Grail Quest 2 Morgain S Revenge Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Grail Quest 2 Morgain S Revenge book. This book definitely worth reading, it is an incredibly well-written.
Grail Quest #2: Morgain's Revenge by Laura Anne Gilman Pdf
The quest for the Holy Grail is postponed again when Ailis is kidnapped by Morgain the sorceress, and her friends, Newt and Gerard, must leave the court of King Arthur seeking to rescue her, accompanied by a grumbling knight.
Grail Quest: Morgain's Revenge by Laura Anne Gilman Pdf
King Arthur's Knights of the Round Table are preparing once again to set out in search of the legendary Holy Grail. This time Morgain le Fay is determined to stop them at any cost, and she knows exactly who is standing in her way. When she kidnaps Ailis, the servant girl whose untrained magical powers grow stronger with every passing day, her vengeance seems to be taking a terrifying turn. Gerard and Newt must work together again to rescue their best friend before it's too late...before Morgain turns Ailis to evil...before Ailis helps Morgain destroy Camelot.
A Bibliography of Modern Arthuriana (1500-2000) by Ann F. Howey,Stephen Ray Reimer Pdf
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
Huntsmen, according to the Church, were damned, their blood unclean, unholy. Yet for Rosemary and Aaron Harker the Church was less important than being ready to stand against the Uncanny as not being prepared could lead to being dead. The year is 1913. America—and the world—trembles on the edge of a modern age. Political and social unrest shift the foundations; technology is beginning to make its mark. But in the shadows, things from the past still move. Things inhuman, uncanny. And the Uncanny are no friend to humanity. But when Aaron and Rosemary Harker go to investigate the suspicious death of a distant relative, what they discover could turn their world upside down—and change the Huntsmen forever
Following the events of the high-stakes and propulsive Uncanny Times, Rosemary and Aaron Harker, along with their supernatural hound Botherton, have been given a new assignment to investigate…but the Harkers believe it’s a set-up, and there’s something far more ancient and deadly instead. Rosemary and Aaron Harker have been effectively, unofficially sidelined. There is no way to be certain, but they suspect their superiors know that their report on Brunson was less than complete, that they omitted certain truths. Are they being punished or tested? Neither Aaron nor Rosemary know for certain. It may be simply that they are being given a breather or that no significant hunts have been called in their region. But neither of them believes that. So, when they are sent to a town just outside of Boston with orders to investigate suspicious activity carefully, the Harkers suspect that it is a test. Particularly since the hunt involves a member of the benefactors, wealthy individuals who donate money to the Huntsmen in exchange for certain special privileges and protections. If they screw this up…at best, they’ll be out of favor, reduced to a life of minor hunts and “clean up” for other Huntsmen. At worst, they will be removed from the ranks, their stipend gone—and Botheration, their Hound, taken from them. They can’t afford to screw this up. But what seems like a simple enough hunt—find the uncanny that attacked a man in his office and sent him into a sleep-like state—soon becomes far more complicated as more seemingly unrelated attacks occur. The Harkers must race to find what is shadowing them, before the uncanny strikes again, and sleep turns into murder—and the Huntsmen decide that they have been compromised beyond repair. But their quarry may not be the only uncanny in town. Botheration and Aaron both sense something else, something shadowing them. Something old, dangerous…and fey.
The Mammoth Book of King Arthur by Mike Ashley Pdf
The most complete guide ever to the real Arthurian world and the legends that surround it He defeated the Saxons so decisively at the Battle of Badon that he held the Saxon invasion of Britain at bay for at least a generation. He has inspired more stories, books and films than any other historical or legendary figure. But who was the real King Arthur? Here is the most comprehensive guide to the real Arthurian world and the legends that surround and often obscure it. Sifting fact from fancy, Mike Ashley reveals the originals not only of King Arthur but also of Merlin. Guinevere, Lancelot and the knights of the Round Table - as well as all the major Arthurian sites. He traces each of the legends as they developed and brilliantly shows how they were later used to inspire major works of art, poetry, fiction and film. There is clear evidence that. The Arthurian legends arose from the exploits of not just one man, but at least three originating in Wales, Scotland and Brittany The true historical Arthur really existed and is distantly related to the present royal family The real Arthur and the real Merlin never knew each other The real Lancelot was not British but was closer to a sixth-century asylum-seeker The Holy Grail legend probably grew out of a cosmic catastrophe that could have destroyed most of civilization
Corporia is a 208-page tabletop role-playing game of genre-bending fiction and futuristic urban fantasy. In Corporia, you take on the roles of reborn Knights of the Round Table or their supernaturally-powered allies, fighting an invisible war for justice in the struggle between otherworldly Chaos magics and the oppressive Order of the ruling mega-corporations! Corporia is 'knights in shining Armani.' It's what happens when you mix Camelot with a spoonful of Torchwood, add a pinch of cyberpunk, a dash of Joss Whedon's Angel, and a sprinkling of Shadowrun. If you enjoy these, you're going to love Corporia. Highlights One simple, unified game mechanic for all abilities, including fighting, spellcasting, and hacking! All characters can join the Hacker in virtual conflicts; no one gets left out! Spellcasters can cast whatever they can imagine, limited only by their skill rank in any of eight schools of magic - and all 64 sample spells can be easily modified at will! Four personality traits (three public, one private) keep situations interesting and provide points for permanent and temporary improvements, supplementing the core dice mechanics without becoming the main aspects of the rules! Metal melee weapons are more effective against monsters than firearms, keeping swords and daggers relevant even in a future of X-Calibre energy pistols and glowing raypiers! An innovative, modern design style in a book full of page-turning concepts!
This major reference work is the fourth volume in the series "Arthurian Literature in the Middle Ages". Its intention is to update the French and Occitan chapters in R.S. Loomis’ "Arthurian Literature in the Middle Ages: A Collaborative History" (Oxford, 1959) and to provide a volume which will serve the needs of students and scholars of Arthurian literature. The principal focus is the production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century. Beginning with a substantial overview of Arthurian manuscripts, the volume covers writing in both verse (Wace, the Tristan legend, Chretien de Troyes and the Grail Continuations, Marie de France and the anonymous lays, the lesser known romances) and prose (the Vulgate Cycle, the prose Tristan, the Post-Vulgate Roman du Graal, etc.).
Author : Christopher W. Bruce Publisher : Taylor & Francis Page : 624 pages File Size : 46,6 Mb Release : 1999 Category : Family & Relationships ISBN : 0815328656
The Arthurian Name Dictionary by Christopher W. Bruce Pdf
A comprehensive encyclopedia of characters, places, objects, and themes found in the legends of King Arthur and the Knights of the Round table. Draws from all significant source between Gildas' De Excidio Britanniae written about 540 AD and Tennyson's 19th-century Idylls of the King, including versions from throughout Europe. The entries range from a short identifying sentence to nearly ten pages for the king himself. Each is referenced to a source, which are presented in a endtable showing author and tit date, form, and langua description; keywords from the entries; and recent editions, a vital bit of information such references usually neglect. The cross-referencing is fairly good, often done as a full entry identifying a name as a variant of another, so the lack of an index is not a problem. Distributed in the US by Taylor and Francis. Annotation copyrighted by Book News, Inc., Portland, OR
The sacred and the secular in medieval literature have too often been perceived as opposites, or else relegated to separate but unequal spheres. In Medieval Crossover: Reading the Secular against the Sacred, Barbara Newman offers a new approach to the many ways that sacred and secular interact in medieval literature, arguing that (in contrast to our own cultural situation) the sacred was the normative, unmarked default category against which the secular always had to define itself and establish its niche. Newman refers to this dialectical relationship as "crossover"—which is not a genre in itself, but a mode of interaction, an openness to the meeting or even merger of sacred and secular in a wide variety of forms. Newman sketches a few of the principles that shape their interaction: the hermeneutics of "both/and," the principle of double judgment, the confluence of pagan material and Christian meaning in Arthurian romance, the rule of convergent idealism in hagiographic romance, and the double-edged sword in parody. Medieval Crossover explores a wealth of case studies in French, English, and Latin texts that concentrate on instances of paradox, collision, and convergence. Newman convincingly and with great clarity demonstrates the widespread applicability of the crossover concept as an analytical tool, examining some very disparate works. These include French and English romances about Lancelot and the Grail; the mystical writing of Marguerite Porete (placed in the context of lay spirituality, lyric traditions, and the Romance of the Rose); multiple examples of parody (sexually obscene, shockingly anti-Semitic, or cleverly litigious); and René of Anjou's two allegorical dream visions. Some of these texts are scarcely known to medievalists; others are rarely studied together. Newman's originality in her choice of these primary works will inspire new questions and set in motion new fields of exploration for medievalists working in a large variety of disciplines, including literature, religious studies, history, and cultural studies.
This brisk retelling of Le Morte D'Arthur highlights the narrative drive, humor, and poignancy of Sir Thomas Malory’s original while updating his fifteenth-century English and selectively pruning over-elaborate passages that can try the patience of modern readers. The result is an adaptation that readers can enjoy as a fresh approach to Malory's sprawling masterpiece. The book's most famous episodes--the sword in the stone, the cataclysmic final battle--are all here, while lesser-known key episodes stand forth with new brightness and clarity. The text is accompanied by an up-to-date bibliography, including websites and video resources, and a descriptive index keyed--like the retelling itself--to the book and chapter divisions of William Caxton's first printed edition of 1485.