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Italian Renaissance Architecture by Henry A. Millon Pdf
These essays consider both architecture and urban planning in late medieval and Renaissance Italy, and French and German Renaissance architecture, stage designs and the relationship of architecture with the other arts. The works are analyzed historically from the viewpoint of both the humanist Renaissance theories and of modern critical reappraisals. Reproducing and describing numerous designs, projects and manuscripts by Brunelleschi, Alberti, Michelangelo and Bramante among others, this volume presents a panorama of civil and religious masterworks by those who created European architecture.
A completely new approach to the history of Renaissance architecture, encompassing the entire continent and dealing with the work of well-known architects such as Michelangelo and Andrea Palladio alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe.
The Renaissance from Brunelleschi to Michelangelo by Henry A. Millon,Vittorio Magnago Lampugnani Pdf
"The paragons of the Italian Renaissance - Brunelleschi, Alberti, Michelangelo, Bramante among them - were almost without exception architects, not only in practice but also in the private spheres of their imaginations. Their architectural plans, fantasies and models, as much as the finished buildings, are the records of their extraordinary creative endeavours." "Published in conjunction with a major exhibition at the Palazzo Grassi, Venice, this book presents a panorama of civil and religious masterworks and the ideas behind them, by the geniuses who changed the face of European architecture, in the form of their fascinating models, plans and designs. Essays by Carl Frommel, Richard Krautheimer, James Ackerman and other distinguished contributors consider architecture, architectural modelling and urban planning in late medieval and Renaissance Italy, reaching as far back as ancient Rome to uncover the roots of this great tradition. The works are analyzed historically from the dual viewpoint of Renaissance humanism and modern critical reappraisal. The essays cover French and German Renaissance architecture as well as Italian, and also consider architecture's relationship with other arts, such as stage design, painting and sculpture. Numerous designs, projects and manuscripts, some never before published, are reproduced and described." "Architecture provided a medium for some of the greatest minds of the Italian Renaissance, and their work set the pattern for all subsequent development in Europe. The idiom they created is here given expression in the most complete and detailed corpus ever published on the subject."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Style-Architecture and Building-Art by Hermann Muthesius Pdf
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
History of Architectural Theory by Hanno-Walter Kruft Pdf
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
The author uses a range of published and unpublished sources, and covers Italy, France, Britain, Spain, Germany and The Netherlands to explore the ethics, aesthetics and vanities of ambitious building.
Alfred D. Hamlin gibt in seinem Buch einen umfassenden Überblick über die Architektur der verschiedenen Epochen, Kulturen und Stilrichtungen, und stellt darüber hinaus die wichtigsten Werke vor.
Nuremberg, a Renaissance City, 1500–1618 by Jeffrey Chipps Smith Pdf
This illustrated study of Renaissance Nuremberg explores the city’s social and artistic history through the sixteenth century and beyond. The German city of Nuremberg reached the height of its artistic brilliance during the Renaissance, becoming one of the foremost cultural centers in all of Europe by 1500. Nuremberg was the home of painter Albrecht Dürer, whose creative genius inspired generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Following a map of the city’s principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city’s social and artistic significance. Smith examines the religious function of art before and during the Reformation; the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries; and the central role of Dürer’s pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War. Nuremberg: A Renaissance City, 1500-1618 contains biographical sketches of forty-five major artists of the period, plus more than three hundred illustrations depicting the city and its most magnificent artistic treasures.
Author : Christopher S. Wood Publisher : University of Chicago Press Page : 399 pages File Size : 47,8 Mb Release : 2008-08-15 Category : Art ISBN : 9780226905976
Urbino, Rome, Florence, Milan, Ferrara... but also Mantua and Imola, Carpi and Saluzzo, Naples and Sicily: a collection of case studies on the Renaissance renewal of Italian court palaces from a comparative perspective.
Inigo Jones and the European Classicist Tradition by Giles Worsley Pdf
An examination of Inigo Jones's work within the context of the European early seventeenth century classicist movement. Includes a broad survey of contemporary architecture in Italy, Germany, France and the Netherlands, as well as a close examination of Jones's buildings.