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From Romanticism to Surrealism by Robert Havard Pdf
The book offers an in-depth, critical appreciation of seven major Spanish poets. Emphasis is on the modern period, with five of the poets being twentieth-century poets. It is argued that the roots of modern poetry are to be found in Romanticism's anguished search for meaning. The seven Spanish poets include Becquer, Rosalia de Castro, Antonio Machado, Jorge Guillen, Pedro Salinas, Garcia Lorca and Rafael Alberti.
Author : Robert G. Havard Publisher : University of Wales Press Page : 310 pages File Size : 43,9 Mb Release : 1988 Category : Literary Criticism ISBN : 0585233748
The Magical Art of Surreal Romanticism by Oliver St John Pdf
Perfect bound paperback edition. The book includes six high quality full colour reproductions of fine art, including rarely seen drawings and paintings by Austin Osman Spare and Ithell Colquhoun. A study of automatism in the arts and the Left-hand path of retroversion of the senses typified by the work of Austin Osman Spare and Kenneth Grant. True automatism is a condition of mind and soul exercised outside and beyond the will of the person, whether they are destined to become a magus or merely another victim swallowed up by an incomprehensible universe. Automatism was not an invention of the Surrealists or of Sigmund Freud, but has always existed in magick and alchemy. The book vindicates the work of English scholar and mystic, Thomas De Quincey, who spoke of a more sublime form of divination by which magnetism may call up from the darkness, "sentiments the most august, previously inconceivable, formless, and without life," so exalting their character as to "lodge them eternally in human hearts."
Historical Dictionary of Surrealism by Will Atkin Pdf
The Surrealist Movement is an international intellectual movement that has led a sustained questioning of the basis of human experience under twentieth- and twenty-first century modernity since its founding in the early 1920s. Influenced by the psychoanalytical teachings of Sigmund Freud, Surrealism emerged among the generation that had witnessed the insanity and horror of the First World War, and was conceived of as a framework for investigating the little-understood phenomena of dreams and the unconscious. In these territories the surrealists recognized an alternative axis of human experience that did not align with the rational, workaday rhythms of modern life, and which instead revealed the extent to which individual subjectivity had been constrained by post-Enlightenment rationalism and by the economic forces governing the post-industrial world. Against these trends, the Surrealist Movement has sought to re-evaluate the foundations of modern society and reassert the primacy of the imagination for almost a century to-date. This book offers focused introductions to numerous writers, poets, artists, filmmakers, precursors, groups, movements, events, concepts, cultures, nations and publications connected to Surrealism, providing orientation for students and casual readers alike. Historical Dictionary of Surrealism, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the Surrealist Movement’s engagement with the realms of politics, philosophy, science, poetry, art and cinema, and charts the international surrealist community’s diverse explorations of specific thematic territories such as magic, occultism, mythology, eroticism and gothicism. This book is an excellent resource for students, researchers, and anyone wanting to know more about surrealism.
Age of Surrealism (Classic Reprint) by Wallace Fowlie Pdf
Excerpt from Age of Surrealism If, then, in a contemporary sense, surrealism takes its place mightily and pervasively beside communism and neo-thomism, in an historical sense the word seems more and more to justify a place beside the two words classicism and romanticism which for so long have been the cause of controversy and definition in Western art. AS in the case of surrealism, there is a limited meaning of these terms ap plicable to an historical movement of twenty years, when manifestoes were published and aesthetic programs enun ciated: classicism, in France, between 1660 and 1680; and romanticism, between 1820 and 1840. But it is futile to limit these three terms to any specific period of twenty years. An organized school of. Art, like an academy or a university, tends to disintegrate into pedantry and sterile rules. The great exponent of these modes of art usually stands outside the officially titular school, as Lautreamont does for surrealism. In fact, the greatest artists have been claimed by both the romantics and the classicists, and now, since the advent of surrealism, are claimed by the surreal ists. Shakespeare, for example, might be named a classical writer because he wrote his tragedies in five acts, but an excellent case might be made out for the romanticism of his temperament, and I am confident that one day an im portant and much needed work will be written on Hamlet as surrealist hero. (when Hamlet's irrationality in the sur realist sense is finally acknowledged, much of the useless and tiresome theorizing about his motivations and prob l'ems will be discarded.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
From its very inception in the late eighteenth century, Romanticism's celebration of euphoria and sublimity has been dogged by its equally intense fascination with melancholia, insanity, crime, the grotesque and the irrational. In 1930, the famous literary theorist Mario Praz named this strain in literature "Dark Romanticism," but its equivalent in art has never been thoroughly assessed in art history. This volume is the first to examine a current that runs from Goya's war etchings through Symbolism and up to Surrealism, presenting Romanticism as an intellectual position that was embraced throughout Europe and that endured into the twentieth century. Among the artists included are Henry Fuseli, William Blake, Caspar David Friedrich, Victor Hugo, Arnold Böcklin, Gustave Moreau, Odilon Redon, Félicien Rops, James Ensor, Max Klinger, Edvard Munch, Hans Bellmer and Max Ernst.
Modern Art and the Romantic Vision by Deniz Tekiner Pdf
In Modern Art and the Romantic Vision, Deniz Tekiner describes several prominent features of German Romanticism and explores the presence of these features in later art forms including French Symbolist art, the early abstract art of Mondrian and Kandinsky, Surrealism, Abstract Expressionism, Pop art, and Earthworks. Stimulating and insightful, this book will appeal to anyone interested in the intellectual foundations of modern art.
Surrealism in Latin American Literature by M. Nicholson Pdf
Charting surrealism in Latin American literature from its initial appearance in Argentina in 1928 to the surrealist-inspired work of several writers in the 1970s, Melanie Nicholson argues that surrealism has exercised a significant and positive influence over twentieth-century Latin American literature, particularly poetry.
Surrealism and Photography in 1930s Japan by Jelena Stojkovic Pdf
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
Surrealism: Key Concepts by Krzysztof Fijalkowski,Michael Richardson Pdf
Emerging from the disruption of the First World War, surrealism confronted the resulting ‘crisis of consciousness’ in a way that was arguably more profound than any other cultural movement of the time. The past few decades have seen an expansion of interest in surrealist writers, whose contribution to the history of ideas in the twentieth-century is only now being recognised. Surrealism: Key Concepts is the first book in English to present an overview of surrealism through the central ideas motivating the popular movement. An international team of contributors provide an accessible examination of the key concepts, emphasising their relevance to current debates in social and cultural theory. This book will be an invaluable guide for students studying a range of disciplines, including Philosophy, Anthropology, Sociology and Cultural Studies, and anyone who wishes to engage critically with surrealism for the first time. Contributors: Dawn Ades, Joyce Cheng, Jonathan P. Eburne, Krzysztof Fijalkowski, Guy Girard, Raihan Kadri, Michael Löwy, Jean-Michel Rabaté, Michael Richardson, Donna Roberts, Bertrand Schmitt, Georges Sebbag, Raymond Spiteri, and Michael Stone-Richards.
Surrealism and the Book by Renee Riese Hubert,Renée Riese Hubert,Renee Hubert Hubert Pdf
"An indispensable tool ... for the student of Surrealism and book illustration ... [and] also for those interested in the complicated intrications between literature and pictorial movements from Romanticism to present-day Postmodernism"--Blurb.