Gender Continuity And The Shaping Of Modernity In The Arts Of East Asia 16th 20th Centuries
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Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries by Anonim Pdf
Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries presents a critical introduction and nine essays that examine women’s and men’s participation in the art world and gendered visual representations from the premodern through modern eras.
Socially Engaged Public Art in East Asia by Meiqin Wang Pdf
This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have well-grounded knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large.
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China by Kristen L. Chiem Pdf
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911).
Interpreting Modernism in Korean Art by Kyunghee Pyun,Jung-Ah Woo Pdf
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
This revelatory book shows how the influential and controversial Empress Dowager Cixi used art and architecture to establish her authority Empress Dowager Cixi (1835-1908), who ruled China from 1861 until her death in 1908, is a subject of fascination and controversy, at turns vilified for her political maneuvering and admired for modernizing China. In addition to being an astute politician, she was an earnest art patron, and this beautifully illustrated book explores a wide range of objects, revealing how the empress dowager used art and architecture to solidify her rule. Cixi's art commissions were innovative in the way that they unified two distant conceptions of gender in China at the time, demonstrating her strength and wisdom as a monarch while highlighting her identity as a woman and mother. Artful Subversion examines commissioned works, including portrait paintings and photographs, ceramics, fashion, architecture, and garden design, as well as work Cixi created, such as painting and calligraphy. The book is a compelling study of how a powerful matriarch at once subverted and upheld the Qing imperial patriarchy.
British Children's Literature in Japanese Culture by Catherine Butler Pdf
Whether watching Studio Ghibli adaptations of British children's books, visiting Harry Potter sites in Britain or eating at Alice in Wonderland-themed restaurants in Tokyo, the Japanese have a close and multifaceted relationship with British children's literature. In this, the first comprehensive study to explore this engagement, Catherine Butler considers its many manifestations in print, on the screen, in tourist locations and throughout Japanese popular culture. Taking stock of the influence of literary works such as Gulliver's Travels, Alice's Adventures in Wonderland, The Tale of Peter Rabbit, Tom's Midnight Garden, and the Harry Potter series, this lively account draws on literary criticism, translation, film and tourist studies to explore how British children's books have been selected, translated, understood, adapted and reworked into Japanese commercial, touristic and imaginative culture. Using theoretically informed case studies this book will consider both individual texts and their wider cultural contexts, translations and adaptations (such as the numerous adaptations of British children's books by Studio Ghibli and others), the dissemination of distinctive tropes such as magical schools into Japanese children's literature and popular culture, and the ways in which British children's books and their settings have become part of way that Japanese people understand Britain itself.
Author : Aida Yuen Wong Publisher : Hong Kong University Press Page : 201 pages File Size : 50,6 Mb Release : 2012-01-01 Category : Social Science ISBN : 9789888083893
Visualizing Beauty examines the intersections between feminine ideals and changing socio-political circumstances in China, Japan, and Korea during the first half of the twentieth century. Eight essays present a broad range of visual products that informed concepts of beauty and womanhood, including fashion, interior design magazines, newspaper illustrations, and paintings of and by women. Studying "Traditional Woman" and "New Woman" as historical categories, this anthology contemplates the complex relations between feminine subjectivity and the promotion of modernity, commerce, and colonialism.
"Women, Gender and Art in Asia, c. 1500-1900 " by MeliaBelli Bose Pdf
Women, Gender and Art in Asia, c. 1500?1900 brings women's engagements with art into a pan-Asian dialogue with essays that examine women as artists, commissioners, collectors, and subjects from India, Southeast Asia, Tibet, China, Korea, and Japan, from the sixteenth to the early twentieth century. The artistic media includes painting, sculpture, architecture, textiles, and photography. The book is broadly concerned with four salient questions: How unusual was it for women to engage directly with art? What factors precluded more women from doing so? In what ways did women's artwork or commissions differ from those of men? And, what were the range of meanings for woman as subject matter? The chapters deal with historic individuals about whom there is considerable biographical information. Beyond locating these uncommon women within their socio-cultural milieux, contributors consider the multiple strands that twined to comprise their complex identities, and how these impacted their works of art. In many cases, the woman's status-as wife, mother, widow, ruler, or concubine (and multiple combinations thereof), as well as her religion and lineage-determined the media, style, and content of her art. Women, Gender and Art in Asia, c. 1500?1900 adds to our understanding of works of art, their meanings, and functions.
Gender in Modern East Asia explores the history of women and gender in China, Korea, and Japan from the seventeenth century to the present. This unique volume treats the three countries separately within each time period while also placing them in global and regional contexts. Its transnational and integrated approach connects the cultural, economic, and social developments in East Asia to what is happening across the wider world. The text focuses specifically on the dynamic histories of sexuality; gender ideology, discourse, and legal construction; marriage and the family; and the gendering of work, society, culture, and power. Important themes and topics woven through the text include Confucianism, writing and language, the role of the state in gender construction, nationalism, sexuality and prostitution, New Women and Modern Girls, feminisms, "comfort" women, and imperialism. Accessibly written and comprehensive, Gender in Modern East Asia is a much-needed contribution to the study of the region.
Gendering the Trans-Pacific World introduces an emergent interdisciplinary and multidisciplinary field that highlights the inextricable link between gender and the trans-Pacific world. The anthology examines the geographies of empire, the significance of intimacy and affect, the importance of beauty and the body, and the circulation of culture.
The East Asian Modern Girl reports the long-neglected experiences of modern women in East Asia during the interwar period. The edited volume includes original studies on the modern girl in Taiwan, Korea, Manchuria, Japan, Shanghai, and Hong Kong, which reveal differentiated forms of colonial modernity, influences of global media and the struggles of women at the time. The advent of the East Asian modern girl is particularly meaningful for it signifies a separation from traditional Confucian influences and progression toward global media and capitalism, which involves high political and economic tension between the East and West. This book presents geo-historical investigations on the multi-force triggered phenomenon and how it eventually contributed to greater post-war transformations.
The Golden Key: Modern Women Artists and Gender Negotiations in Republican China (1911-1949) by Amanda Wangwright Pdf
The first monograph devoted to women artists of the Republican period, The Golden Key recovers the history of a groundbreaking yet forgotten generation and demonstrates that women were integral to the development of modern Chinese art.
Gender in Motion by Bryna Goodman,Wendy Larson Pdf
Bringing together the work of distinguished China historians, anthropologists, and literary and film scholars, Gender in Motion raises provocative questions about the diversity of gender practices during the late imperial society and the persistence and transformation of older gender ideologies under the conditions of modernity in China. While several studies have investigated gender or labor in late imperial and twentieth century China, this book brings these two concepts together, asking how these two categories interacted and produced new social practices and theories. Individual chapters examine agricultural and urban work, travel within China, overseas study, polyandry, the acting profession, courtesan culture, female politicians, Maoist work culture, and the boundaries of virtue and respectability. Governing notions of the social order (and interrelated constructions of gender) changed radically in the modern era—initially with the questioning of the imperial, dynastic order and the creation of a Chinese republic in the early twentieth century, later with the creation of a Communist government and, most recently, with China's political and cultural transformations in the post-Mao era. As ideas and practices of gender have changed, the persistence of older rhetorical signs in the interstices of new political visions has complicated the social projects and understandings of modernity, especially in terms of the creation of new public spaces, new concepts of work and virtue, and new configurations of gender. Contributions by: Madeleine Yue Dong, Bryna Goodman, Gail Hershatter, Ellen R. Judd, Joan Judge, Wendy Larson, Susan Mann, Kenneth L. Pomeranz, Tze-lan Deborah Sang, Matthew H. Sommer, Luo Suwen, Catherine Vance Yeh, and Wang Zheng.
Women and Gender in Twentieth-Century China by Paul J. Bailey Pdf
Paul J. Bailey provides the first analytical study in English of Chinese women's experiences during China's turbulent twentieth century. Incorporating the very latest specialized research, and drawing upon Chinese cinema and autobiographical memoirs, this fascinating narrative account: - Explores the impact of political, social and cultural change on women's lives, and how Chinese women responded to such developments - Charts the evolution of gender discourses during this period - Illuminates both change and continuity in gender discourse and practice Approachable and authoritative, this is an essential overview for students, teachers and scholars of gender history, and anyone with an interest in modern Chinese history.
Gender, Media and Modernity in the Asia-Pacific by Catherine Driscoll,Meaghan Morris Pdf
This collection offers a range of cultural studies perspectives on the ways gender and modernity intersect in media produced in the Asia-Pacific region. It spans different ideas about modernity in the region, different approaches to cultural analysis, and different media forms: from Taiwanese lifestyle television to avant-garde Indian cinema, from the emergence of a Chinese youth culture in online social networks to the alienation of country girls as imagined by Australian soap opera, and from the fantastic politics of migrating bodies in Korean cinema to the masculine mimicry of fighting women in South-East Asian action movies. Together, these essays explore the ways that media both records and helps produce images and experiences of modernity and the integral role gender plays in those processes. This book was originally published as a special issue of Cultural Studies.
