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From Black Power to Hip Hop by Patricia Hill Collins Pdf
In this, her grounbreaking book, Patricia Hill Collins examines the new forms of racism in American life and the political responses to them. Using the experiences of African American men and women as her touchstone, she covers a wide range of issues that connect questions of race to American identity. She follows the long arc of African American responses to racism in the US, from Black Nationalism, to Black feminism, to hip hop. Using this "genealogy," she then investigates how nationalism has operated and reemerged in the wake of contemporary globalization and the unexpected resurgence of nationalism. She then offers an interpretation of how Black nationalsim works today in the wake of changing Black youth identity and the continuing need to draw on nationalism and feminism to formulate both a response to racism and a concrete platform of political action.
The marriage of music and social change didn't originate with the movements for civil rights and Black Power in the 1950s and 1960s, but never before and never again was the relationship between the two so dynamic. In Keep On Pushing, author Denise Sullivan presents the voices of musician-activists from this pivotal era and the artists who followed in their footsteps to become the force behind contemporary liberation music. Joining authentic voices with a bittersweet narrative covering more than fifty years of fighting oppression through song, Keep On Pushing defines the soundtrack to revolution and the price the artists paid to create it. Exclusive interviews with Yoko Ono, Richie Havens, Len Chandler, Buffy Sainte-Marie, Michael Franti, Solomon Burke, Wayne Kramer, John Sinclair, Phranc, plus musician-activist Elaine Brown on the Black Panthers, Nina Simone collaborator Al Schackman, Penelope Houston and Debora Iyall on San Francisco punk rock, Ed Pearl on the L.A. folk scene and the Ash Grove, and other musical and political icons.
Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement critically explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement.
Hip-hop Revolution by Jeffrey Ogbonna Green Ogbar Pdf
As hip-hop artists constantly struggle to "keep it real," this fascinating study examines the debates over the core codes of hip-hop authenticity--as it reflects and reacts to problematic black images in popular culture--placing hip-hop in its proper cultural, political, and social contexts.
The Healing Power of Hip Hop by Raphael Travis Jr. Pdf
Using the latest research, real-world examples, and a new theory of healthy development, this book explains Hip Hop culture's ongoing role in helping Black youths to live long, healthy, and productive lives. In The Healing Power of Hip Hop, Raphael Travis Jr. offers a passionate look into existing tensions aligned with Hip Hop and demonstrates the beneficial quality it can have empowering its audience. His unique perspective takes Hip Hop out of the negative light and shows readers how Hip Hop has benefited the Black community. Organized to first examine the social and historical framing of Hip Hop culture and Black experiences in the United States, the remainder of the book is dedicated to elaborating on consistent themes of excellence and well-being in Hip Hop, and examining evidence of new ambassadors of Hip Hop culture across professional disciplines. The author uses research-informed language and structures to help the reader fully understand how Hip Hop creates more pathways to health and learning for youth and communities.
The bestselling commentator, hailed for his frank and fearless arguments on race, imparts a scathing look at the hypocrisy of hip-hop—and why its popularity proves that black America must overhaul its politics. One of the most outspoken voices in America’s cultural dialogues, John McWhorter can always be counted on to provide provocative viewpoints steeped in scholarly savvy. Now he turns his formidable intellect to the topic of hip-hop music and culture, smashing the claims that hip-hop is politically valuable because it delivers the only “real” portrayal of black society. In this measured, impassioned work, McWhorter delves into the rhythms of hip-hop, analyzing its content and celebrating its artistry and craftsmanship. But at the same time he points out that hip-hop is, at its core, simply music, and takes issue with those who celebrate hip-hop as the beginning of a new civil rights program and inflate the lyrics with a kind of radical chic. In a power vacuum, this often offensive and destructive music has become a leading voice of black America, and McWhorter stridently calls for a renewed sense of purpose and pride in black communities. Joining the ranks of Russell Simmons and others who have called for a deeper investigation of hip-hop’s role in black culture, McWhorter’s All About the Beat is a spectacular polemic that takes the debate in a seismically new direction.
Freedom now - Everybody knows about Mississippi: Goddam! - The rhythm of the rebel: the sound of Black power - Moving' on up: Black power rising - Rainbow politics, Woodstock, and the Revolution Rock - The revolution will not be realized: the sound of Black power goes mainstream - Move on over: women's and gay liberation and the punky reggae disco party - Everybody say hey! ho! let's go: punk meets rock meets hip-hop - Power to the peaceful: hip-hop at the foot of the mountaintop.
"Baad Bitches" and Sassy Supermamas by Stephane Dunn Pdf
Blaxploitation action narratives as well as politically radical films like Sweet Sweetback's Baadasssss Song typically portrayed black women as trifling "bitches" compared to the supermacho black male heroes. But starting in 1973, the emergence of "baad bitches" and "sassy supermamas" reversed the trend as self-assured, empowered, and tough black women took the lead in the films Cleopatra Jones, Coffy, and Foxy Brown. Stephane Dunn unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on the representation of black femininity. Recognizing a distinct moment in the history of African American representation in popular cinema, Dunn analyzes how it emerged from a radical political era influenced by the Black Power movement and feminism. Dunn also engages blaxploitation's legacy in contemporary hip-hop culture, as suggested by the music’s disturbing gender politics and the "baad bitch daughters" of Foxy Brown and Cleopatra Jones, rappers Foxy Brown and Lil' Kim.
Author : M. K. Asante, Jr. Publisher : St. Martin's Press Page : 304 pages File Size : 47,8 Mb Release : 2008-09-16 Category : Social Science ISBN : 9781429946353
In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."
Ultimately, Black Power reveals a black freedom movement in which the ideals of desegregation through nonviolence and black nationalism marched side by side.
Michael O. West,William G. Martin,Fanon Che Wilkins
Author : Michael O. West,William G. Martin,Fanon Che Wilkins Publisher : Univ of North Carolina Press Page : 336 pages File Size : 48,5 Mb Release : 2009-09-01 Category : Social Science ISBN : 0807898724
From Toussaint to Tupac by Michael O. West,William G. Martin,Fanon Che Wilkins Pdf
Transcending geographic and cultural lines, From Toussaint to Tupac is an ambitious collection of essays exploring black internationalism and its implications for a black consciousness. At its core, black internationalism is a struggle against oppression, whether manifested in slavery, colonialism, or racism. The ten essays in this volume offer a comprehensive overview of the global movements that define black internationalism, from its origins in the colonial period to the present. From Toussaint to Tupac focuses on three moments in global black history: the American and Haitian revolutions, the Garvey movement and the Communist International following World War I, and the Black Power movement of the late twentieth century. Contributors demonstrate how black internationalism emerged and influenced events in particular localities, how participants in the various struggles communicated across natural and man-made boundaries, and how the black international aided resistance on the local level, creating a collective consciousness. In sharp contrast to studies that confine Black Power to particular national locales, this volume demonstrates the global reach and resonance of the movement. The volume concludes with a discussion of hip hop, including its cultural and ideological antecedents in Black Power. Contributors: Hakim Adi, Middlesex University, London Sylvia R. Frey, Tulane University William G. Martin, Binghamton University Brian Meeks, University of the West Indies, Mona, Jamaica Marc D. Perry, University of Illinois, Urbana-Champaign Lara Putnam, University of Pittsburgh Vijay Prashad, Trinity College Robyn Spencer, Lehman College Robert T. Vinson, College of William and Mary Michael O. West, Binghamton University Fanon Che Wilkins, Doshisha University, Kyoto, Japan
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.