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The culmination of a lifetime's fascination with humour in all its forms, this book is the first in any language to embrace such an impressive span of authors and such a broad range of topics in French literary humour. In nine wide-ranging chapters Walter Redfern considers diverse writers and topics, including: Diderot, viewed as a laughing philosopher, mainly through his fiction (Les Bijoux indiscrets, Le Neeu de Rameau, and Jacques le fataliste); humourlessness, corraling Rousseau, Sade, the Christian God, and Jean-Pierre Brisset; the aesthete Huysmans, in both his avatars, Symbolist and Naturalist (A Rebours, Sac au dos, and other texts); the dramatic use of parrots by Flaubert, Queneau, and Beckett; Vallès and la blague; exaggeration in Vallès and Céline (Mort à credit and L'Enfant); the fiction, plays, and autobiography of Sartre; bad jokes in Beckett; wordplay in Tournier's fiction (especially Roi des aulnes and Les Météores). Five interleaved 'riffs' on laughter, dreams, black humour, politics, and taste, carry the enquiry into questions of humour outside of the purely French context, enhancing a book that impresses as much with its vivacity of style as with the breadth and depth of its scholarship.
The culmination of a lifetime's fascination with humour, Walter Redfern's book treats major French writers from the 18th to the 20th centuries as humorists, including Diderot, Rousseau, Sade, Huysmans, Flaubert, Beckett, and Tournier. He considers irony, hyperbole, wordplay, jokes, dialogue, humour as philosophical speculation, and plagiarism.
The Book of Laughter and Forgetting by Milan Kundera Pdf
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
The Legacy of Nietzsche’s Philosophy of Laughter by Lydia Amir Pdf
This book investigates the role of humor in the good life, specifically as discussed by three prominent French intellectuals who were influenced by Nietzsche's thought: Georges Bataille, Gilles Deleuze, and Clément Rosset. Lydia Amir begins by discussing Nietzsche’s reception in France, and she explains why and how he came to be considered a "philosopher of laughter" in the French academe. Each of the subsequent three chapters focuses on the significance of humor and laughter in the good life as advocated by Bataille, Deleuze, and Rosset. These chapters also explore the complex relationship between the comic and the tragic, and of humor and laughter to irony, satire, and ridicule. The Legacy of Nietzsche’s Philosophy of Laughter makes an invaluable contribution to recent interpretive work done on Bataille and Deleuze, and offers further introduction to the relatively understudied Rosset. It illuminates the philosophies of these three thinkers, their connection to Nietzsche, and, overall, the significant role that humor plays in philosophy.
War is no laughing matter. During a war, however, laughter can play a vital role in sustaining morale, both in the armies at the Front and in their homelands. Among wars, the 1914–18 conflict has left a haunting legacy, and remains a central topic in modern European history. This book offers a comparative study of the impact of the war in four countries, and breaks new ground by exploring this through the medium of what their respective populations laughed at. By searching the pages of four humorous-satirical magazines, Punch in the UK, Le Rire (France), Simplicissimus (Germany), and Novy Satirikon (Russia), all of which supported the national war efforts, it examines the ways in which humour made an important contribution to the propaganda war. All four magazines were famous for their cartoons, a selection of which is included, but much of the humour was expressed through the written word, in skits, squibs, comic tales, and light verse. Translated into English, these snapshots of the moment are brought together to chart the responses on both sides of the conflict to issues and unfolding events, identifying the stories that nations liked to tell about themselves and also the ones they liked to be told.
Moving away from the explicitly political content of his previous novels, Victor Hugo turns to social commentary in The Man Who Laughs, an 1869 work that was made into a popular film in the 1920s. The plot deals with a band of miscreants who deliberately deform children to make them more effective beggars, as well as the long-lasting emotional and social damage that this abhorrent practice inflicts upon its victims.
Presenting a cultural and interdisciplinary study of humor in Spain from the eighteenth century to the present day, this book examines how humour entered public life, how it attained a legitimacy to communicate ‘serious’ ideas in the Enlightenment and how this set the seed for the key position that humor occupies in society today. Through a range of case studies that run from Goya’s paintings, humor, and gender representations in radio programmes during the first Franco regime, developmentalist cinema of the sixties and seventies, to the transformation of female humor in social media, the book traces the core role that the comical has played in the public sphere. The contributors to this volume represent a wide range of disciplines including gender studies, humour studies and Hispanic studies and offer international perspectives on Spanish laughter.
Laughter At The Foot Of The Cross by M.a. Screech Pdf
"Christian laughter is a maze: you could easily get snarled up within it." So says Michael A. Screech in his note to readers preceding this collection of fifty-three elegant and pithy essays. As Screech reveals, the question of whether laughter is acceptable to the god of the Old and New Testaments is a dangerous one. But we are fortunate in our gu
Humor and Laughter, Playfulness and Cheerfulness: Upsides and Downsides to a Life of Lightness by Willibald Ruch,Tracey Platt,René T. Proyer,Hsueh-Chih Chen Pdf
The emergence of Positive Psychology has highlighted the importance of studying the good life and how to attain it. Positive life outcomes, such as well-being, thriving, flourishing, and happiness were discussed and investigated. Among them, different orientations to happiness were identified, such as a life of pleasure, life of meaning, and life of engagement. Other outcomes, such as subjective and objective fulfillment in life or societal recognition have been less studied. Among the characteristics that facilitate positive outcomes, the VIA-classification of strength and virtues distinguishes 24 strengths with humor/playfulness being one of them. Only a small segment of humor entered the definition of humor as character strengths, namely the parts that contain some “goodness”. Humor as a character strength facilitates a lot of positive outcomes, such as positive emotions and positive relationships, and there is a “lightness” accompanying humor/playfulness. The field is broader though and transcends the definition of humor as used in positive psychology, in at least two ways. First, there is actually a family of overlapping but still distinct concepts with different research traditions. We include next to humor (and types of humor), also laughter, playfulness, and cheerfulness. We think that more research is needed on how they do overlap and what makes them distinct. Second, while positive psychology is interested in the goodness of we do want to stress that there is the need to study the non-virtuous parts as well. That is, laughter may not only be expressing amusement but scorn directed at people, humor may be benevolent but there is also sarcasm, and playfulness may elicit positive emotions but also risk-prone and immature types of behavior. Therefore, the aim of this Research Topic was to collect current perspectives on humor, playfulness, laughter, and cheerfulness in both adults and children, to study their full diversity but also interrelations and overlapping features, to introduce new instruments or ways for their assessment in future studies, and to study their causes and consequences in a variety of life domains. We encouraged studies on differences due to gender or nationality, the embodiment in different groups (e.g., class clowns, psychiatric patients), or whether or not they can be trained. We also welcomed contributions from adjacent disciplines (e.g., education, leisure studies, or therapy/counseling) and different regions of the earth. The outcome is a set of 33 manuscripts from altogether 101 authors. Not all areas are covered and not all aims were met; while we made progress there is much left to do. In this sense, the merging of these topics may be the first milestone but like every milestone, it only marks the beginning of a long journey.
English: Fun Learning with One Liner Jokes for French Speakers by Sarah Retter Pdf
If you speak French, improve your English skills with these hot one liner jokes translated into French line by line. If you are a French speaker, improving your English skills may be boring. So, get a break and begin to learn and have fun at the same time with the dirty, shorty, funny, sexy, one liner jokes youll find in this fun book. All the one liners are translated sentence by sentence into French and are related to sex, women, and love relationships: Dirty jokes Sexy jokes Witticisms Funny quotes Riddles Wisecracks Feminist jokes Love jokes Sexist jokes Bad jokes Funny proverbs They are all here. The best one-liners to show off in public and in private, -the lines everybody wants to listen. Either in French or in English. Surprise you love partner and friends with one liner jokes they are going to adore! Purchase your copy now and start improving your English with joy and fun!"
Author : New England Society in the City of New York Publisher : Unknown Page : 118 pages File Size : 44,8 Mb Release : 1891 Category : New Englanders ISBN : UVA:X030223907
An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader. Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
This essay collection is dedicated to intersections between gender theories and theories of laughter, humour, and comedy. It is based on the results of a three-year research programme, entitled “Gender – Laughter – Media” (2003-2006) and includes a series of investigations on traditional and modern media in western cultures from the 18th to the 20th century. A theoretical opening part is followed by four thematic sections that explore the multiple forms of irritating stereotypical gender perceptions; aspects of (post-)colonialism and multiculturalism; the comic impact of literary and media genres in different national cultures; as well as the different comic strategies in fictional, philosophical, artistic or real life communication. The volume presents a variety of new approaches to the overlaps between gender and laughter that have only barely been considered in groundbreaking research. It forms a valuable read for scholars of literary, theatre, media, and cultural studies, at the same time reaching out to a general readership.
`From Thomas Hobbes′ fear of the power of laughter to the compulsory, packaged "fun" of the contemporary mass media, Billig takes the reader on a stimulating tour of the strange world of humour. Both a significant work of scholarship and a novel contribution to the understanding of the humourous, this is a seriously engaging book′ - David Inglis, University of Aberdeen This delightful book tackles the prevailing assumption that laughter and humour are inherently good. In developing a critique of humour the author proposes a social theory that places humour - in the form of ridicule - as central to social life. Billig argues that all cultures use ridicule as a disciplinary means to uphold norms of conduct and conventions of meaning. Historically, theories of humour reflect wider visions of politics, morality and aesthetics. For example, Bergson argued that humour contains an element of cruelty while Freud suggested that we deceive ourselves about the true nature of our laughter. Billig discusses these and other theories, while using the topic of humour to throw light on the perennial social problems of regulation, control and emancipation.
