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Author : Georges Jean-Aubry
Publisher : K. Paul Trench Trubner & Company Limited
Page : 310 pages
File Size : 52,7 Mb
Release : 1976
Category : Music
ISBN : NWU:35556012992913
Author : G J. AUBREY
Publisher : Unknown
Page : 128 pages
File Size : 41,8 Mb
Release : 1919
Category : Electronic
ISBN : OCLC:1015407887
Author : Georges Jean-Aubry
Publisher : Unknown
Page : 850 pages
File Size : 44,8 Mb
Release : 2013-04-07
Category : Music
ISBN : 162792129X
Author : G. (Georges) Jean-Aubry
Publisher : Hardpress Publishing
Page : 306 pages
File Size : 51,9 Mb
Release : 2012-01
Category : Electronic
ISBN : 1407743023
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author : Georges Jean-Aubry
Publisher : Unknown
Page : 262 pages
File Size : 43,9 Mb
Release : 2001-01-01
Category : Music
ISBN : 072226304X
Author : Claude Rostand
Publisher : Da Capo Press, Incorporated
Page : 160 pages
File Size : 55,9 Mb
Release : 1973-07-21
Category : Music
ISBN : UVA:X001515939
Author : Georges Jean-Aubry
Publisher : Unknown
Page : 262 pages
File Size : 41,8 Mb
Release : 1920
Category : Music
ISBN : OCLC:688601609
Author : Georges Jean-Aubry
Publisher : Unknown
Page : 128 pages
File Size : 44,8 Mb
Release : 2001-01-01
Category : Music
ISBN : 0722251351
Author : G Jean - Aurby
Publisher : Palala Press
Page : 292 pages
File Size : 45,8 Mb
Release : 2015-09-05
Category : Electronic
ISBN : 1341653994
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Anaïs Fléchet,Martin Guerpin,Philippe Gumplowicz,Barbara L. Kelly
Publisher : Berghahn Books
Page : 321 pages
File Size : 41,8 Mb
Release : 2023
Category : Music
ISBN : 9781800738942
"Music and Postwar Transitions in the 19th and 20th Centuries is the first book to highlight the significance of the idea of 'postwar transition' in the field of music and to demonstrate how the contribution of musicians, composers, and their publics have influenced contemporary understandings of war. At the intersection of four domains including: the relationship between music and war culture, commemorative and consolatory dimensions of music, migration and exile, and the links between music, cultural diplomacy, and propaganda, leading historians, political scientists, psychologists, and musicologists explore disruptions and connections to music through the backdrop of war. In turn, this volume sheds new light on what has been a blind spot in a growing historiography"--
Author : G 1882-1950 Jean-Aubry
Publisher : Palala Press
Page : 302 pages
File Size : 49,9 Mb
Release : 2015-12-05
Category : Electronic
ISBN : 1347343628
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Caroline Potter
Publisher : Routledge
Page : 467 pages
File Size : 40,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351566469
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author : Peter Woetmann Christoffersen
Publisher : Museum Tusculanum Press
Page : 920 pages
File Size : 48,5 Mb
Release : 1994-05
Category : Literary Collections
ISBN : 8772892420
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Author : Paul J Rodmell
Publisher : Routledge
Page : 238 pages
File Size : 47,6 Mb
Release : 2020-11-26
Category : Music
ISBN : 9781000281484
French Music in Britain 1830–1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of ‘grand opera’ and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as: * Where and to whom was French music performed in Britain in the nineteenth century? * How was this music received, especially by journal and newspaper critics and other arbiters of taste? * What characteristics and qualities did British audiences associate with French music? * Was the presence and reception of French music in any way influenced by Franco-British political relations, or other aspects of cultural transfer and exchange? * Were British composers influenced by their French contemporaries to any extent and, if so, in what ways? Placed within the wider social and cultural context of Britain’s most ambiguous and beguiling international relationship, this volume demonstrates how French music became an increasingly significant part of the British musician’s repertory and influenced many composers. This is an important resource for musicologists specialising in Nineteenth-Century Music, Music History and European Music. It is also relevant for scholars and researchers of French Studies and Cultural Studies.
Author : Simon Trezise
Publisher : Cambridge University Press
Page : 441 pages
File Size : 44,9 Mb
Release : 2015-02-19
Category : Music
ISBN : 9780521877947
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
