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Author : Nicholas Adams
Publisher : Yale University Press
Page : 297 pages
File Size : 43,5 Mb
Release : 2019-10-11
Category : Architecture
ISBN : 9780300227475
This nuanced portrait of Gordon Bunshaft and his work for the architecture firm SOM explores his role in defining the built aesthetic of corporate America.
Author : Carol Herselle Krinsky
Publisher : MIT Press (MA)
Page : 388 pages
File Size : 41,5 Mb
Release : 1988
Category : Architecture
ISBN : UOM:39015033428262
Carol Herselle Krinsky's analysis of Bunshaft's work is the first complete study of this important and at times difficult architect
Author : Nicholas Adams
Publisher : Phaidon Press
Page : 344 pages
File Size : 50,9 Mb
Release : 2007
Category : Architecture
ISBN : UOM:39015064993036
Surveys thirty of the most iconic buildings designed by Skidmore, Owings & Merrill (SOM), the legendary American architecture firm, since its founding in 1936.
Author : Charles Duff
Publisher : Oro Editions
Page : 279 pages
File Size : 55,9 Mb
Release : 2021-07-15
Category : Atlantic Coast (Europe)
ISBN : 1908457538
The North Atlantic Cities by Charles B. Duff, which is available for the first time in the United States, is a book on urban development and urban life masquerading as a book on architecture. It is the story of four hundred years of architecture and urban development in four countries: the Netherlands, Great Britain, Ireland, and the United States, particularly cities like New York, Boston, Washington, D.C., Philadelphia, Baltimore, Savannah, to name a few. The author starts with a kind of building few others have considered--the row house--which could very well be the key to understanding why many of the world's great cities look and function as they do. From the 1600s to today as the author theorizes, this innocuous-seeming housing type is perhaps the antidote to suburban sprawl, urban decay, and the worst catastrophes of global climate change.
Author : Dale Allen Gyure
Publisher : Yale University Press
Page : 296 pages
File Size : 40,7 Mb
Release : 2017-11-28
Category : Architecture
ISBN : 9780300229868
The first book to reevaluate the evocative and polarizing work of one of midcentury America’s most significant architects Born to Japanese immigrant parents in Seattle, Minoru Yamasaki (1912–1986) became one of the towering figures of midcentury architecture, even appearing on the cover of Time magazine in 1963. His self-proclaimed humanist designs merged the modern materials and functional considerations of postwar American architecture with traditional elements such as arches and colonnades. Yamasaki’s celebrated and iconic projects of the 1950s and ’60s, including the Lambert–St. Louis Airport and the U.S. Science Pavilion in Seattle, garnered popular acclaim. Despite this initial success, Yamasaki’s reputation began to decline in the 1970s with the mixed critical reception of the World Trade Center in New York, one of the most publicized projects in the world at the time, and the spectacular failure of St. Louis’s Pruitt-Igoe Apartments, which came to symbolize the flaws of midcentury urban renewal policy. And as architecture moved in a more critical direction influenced by postmodern theory, Yamasaki seemed increasingly old-fashioned. In the first book to examine Yamasaki’s life and career, Dale Allen Gyure draws on a wealth of previously unpublished archival material, and nearly 200 images, to contextualize his work against the framework of midcentury modernism and explore his initial successes, his personal struggles—including with racism—and the tension his work ultimately found in the divide between popular and critical taste.
Author : SOM
Publisher : The Monacelli Press, LLC
Page : 249 pages
File Size : 45,6 Mb
Release : 2021-07-20
Category : Architecture
ISBN : 9781580935555
Legendary architecture practice SOM presents 40+ of their most transformative works in the sixth and latest volume, SOM: Works by Skidmore, Owings & Merrill, 2009-2019. Skidmore, Owings & Merrill (SOM) is one of the most influential architecture studios in the world, with a body of work that includes some of the most important buildings and urban designs of our time. SOM: Works by Skidmore, Owings & Merrill, 2009-2019 is the sixth and latest volume in the series to cover every era of SOM’s history, from the iconic Modernist works of the 1950s to the projects of today. Documenting SOM’s global body of work—which ranges from a prototype for a biophilic breathing wall to the new headquarters for NATO in Brussels—SOM: Works by Skidmore, Owings & Merrill, 2009-2019 demonstrates how SOM has come to hold its unparalleled position as a steward of international architecture. This new volume details SOM’s approach to designing impactful, complex projects in a globalized world—an approach which marries a deep bench of global expertise with a commitment to honoring culture and people in the communities where SOM works. In this volume, explore SOM’s mission to address the most urgent challenge of our time: climate change. Working in pursuit of a zero-carbon built world, SOM’s designers are pioneering new approaches to adaptive reuse, cultivating emerging technologies including machine learning, inventing new tools to optimize building performance, and beyond. Organized chronologically, the monograph encompasses SOM’s most significant projects of the past decade, across all building types and locations, highlighting the studio’s unique ability to design and execute complex, technical, and efficient structures. The roster includes Burj Khalifa—the tallest building in the world, Manhattan Loft Gardens, a new vertical community in London, the twisting Ningbo Bank of China headquarters, the ‘floating cube’ new Federal Courthouse in Los Angeles, the master plan for the Cornell Tech Campus on Roosevelt Island, the reimagined Strand Theatre in San Francisco, Chicago’s Optimo Hat Company Headquarters, Denver Union Station, and of course, One World Trade Center. Through in-depth essays, architecture writer and critic Sam Lubell dives into SOM’s radically rigorous approach to design in today’s complex world, exploring the unique ideas cultivated within the studio and how those ideas are transformed into transformative spaces across the globe. As with the previous five volumes in the series, renowned design studio Pentagram led the book’s design in collaboration with SOM. Featuring 500 images, the book includes thorough profiles and never-before-published photographs, plans, and drawings of the studio’s most recent works.
Author : Timothy M. Rohan
Publisher : Yale University Press
Page : 301 pages
File Size : 45,7 Mb
Release : 2014-07-10
Category : Architecture
ISBN : 9780300149395
Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918–1997) shaped both late modernist architecture and a generation of architects while chairing Yale’s department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph’s architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph’s spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.
Author : Phyllis Lambert
Publisher : Unknown
Page : 0 pages
File Size : 52,6 Mb
Release : 2013
Category : Architecture
ISBN : 0300167679
Building Seagram is a comprehensive personal and scholarly history of a major building and its architectural, cultural, and urban legacies.
Author : Stephen Parks
Publisher : Unknown
Page : 0 pages
File Size : 46,9 Mb
Release : 2003-11
Category : Electronic
ISBN : 0300133987
The Beinecke Rare Book and Manuscript Library of Yale University celebrates its fortieth anniversary with an exhibition and with this book that is itself a celebration of a great architectural monument of modernism photographed by Richard Cheek. This striking building contains a stunning collection of collections, examples from which were photographed by Stan Godlewski, and this celebratory volume also contains a portfolio of photographs taken at the time of the dedication forty years ago by Ezra Stoller and a handful of historic photographs from collections here. The text has a number of essays that together capture the many resourses that constitute this library distinguished throughout the world for its collections and for its support of research and publications and teaching. Following an introductory essay by Barbara A. Shailor written from the perspective of one who came to join the staff as a graduate student employed to catalogue ancient manuscripts. This she did for two decades before leaving for university teaching and a deanship before returning here recently as director. The history of the design, construction, and impact of the building is acheived in a critical and appreciative essay by Patrick L. Pinnell, practicing architect and planner, who carries the story from the selection of Gordon Bunshaft as architect to the present place of this magnificent building at the center of te Yale Campus. Next comes a memoir by Marjorie G. Wynne about the days before there was a Beinecke Library when the rare books and manuscripts were in the Rare Book Room at Sterling Library until she and that collection crossed the street forty yearsago. Following these are essays about the individual strengths of the collections that together are the Beinecke's chief joys. Robert G. Babcock describes early manuscripts and books while the modern counterparts are featured by Vincent Giroud who also contributed an essay on music in the Beinecke. A brief section on playing cards by Timothy G. Young is included. Patricia C. Willis discusses the Collection of American Literature and Stephen Parks describes the Osborn Collection. German Literature is treated by Christa Sammons and George A. Miles treats the Western Americana Collection. The Beinecke Library is all this and more, perhaps the most distinguished gathering of literary and historic material of any private university in the Americas and perhaps in the world. Supported wholly from endowments and managed as a financially independent unit within the Yale library system, it serves a broad community of users. It has an active fellowship program bringing researchers from across the campus and across the world to this repository of printed books and manuscripts as well as extensive collections of maps, prints, photographs, and drawings in the fields of language, literature, history, religion, philosophy, art, music, economics, and the natural sciences. The book itself is a cause for celebration, designed by Greer Allen and composed and printed to the high standards that he earlier had exercised as University Printer. The result of all of these efforts is a triumph of text and illustrations combined in a generous format to delight the eye and the mind.
Author : Blaine Brownell
Publisher : Princeton Architectural Press
Page : 162 pages
File Size : 50,8 Mb
Release : 2013-07-02
Category : Architecture
ISBN : 9781616891893
Blaine Brownell s best-selling Transmaterial series has introduced designers to hundreds of emergent materials that have the potential to transform our built environment. In our new Architecture Brief, Material Strategies, Brownell shows architects how creative applications of these materials achieve such transformations. Chapters based on fundamental material categories examine historical precedents, current opportunities, and future environmental challenges. Case studies featuring detailed illustrations showcase pioneering buildings from today s most forward-thinking architectural firms.
Author : Alex Beam
Publisher : Random House Trade Paperbacks
Page : 369 pages
File Size : 52,6 Mb
Release : 2021-03-30
Category : Biography & Autobiography
ISBN : 9780399592737
The true story of the intimate relationship that gave birth to the Farnsworth House, a masterpiece of twentieth-century architecture—and disintegrated into a bitter feud over love, money, gender, and the very nature of art. “An intimate portrait . . . alive with architectural intrigue.”—Architect Magazine In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time—unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches. Their personal and professional collaboration would produce the Farnsworth House, one of the most important works of architecture of all time, a blindingly original structure made up almost entirely of glass and steel. But the minimalist marvel, built in 1951, was plagued by cost overruns and a sudden chilling of the two friends’ mutual affection. Though the building became world famous, Edith found it impossible to live in, because of its constant leaks, flooding, and complete lack of privacy. Alienated and aggrieved, she lent her name to a public campaign against Mies, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing lengthy trial heard evidence of purported incompetence by an acclaimed architect, and allegations of psychological cruelty and emotional trauma. A commercial dispute litigated in a rural Illinois courthouse became a trial of modernist art and architecture itself. Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling narrative tapestry, illuminating the fascinating history behind one of the twentieth century’s most beautiful and significant architectural projects.
Author : Eugenia Bell
Publisher : Chronicle Books
Page : 146 pages
File Size : 41,9 Mb
Release : 2019-11-19
Category : Architecture
ISBN : 9781616898885
Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials nd forms, most famously embodied in his Yale Art & Architecture Building (1963), earned Rudolph both notoriety and acclaim. Many of the dynamic drawings included in this collection — selected from the architect's archive housed in the Library of Congress — illustrate his highly emotive hand and deft drafting skill. They include his designs for Tuskegee University Chapel, Interama, Lower Manhattan Expressway, his analysis of Mies van der Rohe's Barcelona Pavilion, and his own inventive penthouse on Beekman Place in New York City. A lively Rudolph interview, conducted in 1986, and a newly commissioned introductory essay provide context for the drawings.
Author : Alexandra Lange
Publisher : Chronicle Books
Page : 194 pages
File Size : 44,8 Mb
Release : 2012-02-29
Category : Architecture
ISBN : 9781616890537
Extraordinary architecture addresses so much more than mere practical considerations. It inspires and provokes while creating a seamless experience of the physical world for its users. It is the rare writer that can frame the discussion of a building in a way that allows the reader to see it with new eyes. Writing About Architecture is a handbook on writing effectively and critically about buildings and cities. Each chapter opens with a reprint of a significant essay written by a renowned architecture critic, followed by a close reading and discussion of the writer's strategies. Lange offers her own analysis using contemporary examples as well as a checklist of questions at the end of each chapter to help guide the writer. This important addition to the Architecture Briefs series is based on the author's design writing courses at New York University and the School of Visual Arts. Lange also writes a popular online column for Design Observer and has written for Dwell, Metropolis, New York magazine, and The New York Times. Writing About Architecture includes analysis of critical writings by Ada Louise Huxtable, Lewis Mumford, Herbert Muschamp, Michael Sorkin, Charles Moore, Frederick Law Olmsted, and Jane Jacobs. Architects covered include Marcel Breuer, Diller Scofidio + Renfro, Field Operations, Norman Foster, Frank Gehry, Frederick Law Olmsted, SOM, Louis Sullivan, and Frank Lloyd Wright.
Author : Rami el Samahy,Chris Grimley,Michael Kubo
Publisher : The Monacelli Press, LLC
Page : 368 pages
File Size : 41,8 Mb
Release : 2019-05-28
Category : Architecture
ISBN : 9781580935234
Imagining the Modern explores Pittsburgh's ambitious modern architecture and urban renewal program that made it a gem of American postwar cities, and set the stage for its stature today. In the 1950s and '60s an ambitious program of urban revitalization transformed Pittsburgh and became a model for other American cities. Billed as the Pittsburgh Renaissance, this era of superlatives--the city claimed the tallest aluminum clad building, the world's largest retractable dome, the tallest steel structure--developed through visionary mayors and business leaders, powerful urban planning authorities, and architects and urban designers of international renown, including Frank Lloyd Wright, I.M. Pei, Mies van der Rohe, SOM, and Harrison & Abramovitz. These leaders, civic groups, and architects worked together to reconceive the city through local and federal initiatives that aimed to address the problems that confronted Pittsburgh's postwar development. Initiated as an award-winning exhibition at the Carnegie Museum of Art in 2014, Imagining the Modern untangles this complicated relationship with modern architecture and planning through a history of Pittsburgh's major sites, protagonists, and voices of intervention. Through original documentation, photographs and drawings, as well as essays, analytical drawings, and interviews with participants, this book provides a nuanced view of this crucial moment in Pittsburgh's evolution. Addressing both positive and negative impacts of the era, Imagining the Modern examines what took place during the city's urban renewal era, what was gained and lost, and what these histories might suggest for the city's future.
Author : Caroline Elam
Publisher : Paul Holberton publishing
Page : 0 pages
File Size : 46,6 Mb
Release : 2019
Category : Art criticism
ISBN : 1912168081
Roger Fry (1866-1934) is best known as a champion of Post-Impressionism and a pioneer of Modernist art criticism. But his fi rst love was early Italian painting, on which he became a recognized authority, publishing a monograph on Giovanni Bellini in 1899. Even after the Post-Impressionist exhibitions in 1910 and 1912 and the foundation of the Omega Workshops, Fry continued to write and lecture on Italianart right up until his death. He looked at modernism through Quattrocento eyes rather than the other way around, as is often wrongly assumed. It is impossible not to be struck by how fresh and immediately readable his writings are, how pioneering in some ways his approach remains. His work on Italian art modifi es the received view of him as a pure formalist. Apart from a famous article on Giotto which Fry republished in Vision and Design (1920), the writings on Italian art are relatively little known, and a selection of the best of them is republished here, thus introducing an important aspect of Fry's many-sided work to a new audience. The fi rst part of the book sets Fry's writing on Italian art into context by combining intellectual biography with the history of art history, art criticism and art institutions. It draws on new documentary material, including Fry's travel notebooks, which contain sketches and brilliant observations taken down in front of works of art. By exploring the whole range of Fry's published and unpublished writings, theauthor is able to refute erroneous received ideas - that he was uninterested in colour, for example. The infl uence of his Italian lectures and publications on such fi gures as E.M. Forster, Kenneth Clark and Michael Baxandall is also examined. The second part consists of writings by Fry - each with an introductory text by the author and fully illustrated in colour. Included in this volume are some of the unpublished lectures that his biographer Virginia Woolf suggested would make a fascinating book of extracts. Four long pieces are of outstanding interest - on Uccello, Piero della Francesca, Baldovinetti and Piero di Cosimo, all artists whose critical status was radically re-examined in the twentieth century. Fry had a close and lifelong connection with The Burlington Magazine, as cofounder, contributor, saviour-fundraiser, editor (1909-1919) and adviser. Roger Fry and Italian Art is appropriately the fi rst in a series of books on art history to be published by The Burlington Magazine and Ad Ilissvm in association - to be announced in due course.
