Future Perfect Catastrophe And Redemption In The Contemporary
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Future Perfect: Catastrophe and Redemption in the Contemporary by Rohit Goel Pdf
Cultural and artistic practitioners from the UAE reflect on our collective and individual roles in building a better future This publication gathers contributions from the first cohort at 421, a platform dedicated to emerging artists and creative practitioners from the UAE and across the region. These courageous reflections suggest paradigms through which to consider our individual and collective roles in conceptualizing time and looking toward the future.
Creation - Transformation - Theology by LIT Verlag Pdf
The social and cultural challenges posed by the increasing threat to creation (climate change, destruction of biodiversity, etc.) are the starting point for new philosophical-ethical and theological reflections on the relationship between God, human beings and the world, as presented in this volume. God's creative impulse, which transforms anew, is at work in the actions of human beings and challenges us, in view of the threat to the "house of life" earth, to go new ways that make a common and good life possible. Creation and transformation are interrelated; an ecological theology of creation and practice of sustainability to be developed in the European context is to be embedded in the horizon of a global, liberating theology. Prof. Dr. Dr. h.c. Margit Eckholt, professor of dogmatics and fundamental theology at the Institute of Catholic Theology / University of Osnabrück, president of the European Society for Catholic Theology
Why do we have the constant feeling that disaster is looming? Beyond the images of atomic apocalypse that have haunted us for decades, we are dazzled now by an array of possible catastrophe scenarios: climate change, financial crises, environmental disasters, technological meltdowns—perennial subjects of literature, film, popular culture, and political debate. Is this preoccupation with catastrophe questionable alarmism or complacent passivity? Or are there certain truths that can be revealed only in apocalypse? In The Future as Catastrophe, Eva Horn offers a novel critique of the modern fascination with disaster, which she treats as a symptom of our relationship to the future. Analyzing the catastrophic imaginary from its cultural and historical roots in Romanticism and the figure of the Last Man, through the narratives of climatic cataclysm and the Cold War’s apocalyptic sublime, to the contemporary popularity of disaster fiction and end-of-the-world blockbusters, Horn argues that apocalypse always haunts the modern idea of a future that can be anticipated and planned. Considering works by Lord Byron, J. G. Ballard, and Cormac McCarthy and films such as 12 Monkeys and Minority Report alongside scientific scenarios and political metaphors, she analyzes catastrophic thought experiments and the question of survival, the choices legitimized by imagined states of exception, and the contradictions inherent in preventative measures taken in the name of technical safety or political security. What makes today’s obsession different from previous epochs’ is the sense of a “catastrophe without event,” a stealthily creeping process of disintegration. Ultimately, Horn argues, imagined catastrophes offer us intellectual tools that can render a future shadowed with apocalyptic possibilities affectively, epistemologically, and politically accessible.
This book explores the relationship between the works of Agamben and Jacques Derrida. Arthur Willemse explains how Agamben’s thought renders Derridean terminology inoperative—by suspending the suspense of signification. He argues that this is Agamben’s way of undoing a theological structure of thought that philosophy has unknowingly appropriated.
English Historical Drama, 1500-1660 by Barbara Ravelhofer Pdf
Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. An introduction provides a survey of current criticism, exploring both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a wide variety of possible sources for historical drama, ranging from oral traditions to chronicles. They also explore genres outside the canon which think of 'history' in different ways, such as shows, moralities and closet drama.
Beyond Innocence & Redemption by Marc H. Ellis Pdf
After the Gulf War and amidst the ongoing “peace process,” this timely book speaks to the need to address the deeper issues of Israel and Palestine—issues that concerned Jews, Arabs, and Christians must face if the legitimate rights of the Palestinians and the moral integrity of the State of Israel are to survive the rush to a “new world order” in the Middle East.
In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.
How can we think about God's action in a quantum world of indeterminacy? in a world that began with a Big Bang? in a world in which life evolved and is continually evolving? in a world governed by entropy and heading toward its eventual heat death? These are some of the most perplexing questions that have arisen from the rapid scientific and techno
Author : Edgar Illas Publisher : Taylor & Francis Page : 204 pages File Size : 43,5 Mb Release : 2024-06-21 Category : Political Science ISBN : 9781040048856
War, from the conflicts in the Middle East and Russia/Ukraine to Mexican narco-violence, from neocolonial land grabs in the Global South to racial, border, health, and climate crises all over the planet, defines the most extreme and contradictory expression of the global world. In this fascinating exploration on the history of the thinking of conflict, Edgar Illas departs from military and sociological analyses to propose a theoretical exploration of war as the ontological force that produces political orders. Magma is used as a geological metaphor to theorize the mixtures of politics and war that organize, and disorganize, global society. Divided into two parts, Illas’ study begins by surveying some of the most important thinkers of war, moving from classical antiquity to the twentieth century. Each thinker provides a different inflection in the historical evolution of the being of war. The second part turns to a theorization of the twenty-first century to claim that conflictive relations between capital, state power, political movements, and social life in globalization culminate and at the same time reiterate the paradoxes of war as an ontological event. The Magma of War is an energizing contribution to the task of rethinking politics in relation to war and an invaluable resource to all those conscious of the unstable forms of contemporary social and political life.
When The Hunger Games series began in 2008, many commentators lumped it in with other young adult genre fiction. But The Hunger Games was always more political. It’s since become the defining story for a generation that’s grown up with economic crisis and never ending war. An uber-rich ruling class gorge themselves in their gleaming high-tech Capitol, while working people are left behind to survive in exploited districts. Revolution is a forgotten hope kept at bay by brutal policing, aching poverty, and rigid class segregation. Suzanne Collins' dark vision has only become more relevant as The Hunger Games generation are thrown into an arena of increasingly brutal competition from which it seems like there is no escape, amid the climate crisis, global pandemics, rampant inequality, authoritarianism, media misinformation, and violence and cruelty as TV spectacle. It's no wonder the story continues to resonate. Stay Alive uses the story to shed light on our own age of extreme inequalities and climate collapse, in which elites use state power, compliant media, and violent spectacle to pacify their populations. The elite endgame is leading us towards our own version of Panem, an authoritarian state order we’ll call Capitolism. The world is catching fire. Elites have no intention of burning with us. And yet there is hope, which Michael Harris finds for his readers in revolution and radical solidarity, in the anti-authoritarian, empathetic, cooperative politics of a generation that has no choice but to rebel.
The International Standard Bible Encyclopedia by Geoffrey William Bromiley Pdf
The International Standard Bible Encyclopedia combines the defining function of a dictionary with an encyclopedia's comprehensive presentation of accurate, dependable information. Summarizing the state of knowledge on more than 9,000 topics and including 3,500 cross-references, ISBE contains articles on every person and place mentioned in the Bible, every word in the Bible that has significant theological or ethical meaning, and all terminology that touches on the transmission and interpretation of the Bible.
In God After Darwin, eminent theologian John F. Haught argues that the ongoing debate between Darwinian evolutionists and Christian apologists is fundamentally misdirected: Both sides persist in focusing on an explanation of underlying design and order in the universe. Haught suggests that what is lacking in both of these competing ideologies is the notion of novelty, a necessary component of evolution and the essence of the unfolding of the divine mystery. He argues that Darwin's disturbing picture of life, instead of being hostile to religion-as scientific skeptics and many believers have thought it to be-actually provides a most fertile setting for mature reflection on the idea of God. Solidly grounded in scholarship, Haught's explanation of the relationship between theology and evolution is both accessible and engaging. The second edition of God After Darwin features an entirely new chapter on the ongoing, controversial debate between intelligent design and evolution, including an assessment of Haught's experience as an expert witness in the landmark case of Kitzmiller v. Dover Area School District on teaching evolution and intelligent design in schools.
Rabbi Menachem Mendel Schneerson was the charismatic leader of the Chabad Hasidic movement and its designated Messiah. Yet when he died in 1994, the messianic fervor he inspired did not subside. Through traditional means and digital technologies, a group of radical Hasidim, the Meshichistim, still keep the Rebbe palpably close—engaging in ongoing dialogue, participating in specific rituals, and developing an ever-expanding visual culture of portraits and videos. With Us More Than Ever focuses on this group to explore how religious practice can sustain the belief that a messianic figure is both present and accessible. Yoram Bilu documents a unique religious experience that is distinctly modern. The rallying point of the Meshichistim—that the Rebbe is "with us more than ever"—is sustained through an elaborate system that creates the sense of his constant and pervasive presence in the lives of his followers. The virtual Rebbe that emerges is multiple, visible, accessible, and highly decentralized, the epicenter of a truly messianic movement in the twenty-first century. Combining ethnographic fieldwork and cognitive science with nuanced analysis, Bilu documents the birth and development of a new religious faith, describing the emergence of new spiritual horizons, a process common to various religious movements old and new.
From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.