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Ghālib in Translation by Mirza Asadullah Khan Ghalib,Om Prakash Kejariwal Pdf
Like Any Other Great Poet, Ghalib Too Has Been Subjected To A Variety Of Interpretations And Translated Into English And Major Indian Languages More Than Once. The Present Translation Of Two Hundred Couplets From The Urdu Diwan Seeks To Combine The Music Of Ghalib'S Poetry With A Probing Into His Thoughts.
These vibrant new versions of Ghalib¿s ghazals bring his wit and irreverence, as well as his devotion, to a 21st-century English-language audience afresh. In presenting multiple versions of many of these poems, Alam highlights the tonal complexity of Ghalib¿s work and both the limitations and possibilities of translation.
This selection of poetry and prose by Ghalib provides an accessible and wide-ranging introduction to the preeminent Urdu poet of the nineteenth century. Ghalib's poems, especially his ghazals, remain beloved throughout South Asia for their arresting intelligence and lively wit. His letters—informal, humorous, and deeply personal—reveal the vigor of his prose style and the warmth of his friendships. These careful translations allow readers with little or no knowledge of Urdu to appreciate the wide range of Ghalib's poetry, from his gift for extreme simplicity to his taste for unresolvable complexities of structure. Beginning with a critical introduction for nonspecialists and specialists alike, Frances Pritchett and Owen Cornwall present a selection of Ghalib's works, carefully annotating details of poetic form. Their translation maintains line-for-line accuracy and thereby preserves complex poetic devices that play upon the tension between the two lines of each verse. The book includes whole ghazals, selected individual verses from other ghazals, poems in other genres, and letters. The book also includes a glossary, the Urdu text of the original poetry, and an appendix containing Ghalib's comments on his own verses.
GHALIB: PERSIAN POEMS Translation & Introduction Paul Smith Mirza Asadullah Beg (1797-1869}, known as Ghalib (conqueror), a pen-name or takhallus he adopted in the tradition of classical Persian and Urdu poets, was born in the city of Agra of parents with Turkish aristocratic ancestry. When he was only five his father Abdullah Beg Khan died in a battle while working under Rao Raja Bakhtwar Singh of Alwar and his uncle Nasrullah Beg Khan took charge of him. But he lost his uncle also at the age of eight. He then moved to Delhi. He lived on state patronage, credit or the generosity of friends. His fame came to him posthumously. His major poetry was ghazals, qit'as, ruba'is and othe forms in Persian, he is more famous for those written in Urdu. Dr. Arifshah Gilani, author of 'Ghalib: His Life and Persian Poetry' (see bibliography) states: "Ghalib is, to all intents and purposes, the last of the great classical poets of the Indo-Pakistan sub-continent, because although the late Dr. Sir Muhammad Iqbal has made a distinct and valuable contribution in Persian poetry, still in so far as the language is concerned, he cannot be said to have even approached Ghalib, much less surpassed him." He also states, "Strictly speaking, the real Ghalib lies not only in the twelve hundred Urdu verses but also in the twelve thousand and odd couplets of his Persian poetry... Like an eagle he flew over all the rest. In fact, he was a giant amongst the pygmies. His many sided genius should earn him and abiding niche in the domain of Persian poetry." Here is the largest selection of his ghazals and other poems from the Persian in the correct form and meaning with Introduction on his Life, Times, Poetry, The Forms of he composed in, Selected Bibliography. Large Format Paperback 7" x 10" 200 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages, including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Shah Latif, Mahsati, Bulleh Shah, Khushal Khan Khattak, Iqbal and others and his own poetry, fiction, plays, biographies, children's books and screenplays. www.newhumanitybooks.com
DIVAN OF GHALIB Translation & Introduction Paul Smith Mirza Asadullah Beg (1797-1869}, known as Ghalib (conqueror) was born in the city of Agra of parents with Turkish aristocratic ancestry. When he was only five his father Abdullah Beg Khan died in a battle while working under Rao Raja Bakhtwar Singh of Alwar and his uncle Nasrullah Beg Khan took charge of him. But he lost his uncle also at the age of eight. He then moved to Delhi. He lived on state patronage, credit or the generosity of friends. His fame came to him posthumously. He had remarked during his life that although his age had ignored his greatness he would be recognized by later generations. History has vindicated his claim. Although he wrote many more ghazals, qit'as and ruba'is in Persian he is more famous for those written in Urdu. Before Ghalib, the Urdu ghazal was primarily an expression of anguished love but Ghalib expressed his philosophy and cynicism. In keeping with the conventions of the ghazal, in most of Ghalib's couplets the 'beloved' could be a beautiful woman, boy, monarch or even... God or the Spiritual Master as in his many Sufi poems. Here is the largest selection of his Persian & Urdu ghazals and other poems in the correct form and meaning in English ever published. Introduction on his Poetry, Life & Times and on the Forms of Poetry he used. Selected Bibliography. Large Format Paperback 7" x 10" 265 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages, including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Shah Latif, Mahsati, Bulleh Shah, Khushal Khan Khattak and others and his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
THE BOOK OF GHALIB Translation & Introduction Paul Smith Mirza Asadullah Beg (1797-1869}, known as Ghalib (conqueror), a pen-name or takhallus he adopted in the tradition of all classical Urdu poets, was born in the city of Agra of parents with Turkish aristocratic ancestry. When he was only five his father Abdullah Beg Khan died in a battle while working under Rao Raja Bakhtwar Singh of Alwar and his uncle Nasrullah Beg Khan took charge of him. But he lost his uncle also at the age of eight. He then moved to Delhi. He lived on state patronage, credit or the generosity of friends. His fame came to him posthumously. He had remarked during his life that although his age had ignored his greatness he would be recognized by later generations. History has vindicated his claim. Although he wrote ghazals, qit'as and ruba'is in Persian he is more famous for those written in Urdu. Before Ghalib, the Urdu ghazal was primarily an expression of anguished love but Ghalib expressed his philosophy and cynicism on God and other subjects. In keeping with the conventions of the ghazal, in most of Ghalib's couplets the beloved could be a beautiful woman, boy, monarch or even... God, as in his Sufi poems. Here is a selection of his ghazals and other poems from the Persian & Urdu in the correct form and meaning. Large Format Paperback 7" x 10" 194 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages, including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Shah Latif, Mahsati, Bulleh Shah, Khushal Khan Khattak and others and his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
The first book-length study of ta'wil, a form of allegorical scriptural interpretation propagated by Ismaili-Shiite missionaries Ismailism, one of the three major branches of Shiism, is best known for ta'wil, an esoteric, allegorizing scriptural exegesis. Beyond the Qur'?n: Early Ismaili ta'wil and the Secrets of the Prophets is the first book-length study of this interpretive genre. Analyzing sources composed by tenth-century Ismaili missionaries in light of social-science theories of cognition and sectarianism, David Hollenberg argues that the missionaries used ta'wil to instill in acolytes a set of symbolic patterns, forms, and "logics." This shared symbolic world bound the community together as it created a gulf between community members and those outside the movement. Hollenberg thus situates ta'wil socially, as an interpretive practice that sustained a community of believers. An important aspect of ta'wil is its unconventional objects of interpretation. Ismaili missionaries mixed Qur'?nic exegesis with interpretation of Torah, Gospels, Greek philosophy, and symbols such as the Christian Cross and Eucharist, as well as Jewish festivals. Previously scholars have speculated that this extra- Qur'?nic ta'wil was intended to convert Jews and Christians to Ismailism. Hollenberg, departing from this view, argues that such interpretations were, like Ismaili interpretations of the Qur'?n, intended for an Ismaili audience, many of whom converted to the movement from other branches of Shiism. Hollenberg argues that through exegesis of these unconventional sources, the missionaries demonstrated that their imam alone could strip the external husk from all manner of sources and show the initiates reality in its pure, unmediated form, an imaginal world to which they alone had access. They also fulfilled the promise that their imam would teach them the secrets behind all religions, a sign that the initial stage of the end of days had commenced. Beyond the Qur'?n contributes to our understanding of early Ismaili doctrine, Fatimid rhetoric, and, more broadly, the use of esoteric literatures in the history of religion.
GHALIB PERSIAN SUFI POEMS... Translation & Introduction Paul Smith... Mirza Asadullah Beg (1797-1869}, known as Ghalib (conqueror), a pen-name or takhallus he adopted in the tradition of classical Persian and Urdu poets, was born in the city of Agra of parents with Turkish aristocratic ancestry. When he was only five his father Abdullah Beg Khan died in a battle while working under Rao Raja Bakhtwar Singh of Alwar and his uncle Nasrullah Beg Khan took charge of him. But he lost his uncle also at the age of eight. He then moved to Delhi. He lived on state patronage, credit or the generosity of friends. His fame came to him posthumously. His major poetry was ghazals in Persian and other forms. Dr. Arifshah Gilani, author of 'Ghalib: His Life and Persian Poetry' states: "Ghalib is, to all intents and purposes, the last of the great classical poets of the Indo-Pakistan sub-continent, because although the late Dr. Sir Muhammad Iqbal has made a distinct and valuable contribution in Persian poetry, still in so far as the language is concerned, he cannot be said to have even approached Ghalib, much less surpassed him." He also states, "Strictly speaking, the real Ghalib lies not only in the twelve hundred Urdu verses but also in the twelve thousand and odd couplets of his Persian poetry... Like an eagle he flew over all the rest. In fact, he was a giant amongst the pygmies. His many sided genius should earn him and abiding niche in the domain of Persian poetry." Here is the largest selection of his Ghazals, Rubai's, Qit'as, Masnavis & a Qasida from the Persian in English in the correct form and meaning with Introduction on his Life, Times, Poetry, Selected Bibliography. Large Format Paperback 7" x 10" 278 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It's not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages, including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Shah Latif, Mahsati, Bulleh Shah, Khushal Khan Khattak, Iqbal, Seemab, Jigar, Makhfi and others and his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. amazon.com/author/smithpa
Encyclopedia of World Writers, 1800 to the Present by Marie Diamond Pdf
In recent years, schools have started introducing more inclusive syllabi emphasizing the works and ideas of previously overlooked or underrepresented writers. Readers of all ages can now explore the rich contributions of writers from around the world. These writers have various backgrounds, and unlike most writers from the U.S. or the United Kingdom, information on them in English can be difficult to find. Encyclopedia of World Writers: 1800 to the Present covers the most important writers outside of the U.S., Britain, and Ireland since 1800. More than 330 insightful, A-to-Z entries profile novelists, poets, dramatists, and short-story writers whose works are anthologized in textbooks or assigned in high school English classes. Entries range in length from 200 to 1,000 words each and include a biographical sketch, synopses of major works, and a brief bibliography. Dozens of entries are new to this edition and many existing entries have been updated and significantly expanded with new "Critical Analysis" sections. Coverage includes: Chinua Achebe Margaret Atwood Roberto Bolaño Albert Camus Khalid Hosseini Victor Hugo Mohammad Iqbal Franz Kafka Stieg Larsson Mario Vargas Llosa Naghib Mahfouz Gabriel García Márquez Kenzaburo Oe Marcel Proust Leo Tolstoy Emile Zola and more.
