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Author : Churner and Churner
Publisher : Lulu.com
Page : 64 pages
File Size : 46,8 Mb
Release : 2012
Category : Art
ISBN : 9780988189515
Catalogue of a week-long exhibition at Churner and Churner, New York
Author : Bruce Wands
Publisher : John Wiley & Sons
Page : 384 pages
File Size : 44,8 Mb
Release : 2002
Category : Architecture
ISBN : 0471390577
This work equips readers with a solid conceptual and critical foundation for digital creativity, presenting both technical explanations and creative techniques.
Author : Hans Breder,Klaus-Peter Busse
Publisher : BoD – Books on Demand
Page : 289 pages
File Size : 42,7 Mb
Release : 2005
Category : Arts
ISBN : 9783833415418
Author : Daniel Fischlin
Publisher : University of Toronto Press
Page : 414 pages
File Size : 48,5 Mb
Release : 2014-01-01
Category : Drama
ISBN : 9781442615939
For Shakespeare and Shakespearean adaptation, the global digital media environment is a brave new world of opportunity and revolution. InOuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, noted scholars of Shakespeare and new media consider the ways in which various media affect how we understand Shakespeare and his works. Daniel Fischlin and his collaborators explore a wide selection of adaptations that occupy the space between and across traditional genres what artist Dick Higgins calls intermedia ranging from adaptations that use social networking, cloud computing, and mobile devices to the many handicrafts branded and sold in connection with the Bard. With essays on YouTube and iTunes, as well as radio, television, and film, OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and one that offers a unique perspective on the transcultural and transdisciplinary aspects of Shakespeare in the contemporary world.
Author : Beryl Graham
Publisher : Routledge
Page : 254 pages
File Size : 40,5 Mb
Release : 2016-04-29
Category : Art
ISBN : 9781317088660
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.
Author : Frances Richard
Publisher : University of California Press
Page : 534 pages
File Size : 40,9 Mb
Release : 2019-03-26
Category : Art
ISBN : 9780520299092
Bringing a poet’s perspective to an artist’s archive, this highly original book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. He is celebrated for his “anarchitectural” environments and performances, and the films, photographs, drawings, and sculptural fragments with which his site-specific work was documented. In studies of his career, the artist’s provocative and vivid language is referenced constantly. Yet the verbal aspect of his practice has not previously been examined in its own right. Blending close readings of Matta-Clark’s visual and verbal creations with reception history and critical biography, this extensively researched study engages with the linguistic and semiotic forms in Matta-Clark’s art, forms that activate what he called the “poetics of psycho-locus” and “total (semiotic) system.” Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. Gordon Matta-Clark: Physical Poetics explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
Author : Frank Popper
Publisher : Unknown
Page : 482 pages
File Size : 55,6 Mb
Release : 2007
Category : Art
ISBN : UOM:39015067638000
Frank Popper traces the development of immersive, interactive new media art from its antecedents through today's digital, multimedia, & networked art.
Author : Geert Lovink
Publisher : Routledge
Page : 357 pages
File Size : 52,9 Mb
Release : 2013-10-31
Category : Computers
ISBN : 9781135872144
In Zero Comments, internationally renowned media theorist and 'net critic' Geert Lovink revitalizes worn out concepts about the Internet and interrogates the latest hype surrounding blogs and social network sites. In this third volume of his studies into critical Internet culture, following the influential Dark Fiber and My First Recession, Lovink develops a 'general theory of blogging.' He unpacks the ways that blogs exhibit a 'nihilist impulse' to empty out established meaning structures. Blogs, Lovink argues, are bringing about the decay of traditional broadcast media, and they are driven by an in-crowd dynamic in which social ranking is a primary concern. The lowest rung of the new Internet hierarchy are those blogs and sites that receive no user feedback or 'zero comments'. Zero Comments also explores other important changes to Internet culture, as well, including the silent globalization of the Net in which the West is no longer the main influence behind new media culture, as countries like India, China and Brazil expand their influence and looks forward to speculate on the Net impact of organized networks, free cooperation and distributed aesthetics.
Author : Anne Pasternak
Publisher : Princeton Architectural Press
Page : 296 pages
File Size : 42,5 Mb
Release : 2008-09-17
Category : Art
ISBN : 1568988044
New York City is the undisputed centre of the North American art world, and its public art is one of the most evident signs of its cultural wealth. For more than 30 years, Creative Time has been an avatar of public art in the city, working to engage art and the environment, artists and the public.
Author : Thomas Bey William Bailey
Publisher : Belsona Books Ltd.
Page : 417 pages
File Size : 49,9 Mb
Release : 2012-12-10
Category : Music
ISBN : 9780615736624
Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey. This superior revised edition includes all of the original supplements neglected by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography. As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence enacted by onkyo and New Berlin Minimalism, the annihilating noise transmitted from the humble laptop computers of Russell Haswell and Peter Rehberg and much more besides. Although the journey begins in the Industrial 1980s, in order to trace how the innovations of that period have gained greater currency in the present, it surveys a wide array of artists breaking ground in the 21st century with radical attitudes and techniques. A healthy amount of global travel and concentrated listening have combined to make this a sophisticated yet accessible document, unafraid to explore both the transgressive extremes of this culture and the more deftly concealed interstices thereof. Part historical document, part survival manual for the marginalized electronic musician, part sociological investigation, Micro Bionic is a number of different things, and as such will likely generate a variety of reactions from inspiration to offense. Numerous exclusive interviews with leading lights of the field were also conducted for this book: William Bennett (Whitehouse), Peter Christopherson (r.i.p., Throbbing Gristle / Coil), Peter Rehberg, John Duncan, Francisco López, Carl Michael von Hausswolff, Bob Ostertag, Zbigniew Karkowski and many others weigh in with a diversity of thoughts and opinions that underscore the incredible diversity to be found within new electronic music itself.
Author : Antonio Sergio Bessa,Jessamyn Fiore
Publisher : Yale University Press
Page : 185 pages
File Size : 45,7 Mb
Release : 2017-01-01
Category : Art
ISBN : 9780300230437
This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York, where he initiated a series of site-specific works in derelict areas of the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series 'Bronx Floors' dissected these structures, performing an anatomical study of ther ravaged urban landscape. Moving from New York to Paris with 'Conical Interserct', a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of seventeenth-century row houses slatted for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.
Author : Steve Dixon
Publisher : MIT Press
Page : 828 pages
File Size : 50,5 Mb
Release : 2015-01-30
Category : Performing Arts
ISBN : 9780262527521
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
Author : L. Hill,H. Paris
Publisher : Springer
Page : 275 pages
File Size : 52,9 Mb
Release : 2006-04-18
Category : Performing Arts
ISBN : 9780230597723
Written by both practitioners and scholars, this significant and timely collection explores the sites of contemporary performance, and the notion of place. The volume examines how we experience performance's varied sites as part of the fabric of the art work itself, whether they are institutional or transient, real or online.
Author : J. Nathan Corbitt,Vivian Nix-Early
Publisher : Baker Books
Page : 234 pages
File Size : 45,8 Mb
Release : 2003-09-01
Category : Religion
ISBN : 9781441215352
A quiet yet powerful revolution is going on. All over this country and across the world creativity-in the form of visual arts, music, dance, drama, and technology-is providing an emotionally expressive vehicle for communicating truth, developing character, and crossing cultural boundaries to build the kingdom of God. J. Nathan Corbitt and Vivian Nix-Early visited numerous artists, faith communities, and arts organizations to discover and document how the arts are being used to transform people and communities, especially in urban settings. The result is this extensive handbook that combines real-life stories with tested methodologies to create a new paradigm for the role of the arts in Christian ministry and mission. Taking It to the Streets provides church and mission leaders, youth ministers, and students with a historical perspective and theology for understanding the transforming power of the arts, a vocabulary for discussing them outside the sanctuary, and creative methods for bringing faith to action in the streets of society.
