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" ... The story opens on a small farm somewhere in the Southeast, where a boy named Jeremy discovers that his family's dog, Ginger, has finally given birth to her long-awaited puppies. Ginger explains to her puppies that they must leave the farm for new homes where they will take care of their own humans, for that is the Father's plan. Jeremy's parents tell him that the family can afford only one dog, Ginger, and will have to give the puppies away ... [et al.]--Back cover.
Good Boy, Achilles!, a work of 128 pages, is based on the idea that, because we human beings are flawed and fouled-up, God has given dogs the task of helping us along. The story opens on a small farm somewhere in the Southeast, where a boy named Jeremy discovers that his familys dog, Ginger, has finally given birth to her long-awaited puppies. Ginger explains to her puppies that they must leave the farm for new homes where they will take care of their own humans, for that is the Fathers plan. Jeremys parents tell him that the family can afford only one dog, Ginger, and will have to give the puppies away. As the story progresses, however, Jeremy and his favorite puppy, Thunder, or, as Jeremy calls him, Achilles, become best friends, and Thunder comes to believe that he will remain on the farm as Jeremys dog. Will he? On the way to finding out, he and Jeremy learn some basic Christian theology and some important life lessons.
WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.
Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.
For millennia, men have told the legend of the woman whose face launched a thousand ships—but now it's time to hear her side of the story. Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology's most devastating war, the infamous Helen and her sister Klytemnestra. As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivaled beauty, they are the envy of all of Greece. But such privilege comes at a cost. While still only girls, the sisters are separated and married to foreign kings of their father's choosing— Helen remains in Sparta to be betrothed to Menelaos, and Klytemnestra is sent alone to an unfamiliar land to become the wife of the powerful Agamemnon. Yet even as Queens, each is only expected to do two things: birth an heir and embody the meek, demure nature that is expected of women. But when the weight of their husbands' neglect, cruelty, and ambition becomes too heavy to bear, Helen and Klytemnestra must push against the constraints of their society to carve new lives for themselves, and in doing so, make waves that will ripple throughout the next three thousand years. Daughters of Sparta is a vivid and illuminating reimagining of the Siege of Troy, told through the perspectives of two women whose voices have been ignored for far too long.
A discussion of pop culture messages about masculinity, their impact on boys, and the benefits of introducing more gender balance to boys lives. When most people think about gender stereotypes and children, they envision princesses, dolls, and pink clothing. Few consider the warriors, muscle-bound action figures, and T-shirts covered in graffiti and skulls that are assumed to signify masculinity. The pop culture environment that surrounds boys introduces them to a world where traditionally masculine traitslike toughness, aggression, and stoicismare highly esteemed and where female influence is all but absent. The Achilles Effect explores gender bias in the entertainment aimed at primary school boys, focusing on the dominant themes in childrens TV shows, toy advertising, movies, and books: gender stereotypes of both sexes, male dominance, negative portrayals of fathers, breaking of the mother/son bond, and the devaluing of femininity. It examines the gender messages sent by pop culture, provides strategies for countering these messages, and encourages discussion of a vitally important issue that is rarely talked aboutboys and their often skewed understanding of gender. The Achilles Effect is a guide for parents, educators, and students who want to learn more about male and female stereotypes, their continued strong presence in kids pop culture, and their effect on young boys.
"The first critical edition of W. H. Auden's poetry collection The Shield of Achilles, which won the 1956 National Book Award in Poetry, this book will include the complete text of Auden's award-winning volume The Shield of Achilles, accompanied critical commentary by Alan Jacobs: a preface to provide historical and publishing context; a longer introduction to orient the reader to the poems themselves; and detailed notes on words or passages in need of clarification for contemporary readers. Jacobs, who has edited two previous critical editions of Auden's poetry, argues that this was the most important single collection of poems Auden published, and also the most coherent of his collections. The two poetic sequences, "Bucolics" and "Horae Canonicae," bookend a remarkable set of lyrics, with "The Shield of Achilles" itself at the heart. One of Auden's last long poems, it refers to moment in The Iliad in which Thetis, mother of Achilles, asks Hephaestus to forge a shield for her son. Auden re-imagines how the shield of Achilles would look in the modern age, when the rules of war and the role of the hero have been rewritten. While the volume was widely praised, it is now out of print (although the title poem is included in larger collections of Auden's poetry). A critical edition allows readers to better understand and appreciate one of Auden's most important later poetic works, written in what Jacobs describes as "a poetic idiom that differs quite significantly from what anyone else at the time was doing. . . . it is, in a vital sense, public poetry and it can be enjoyed, understood, and profited from. This edition is meant to make that enjoyment, understanding, and profit easier of access.""--
'One of the greatest historical novels ever written' SARAH WATERS 'I love to find queer representation in historical fiction. . . Renault's eye for intimacy is amazing' DOUGLAS STUART 'Fierce, complex and eloquent' MADELINE MILLER 'Mary Renault is a shining light' HILARY MANTEL *** A groundbreaking queer classic and powerful reimagining of the last years of Alexander the Great, told through the eyes of his lover. I thought, There goes my lord, whom I was born to follow. I have found a king. And, I said to myself, looking after him as he walked away, I will have him, if I die for it. Bagoas, abducted as a boy and sold as a eunuch, has been transported to the heart of the Persian court as courtesan to King Darius. But when the Macedon army conquers his homeland, Bagoas finds freedom at the hands of their golden young commander, whose name is already becoming a legend: Alexander. Their encounter sparks a passionate devotion that shapes the Persian boy's future - and deepens into a relationship that will sustain them both through assassination plots, political intrigue and the threat of Alexander's own restless ambition. This is a spellbinding tale of power, loyalty and loss - a vision of history transfigured by love. 'Nowhere else in fiction have Alexander's beauty and charisma blazed with such potency' TOM HOLLAND 'Passionate and captivating' SEÁN HEWITT 'All my sense of the ancient world - its value, its style, the scent of its wars and passions - comes from Mary Renault' EMMA DONOGHUE 'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century' ANTONIA SENIOR, THE TIMES
This #1 New York Times bestseller is a "bold and subversive retelling of the goddess's story" that brilliantly reimagines the life of Circe, formidable sorceress of The Odyssey (Alexandra Alter, TheNew York Times). In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child -- not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power -- the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love. With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world. #1 New York Times Bestseller -- named one of the Best Books of the Year by NPR, the Washington Post, People, Time, Amazon, Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Refinery 29, Buzzfeed, Paste, Audible, Kirkus, Publishers Weekly, Thrillist, NYPL, Self, Real Simple, Goodreads, Boston Globe, Electric Literature, BookPage, the Guardian, Book Riot, Seattle Times, and Business Insider.
A GUARDIAN BEST BOOK OF THE 21ST CENTURY 'Chilling, powerful, audacious' The Times 'Magnificent. You are in the hands of a writer at the height of her powers' Evening Standard There was a woman at the heart of the Trojan War whose voice has been silent - until now. Discover the greatest Greek myth of all - retold by the witness that history forgot . . . Briseis was a queen until her city was destroyed. Now she is a slave to the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive to become the author of her own story? THE PERFECT GIFT FOR FANS OF MADELINE MILLER'S CIRCE AND THE SONG OF ACHILLES! *Shortlisted for the Women's Prize for Fiction and the Costa Novel Award* Pat Barker continues her extraordinary retelling of one of our greatest myths in The Women of Troy.
When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive national bestselling debut novel that reimagines Norse mythology. Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love. Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger. With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family...or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.
Author : J. J. Chambliss Publisher : State University of New York Press Page : 186 pages File Size : 45,5 Mb Release : 1987-07-01 Category : Education ISBN : 9780791498705
Educational Theory as Theory of Conduct by J. J. Chambliss Pdf
Chambliss presents clearly the position that educational theory is a theory of conduct rather than an applied science. It is theory of conduct, not about conduct. He reveals the richness of this idea and examines the various ways it has been discussed in the works of Aristotle, Rousseau, Dewey, and others. He also demonstrates its timeliness for today's educators by presenting it as an antidote to the current widespread tendency of trying to quantify conduct, to treat education as a thing to be measured.
A study of three epinicia of Pindar, which have in common that they celebrate victories of Aeginetan athletes and that they respond to the contemporary political situation in Aegina and to circumstances of the victory. The primary objective of this book is to provide an interpretation of each of the three odes as meaningful, coherent works of the literary art. For each ode, it provides a commentary in which problems of text and interpretation are discussed in detail, a structural and metrical analysis, and an interpretative essay, in which the observations of detail are brought together in order to provide an answer to the question as to how the ode at hand could have functioned as a coherent, meaningful epinicion. The introduction addresses questions of method and provides a description of Pindar's style.
What does it mean to be a hero? In The Heroic Heart, Tod Lindberg traces the quality of heroic greatness from its most distant origin in human prehistory to the present day. The designation of “hero” once conjured mainly the prowess of conquerors and kings slaying their enemies on the battlefield. Heroes in the modern world come in many varieties, from teachers and mentors making a lasting impression on others by giving of themselves, to firefighters no less willing than their ancient counterparts to risk life and limb. They don’t do so to assert a claim of superiority over others, however. Rather, the modern heroic heart acts to serve others and save others. The spirit of modern heroism is generosity, what Lindberg calls “the caring will,” a primal human trait that has flourished alongside the spread of freedom and equality. Through its intimate portraits of historical and literary figures and its subtle depiction of the most difficult problems of politics, The Heroic Heart offers a startlingly original account of the passage from the ancient to the modern world and the part the heroic type has played in it. Lindberg deftly combines social criticism and moral philosophy in a work that ranks with such classics as Thomas Carlyle’s nineteenth-century On Heroes, Hero-Worship and the Heroic in History and Joseph Campbell’s twentieth-century The Hero with a Thousand Faces.
