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Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.
"Gerard Sekoto is a major South African painter, and one of this country's earliest modernists and social realists. He was at the height of his creative powers when he left for Paris in 1947, where he stayed until his death in 1993. During these often difficult years his talent, dedication, belief in the equality of all people and, most of all, his identity as an African sustained him." "Chabani Manganyi's biography is informed by the discovery, after Sekoto's death, of a 'suitcase of treasures', which contained previously unknown musical compositions, letters and a large quantity of notes, writings and private documents. It ends with a statement by Gerard Sekoto on art and the responsibility of artists, which he presented in Rome in 1959."--BOOK JACKET.
Author : Shannen L. Hill Publisher : U of Minnesota Press Page : 427 pages File Size : 44,5 Mb Release : 2015-05-21 Category : Art ISBN : 9781452944319
“When you say, ‘Black is Beautiful,’ what in fact you are saying . . . is: Man, you are okay as you are; begin to look upon yourself as a human being.” With such statements, Stephen Biko became the voice of Black Consciousness. And with Biko’s brutal death in the custody of the South African police, he became a martyr, an enduring symbol of the horrors of apartheid. Through the lens of visual culture, Biko’s Ghost reveals how the man and the ideology he promoted have profoundly influenced liberation politics and race discourse—in South Africa and around the globe—ever since. Tracing the linked histories of Black Consciousness and its most famous proponent, Biko’s Ghost explores the concepts of unity, ancestry, and action that lie at the heart of the ideology and the man. It challenges the dominant historical view of Black Consciousness as ineffectual or racially exclusive, suppressed on the one side by the apartheid regime and on the other by the African National Congress. Engaging theories of trauma and representation, and icon and ideology, Shannen L. Hill considers the martyred Biko as an embattled icon, his image portrayals assuming different shapes and political meanings in different hands. So, too, does she illuminate how Black Consciousness worked behind the scenes throughout the 1980s, a decade of heightened popular unrest and state censorship. She shows how—in streams of imagery that continue to multiply nearly forty years on—Biko’s visage and the ongoing life of Black Consciousness served as instruments through which artists could combat the abuses of apartheid and unsettle the “rainbow nation” that followed.
Author : Elizabeth Harney,Ruth B. Phillips Publisher : Duke University Press Page : 432 pages File Size : 42,8 Mb Release : 2018-11-16 Category : Art ISBN : 9780822372615
Mapping Modernisms by Elizabeth Harney,Ruth B. Phillips Pdf
Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano
Drawing on a series of interviews with Gerard Sekoto and on Sekoto's extensive correspondence with art historian Barbara Lindop, this book explores the life of an artist who left South Africa for exile in France in order to remain true to his creative talents.
Irma Stern and the Racial Paradox of South African Modern Art by LaNitra M. Berger Pdf
South African artist Irma Stern (1894–1966) is one of the nation's most enigmatic modern figures. Stern held conservative political positions on race even as her subjects openly challenged racism and later the apartheid regime. Using paintings, archival research, and new interviews, this book explores how Stern became South Africa's most prolific painter of Black, Jewish, and Colored (mixed-race) life while maintaining controversial positions on race. Through her art, Stern played a crucial role in both the development of modernism in South Africa and in defining modernism as a global movement. Spanning the Boer War to Nazi Germany to apartheid South Africa and into the contemporary #RhodesMustFall movement, Irma Stern's work documents important twentieth-century cultural and political moments. More than fifty years after her death, Stern's legacy challenges assumptions about race, gender roles, and religious identity and how they are represented in art history.
“The West will begin to understand Africa when it realizes it’s not talking to a child—it’s talking to its mother.” So writes Jeff Pearce in the introduction to his fascinating, groundbreaking work, The Gifts of Africa: How a Continent and Its People Changed the World. We learn early on in school how Europe and Asia gave us important literature, science, and art, and how their nations changed the course of history. But what about Africa? There are plenty of books that detail its colonialism, corruption, famine, and war, but few that discuss the debt owed to African thinkers and innovators. In The Gifts of Africa, we meet Zera Yacob, an Ethiopian philosopher who developed the same critical approach and several of the same ideas as René Descartes. We consider how Somalis traded with China, and we meet the African warrior queens who still inspire national pride. We explore how Liberia’s Edward Wilmot Blyden deeply influenced Marcus Garvey, and we sneak into the galleries and theaters of 1920s Paris, where African art and dance first began to make huge impacts on the world. Relying on meticulous research, Pearce brings to life a rich intellectual legacy and profiles modern innovators like acclaimed griot Papa Susso and renowned economist George Ayittey from Ghana. From the ancient Nubians to a Nigerian superstar in modern painting and sculpture, from the father of sociology in the Maghreb to how the Mau Mau in Kenya influenced Malcom X, The Gifts of Africa is bold, engaging, and takes the reader on a journey of thousands of years up to the present day. Past works have reinforced misconceptions about Africa, from its oral traditions and languages to its resistance to colonial powers. Other books have treated African achievements as a parade of honorable mentions and novelties. This book is different—refreshingly different. It tells the stories behind the milestones and provides insights into how great Africans thought, and how they passed along what they learned. Provocative and entertaining, The Gifts of Africa at last gives the continent its due, and it should change the way we learn about the interactions of cultures and how we teach the history of the world.
Historical Narratives of Global Modern Art by Irina D. Costache,Clare Kunny Pdf
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
African Art and Agency in the Workshop by Sidney Littlefield Kasfir,Till Förster Pdf
“Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review
Focusing on geometry, this is one of a series exploring issues of interest to children in Africa, and designed to introduce students to reading non-fiction for pleasure and information.
