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G. P. SIPPY'S SHOLAY - GABBAR by Sharad Devarajan,Sascha Sippy,Ashwin Pande,Saurav Mohapatra Pdf
For the first time ever the secret origin of GABBAR SINGH is finally revealed! Experience the legend of the greatest villain in Bollywood cinema, the infamous bandit who has captivated audiences for over 30 years ago through the classic movie SHOLAY! Journey to his past and witness the never-before-seen bloody, tragic and twisted story that turned an ordinary boy into a legendary evil and pop-culture icon. Also included in this book are a series of "SHOLAY SHORTS," featuring all-new original short stories based on fan-favorite characters from the movie including THAKUR BALDEV SINGH, SOORMA BHOPALI, SAMBHA and more!
G. P. SIPPY'S SHOLAY - THE OFFICIAL MOVIE ADAPTATION by Ashwin Pande Pdf
For over 30 years the story of SHOLAY has electrified India and the world. Now experience the epic story in a whole new way with this official graphic novel adaptation! A must have collectible book for every Sholay fan. Relive the classic story of Thakur's quest for revenge against the bloodthirsty and maniacal daaku, Gabbar Singh, and the bond of friendship between Jai and Veeru who have captured the hearts and minds of an entire nation. Discover why SHOLAY remains a beloved and treasured cinematic masterpiece.
National Award Winner: 'Best Book On Film' Year 2000. Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.
Sholay, the Making of a Classic by Anupama Chopra Pdf
National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.
Author : William V. Costanzo Publisher : John Wiley & Sons Page : 464 pages File Size : 52,9 Mb Release : 2014-01-28 Category : Performing Arts ISBN : 9781118712924
World Cinema through Global Genres by William V. Costanzo Pdf
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
Being a film-fan, the author has been in touch with the Indian Cinema from V. Shantaram's “Dahez” of 1948 to Arbaaz Khan's “Dabang” of 2012. During the six decades, he has come across to a good number of film personalities who are to be seen on the screen by the audience and also those who are behind the Indian Cinema. The present book covers both the aspects and revolves around not only to heroes and heroines but also to producers, directors, music directors, lyrics, songs, singers, choreographers and cameramen. It is a handy encyclopedia to all the cinegoers who want to add their latest knowledge in the field of old and new films pertaining to myth and romance respectively. The readers will get sufficient material pertaining to all the films from Ashok Kumar to Akshay Kumar, Madhubala to Anuskha Sharma, Anil Biswas to Pritam Chakraborty and Jaan Nissar Akhtar to Farhan Akhtar. All the eight chapters of this book are so beautifully intertwined that they can't be easily separated. The book systematically covers all the aspects of Indian Cinema starting from the beginning days to the recent times in an informative as well as interesting way.
Women Filmmakers in Contemporary Hindi Cinema by Aysha Iqbal Viswamohan Pdf
This book is a comprehensive anthology comprising essays on women film directors, producers and screenwriters from Bollywood, or the popular Hindi film industry. It derives from the major theories of modernity, postmodern feminism, semiotics, cultural production, and gender performativity in globalized times. The collection transcends the traditional approaches of looking at films made by women filmmakers as ‘feminist’ cinema, and focuses on an extraordinary group of women filmmakers like Ashwini Iyer Tiwari, Bhavani Iyer, Farah Khan, Mira Nair Vijaya Mehta, and Zoya Akthar. The volume will be of interest to academics and theorists of gender and Hindi cinema, as well as anybody interested in contemporary Hindi films in their various manifestations.
In how many Hindi films has the hero been afflicted by the Big C (cancer)? Who played a double role in Sholay? Which early Dev Anand movie had the song ‘Usne phenka leg break to maine mara chhakka?’ From Geet Gaata Chal (songs that became movies) to Nishabd (ten silent scenes of Amitabh Bachchan), every page in this bumper book is going to engross and entertain you.
Encyclopaedia of Hindi Cinema by Gulazāra,Govind Nihalani,Saibal Chatterjee Pdf
The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.
Bollywood and its Other(s) by V. Kishore,A. Sarwal,P. Patra Pdf
How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Bollywood and Its Other(s) explores the aesthetic-philosophical questions of the other through, for example, discussions on Indian diaspora's negotiations with national identity.
Down Bollywood Street, On Melody Beat by Sukumar Mandalika, Ravi C. Narayan Pdf
India is home to almost every religion in the world, each practised by its own set of believers. But two religions are practised, indeed celebrated, by all Indians across the length and breadth of the country all the time . . . cricket and cinema. Indian cinema is 100 years old. 105 years, to be exact, since Dadasaheb Phalke made India’s first full length silent film Raja Harishchandra in 1913. Sound entered the silent movie when Ardeshir Irani made India’s first talkie film Alam Ara in 1931. Sound brought into movies that magical potent, that elixir craved for by entertainment seeking audiences of all ages, all classes . . . . . MUSIC ! This book showcases some of Bollywood’s immortal music melodies from 1950 to 2010 that have stood the test of Time. And the people behind them. Come, let’s take a trip DOWN BOLLYWOOD STREET, ON MELODY BEAT !
Author : Ajit Rai Translated by Murtaza Ali Khan Publisher : Vani Book Company Page : 140 pages File Size : 51,6 Mb Release : 2022-07-11 Category : Art ISBN : 9789355180773
Hindujas And Bollywood by Ajit Rai Translated by Murtaza Ali Khan Pdf
What we call the golden age of Hindi cinema was also the golden age of the global cultural journey of Hindi films across the globe. Today, Hindi films are doing good business all over the world, but its foundation was laid in 1955 by Hinduja brothers in Iran. This journey which started in Iran quickly became famous all over the world. Today, hardly anyone can believe that about fifty years ago, when Raj Kapoor's film 'Sangam' was released in Iran, dubbed in Persian, it ran for three years and for one year in Cairo, the capital of Egypt. Mehboob Khan's 'Mother India' and Ramesh Sippy's 'Sholay' also ran for a year in Iran. Indian industrialists Hinduja brothers screened around 1200 Hindi films worldwide from 1954-55 to 1984-85 and in this manner 'Bollywood' was shaped. Hindujas and Bollywood is in a way an attempt to revive that golden history of Hindi cinema which is almost forgotten today. This book takes us on a historic global cultural journey of nearly twelve hundred Hindi films that were successful through the efforts of the Hinduja brothers. It is pleasant to see that this journey of twelve hundred films from Raj Kapoor's 'Shree 420 (1954-55) to Amitabh Bachchan's 'Naseeb' (1984-85) which started from Iran via Britain, Egypt, Turkey, Lebanon, Jordan, Syria, Israel, Thailand, Greece reached the whole world. Many untold stories of this journey will be loved by readers and film lovers. Ajit Rai provides an incisive description of host of memories connected with Hindujas and Hindi film industry in this book. Much has been written about wordly achievements of Hindujas but for the first time an attempt has been made to portray their deep passion for Hindi cinema. Enlivening the narrative are Ajit's warm portrait of Hinduja brothers and their friends including a smattering of Raj Kapoor, Devanand, Yash Chopra and Dharmendra. It brings to light little known details about Hindujas that most people did not know of. Not to mention the startling trivia like Hindujas naming their Tehran office Arzoo and Britain's richest man taking a ride of auto rickshaw on streets of Mumbai. Lucid and engaging Ajit Rai shares many more memorable incidents that have defined their illustrious lives. Rehan Fazal, BBC, Delhi, INDIA
Written by Salim-Javed by Diptakirti Chaudhuri Pdf
The dramatic, entertaining story of the dream team that pioneered the Bollywood blockbuster Salim Khan and Javed Akhtar reinvented the Bollywood formula with an extraordinary lineup of superhits, becoming game changers at a time when screenwriting was dismissed as a back-room job. From Zanjeer to Deewaar and Sholay to Shakti, their creative output changed the destinies of several actors and filmmakers and even made a cultural phenomenon of the Angry Young Man. Even after they decided to part ways, success continued to court them-a testament not only to their impeccable talent and professional ethos, but also their enterprising showmanship and business acumen. Fizzing with energy and brimming over with enough trivia to delight a cinephile's heart, Written by Salim-Javed tells the story of a dynamic partnership that transformed Hindi cinema forever.
This work provides an introduction to the enormously successful world of Bollywood - the biggest film industry on the planet. It includes a selection of writings by some of the most prominent voices in Indian film writing and criticism.
