullivan Dwight, John Knowles Paine, William Foster Apthorp, and others. It also examines the influence of outsiders—Patrick Gilmore, Theodore Thomas, Richard Wagner, New York’s Metropolitan Opera, and Richard Strauss—on Boston’s performance and composition scene while also considering events that affected music in Boston, such as the building of the Music Hall, the acquisition of its Great Organ, the National Peace Jubilee, Chicago’s Columbian Exposition, Boston’s first Wagner Festival, and the rise and fall of the Boston Opera Company. Music in Boston also accounts for the ascent of the Second New England School of composers—John Knowles Paine, Edward MacDowell, George Whitefield Chadwick, Amy Beach and others—and discusses their key compositions and legacy. Finally, the book explores Boston itself: its transformations via immigration, its ever-changing topography, and its economy.
Author : New York Public Library. Reference Department Publisher : Unknown Page : 740 pages File Size : 47,9 Mb Release : 1964 Category : Music ISBN : UOM:39015024176284
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Author : Douglas W. Shadle Publisher : Oxford University Press, USA Page : 345 pages File Size : 50,9 Mb Release : 2016 Category : Music ISBN : 9780199358649
During the 19th century, nearly 100 symphonies were written by over 50 composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In 'Orchestrating the Nation', author Douglas W. Shadle explores the stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream.
The American Piano Concerto Compendium by William Phemister Pdf
The second edition of The American Piano Concerto Compendium reveals to professional and amateurs pianists forty percent more works than the first edition from 1985. It is a valuable resource not only for pianists and conductors, but also for orchestras, teachers, students, music historians and critics, collectors, and concert attendees.
A History of American Classical Music by Barrymore Laurence Scherer Pdf
This richly detailed narrative tells the stories of America's classical composers, set against significant events in American history. Acclaimed music writer Barrymore Scherer follows the development of American classical music, from Gershwin, Copland, Bernstein, Joplin, and Sousa, to lesser-known names such as William Henry Fry and Alan Hovhaness. Scherer surveys the period from the Mayflower through the Europe-tribute years to the two world wars and onwards to the growing academic and concert confidence of the post-war period. Broadway, opera, musicals, bandstands, marching bands and piano players all get their place. The book includes a CD of carefully chosen pieces. Readers also gain access to an exclusive website that offers new essays, the musical works in full, and more. This revolutionary book utilizes traditional and new media to provide a uniquely rounded portrait of the American classical scene and music.