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Hailed as many Native Americans as a messenger for the Indian people, JD Challenger's art teaches us about the symbols and ceremonies of the Native American religious movement known as the Ghost Dance. In art and prose, GHOST DANCING celebrates the beauty and power of the religion's visions, dreams, and symbols. 75 color images. 50 b&w illustrations.
Ghost Dancing with Colonialism by Grace Li Xiu Woo Pdf
Some assume that Canada earned a place among postcolonial states in 1982 when it took charge of its Constitution. Yet despite the formal recognition accorded to Aboriginal and treaty rights at that time, Indigenous peoples continue to argue that they are still being colonized. Grace Woo assesses this allegation using a binary model that distinguishes colonial from postcolonial legality. She argues that two legal paradigms governed the expansion of the British Empire, one based on popular consent, the other on conquest and the power to command. Ghost Dancing with Colonialism casts explanatory light on ongoing tensions between Canada and Indigenous peoples.
This study examines the traditional Cree and Ojibway world view, develops an appreciation of native philosophy and indicates ways in which native values can be incorporated into court and criminal law processes and other aspects of 'mainstream' culture in Canada.
American Book Award Winner A linked collection of stories about the lives of one Native American family in Washington state and Oklahoma Story by graceful story, Ghost Dancing reveals the evolving worlds of Jimmy One Rock, his wife Mary, and their family as they struggle together on a decaying reservation in the Pacific Northwest. Alternating between Washington state and Jimmy's childhood on an Oklahoma reservation, these stories link past and present through memory, myth, ceremony, and a sly humor that undercuts the reverence of outsiders. In spare yet rich language, Anna Linzer creates a memorable portrait of contemporary Native American life. Here is a collection as open and honest and authentic as the characters that it documents, appealing and accessible, as bittersweet as it is lovely. Readers of Joy Harjo, Leslie Marmon Silko, and N. Scott Momaday will discover these stories with pleasure.
This study of the Wounded Knee trials demonstrates the impact that legal institutions and the media have on political dissent. Sayer draws on court records, news reports, and interviews to show how both the defense and the prosecution had to respond continually to legal constraints, media coverage, and political events outside the courtroom.
In this fascinating ethnohistorical case study of North American Indians, the Ghost Dance religion is the backbone for Kehoes exploration of significant aspects of American Indian life and her quest to learn why some theories become popular. In Part 1, she combines knowledge gained from her firsthand experiences living among and speaking with Indian elders with a careful analysis of historical accounts, providing a succinct yet insightful look at people, events, and institutions from the 1800s to the present. She clarifies unique and complex relationships among Indian peoples and dispels many of the false pretenses promoted by United States agencies over two centuries. In Part 2, Kehoe surveys some of the theories used to analyze the events described in Part 1, allowing readers to see how theories develop, to think critically about various perspectives, and to draw their own conclusions. Kehoes gripping presentation and analysis pave the way for just and constructive Indian-White relations.
The religious fervor known as the Ghost Dance movement was precipitated by the prophecies and teachings of a northern Paiute Indian named Wovoka (Jack Wilson). During a solar eclipse on New Year’s Day, 1889, Wovoka experienced a revelation that promised harmony, rebirth, and freedom for Native Americans through the repeated performance of the traditional Ghost Dance. In 1890 his message spread rapidly among tribes, developing an intensity that alarmed the federal government and ended in tragedy at Wounded Knee. While the Ghost Dance phenomenon is well known, never before has its founder received such full and authoritative treatment. Indispensable for understanding the prophet behind the messianic movement, Wovoka and the Ghost Dance addresses for the first time basic questions about his message and This expanded edition includes a new chapter and appendices covering sources on Wovoka discovered since the first edition, as well as a supplemental bibliography.
The Lakota Ghost Dance Of 1890 by Rani-Henrik Andersson Pdf
A broad range of perspectives from Natives and non-Natives makes this book the most complete account and analysis of the Lakota ghost dance ever published. A revitalization movement that swept across Native communities of the West in the late 1880s, the ghost dance took firm hold among the Lakotas, perplexed and alarmed government agents, sparked the intervention of the U.S. Army, and culminated in the massacre of hundreds of Lakota men, women, and children at Wounded Knee in December 1890. Although the Lakota ghost dance has been the subject of much previous historical study, the views of Lakota participants have not been fully explored, in part because they have been available only in the Lakota language. Moreover, emphasis has been placed on the event as a shared historical incident rather than as a dynamic meeting ground of multiple groups with differing perspectives. In The Lakota Ghost Dance of 1890, Rani-Henrik Andersson uses for the first time some accounts translated from Lakota. This book presents these Indian accounts together with the views and observations of Indian agents, the U.S. Army, missionaries, the mainstream press, and Congress. This comprehensive, complex, and compelling study not only collects these diverse viewpoints but also explores and analyzes the political, cultural, and economic linkages among them. Purchase the audio edition.
In Ghost Dance, it is through Chance’s keen eyes and weary heart that readers embark on a journey of discovery and sorrow. On the run across the plains, Chance stumbles upon Running Horse, a Sioux warrior enacting the sacred and violent ritual of the Sun Dance. Quickly, Chance is pulled into the world of the Sioux people. As their civilization teeters on the brink of destruction, the Sioux perform the mournful and frightening Ghost Dance. Clashes with the white man are frequent; the Wounded Knee Massacre approaches, still in the unknown distance; and violence and anger threaten the traditions of a proud and once‐great people. Nearby, in her quaint sod house, Miss Lucia Turner awaits the full impact of those clashes. Dust on the horizon signals great change coming to her once‐simple life. Lucia will soon become a different kind of woman. With Ghost Dance, author John Norman brings the same vigor and passion of storytelling and imagination that enriches his classic Gor novels to a vivid story of historical upheaval and personal exploration.
Every great city is a restless work in progress, but nowhere is the urban impulse more in flux than in Berlin, that sprawling metropolis located on the fault line of history. A short-lived fever-dream of modernity in the Roaring Twenties, redubbed Germania and primped up into the megalomaniac fantasy of a Thousand-Year Reichstadt in the Thirties, reduced in 1945 to a divided rubble heap, subsequently revived in a schizoid state of post-World War II duality, and reunited in 1989 when the wall came tumbling down ? Berlin has since been reborn yet again as the hipster hub of the 21st century. This book is a hopscotch tour in time and space. Part memoir, part travelogue, Ghost Dance in Berlin is an unlikely declaration of love, as much to a place as to a state of mind, by the American-born son of German-speaking Jewish refugees. Peter Wortsman imagines the parallel celebratory haunting of two sets of ghosts, those of the exiled erstwhile owners, a Jewish banker and his family, and those of the Führer's Minister of Finance and his entourage, who took over title, while in another villa across the lake another gaggle of ghosts is busy planning the Final Solution.
A Whirlwind Passed through Our Country by Rani-Henrik Andersson Pdf
The inception of the Ghost Dance religion in 1890 marked a critical moment in Lakota history. Yet, because this movement alarmed government officials, culminating in the infamous massacre at Wounded Knee of 250 Lakota men, women, and children, historical accounts have most often described the Ghost Dance from the perspective of the white Americans who opposed it. In A Whirlwind Passed through Our Country, historian Rani-Henrik Andersson instead gives Lakotas a sounding board, imparting the multiplicity of Lakota voices on the Ghost Dance at the time. Whereas early accounts treated the Ghost Dance as a military or political movement, A Whirlwind Passed through Our Country stresses its peaceful nature and reveals the breadth of Lakota views on the subject. The more than one hundred accounts compiled here show that the movement caused friction within Lakota society even as it spurred genuine religious belief. These accounts, many of them never before translated from the original Lakota or published, demonstrate that the Ghost Dance’s message resonated with Lakotas across artificial “progressive” and “nonprogressive” lines. Although the movement was often criticized as backward and disconnected from the harsh realities of Native life, Ghost Dance adherents were in fact seeking new ways to survive, albeit not those that contemporary whites envisioned for them. The Ghost Dance, Andersson suggests, might be better understood as an innovative adaptation by the Lakotas to the difficult situation in which they found themselves—and as a way of finding a path to a better life. By presenting accounts of divergent views among the Lakota people, A Whirlwind Passed through Our Country expands the narrative of the Ghost Dance, encouraging more nuanced interpretations of this significant moment in Lakota and American history.
The Pawnee Ghost Dance Hand Game by Alexander Lesser Pdf
The Ghost Dance religion that swept through the Plains Indian tribes in the early 1890s was embraced wholeheartedly by the Pawnees. It was a message of hope to a people devastated by the attacks of enemy tribes, the encroachment of white settlers, and the outbreak of epidemics. For the Pawnees, who were looking to the U.S. government and trying unsuccessfully to farm their land, the Ghost Dance movement promised salvation: a restoration of the Indian dead, the buffalo, and the old times. Alexander Lesser shows how the Ghost Dance brought about a partial revival of traditional Pawnee culture and its dances and songs. The ancient guessing hand game, remembered best by a tribe starved for the joy of play, became an important part of the Ghost Dance ritual. What had been a gambling game, a representation of warfare played by men, was transformed into a sacred game played by both sexes as an expression of faith or ?good fortune.? Lesser surveys the history of the Pawnee Indians and their relations with the federal government and describes in detail the Ghost Dance hand games that ?were the chief intellectual product of Pawnee culture? from the onset of the messianic movement to the original publication of this book in 1933. Citing such authorities as James Mooney and Stewart Culin, Lesser produced an enduring classic, now introduced by Alice Beck Kehoe, a professor of anthropology at Marquette University and the author of The Ghost Dance: Ethnohistory and Revitalization.
Author : Cora Alice Du Bois Publisher : U of Nebraska Press Page : 412 pages File Size : 41,8 Mb Release : 2007-01-01 Category : Social Science ISBN : 0803206968
The 1870 Ghost Dance was a significant but too often disregarded transformative historical movement with particular impact on the Native peoples of northern California. The spiritual energies of this ?great wave,? as Peter Nabokov has called it, have passed down to the present day among Native Californians, some of whose contemporary individual and communal lives can be understood only in light of the dance and the complex religious developments inspired by it. Cora Du Bois's historical study, The 1870 Ghost Dance, has remained an essential contribution to the ethnographic record of Native Californian cultures for seven decades yet is only now readily available for the first time. Du Bois produced this pioneering work in the field of ethnohistory while still under the tutelage of anthropologist Alfred Louis Kroeber. Her monograph informs our understanding of Kroeber's larger, grand and crucial salvage-ethnographic project in California, its approach and style, and also its limitations. The 1870 Ghost Dance adds rich detail to our understanding of anthropology in California before World War II