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The Gramophone Company's First Indian Recordings, 1899-1908 by Michael S. Kinnear Pdf
This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
International History of the Recording Industry by Pekka Gronow,Ilpo Saunio Pdf
This book explores the fascinating world of the record business, its technology, the music and the musicians from Edison's phonograph to the compact disc. The great artists - Caruso, Toscanini, Louis Armstrong, Elvis Presley and their successors - all achieved fame through the medium of records, and in turn have influenced the recording industry. But just as important are the record producers, those invisible figures who decide from behind the scenes how a record will sound. The history of recording is also the history of record companies: the book follows the vicissitudes of the multinational giants, without neglecting the small pioneering labels which have brought valuable new talents to the fore.
Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.
The Gramophone Company's Indian Recordings, 1908 To 1910 by Anonim Pdf
A complete numerical catalogue, by matrix serials, of Indian Gramophone recordings made from 1908 to 1910, detailing all known and traced recordings by The Gramophone Company, Ltd., in India. This is the second volume in the series of discographical studies on the recordings taken in India and released by The Gramophone Company, Ltd., of Indian repertoires, together with a detailed historical examination of the development of the sound recording industry in India up to 1914.
The Gramophone Company's Persian Recordings, 1899 To 1934 by Anonim Pdf
A discography of recordings taken in Persia by The Gramophone Company and its successor concerns, from 1899 to 1934. With a history of the activities of various recording companies who operated in Persia and the sessions conducted at Teheran and London of Persian repertoire. With a supplementary discography of Persian recordings taken by the Columbia Graphophone Co., Ltd., between 1928 and 1934.
Just over 100 years ago, Emile Berliner invented the gramophone and disc record. This is the first discography assembled of the first disc recordings in the United States. It documents over 3,000 discs, which were sold to the American public from 1892 to 1900. Listings are arranged by catalogue number and cross-indexed by title, performer, and recording date. The gramophone discs are valuable research tools in the study of popular culture, providing objective data about what was offered to the public, and how it was performed. Since this information has never been published, scholars may well find new materials. Berliner's successor was the Victor Talking Machine Company (an ongoing Greenwood discography series). An introductory essay discusses the earliest years of the invention and the repertoire appearing on the discs. Their physical properties are noted and illustrated with photographs of the records. A descriptive bibliography guides readers to other books and articles of interest. Another section lists Berliner Gramophone records that have been reissued on long-playing and compact discs. This volume will be of interest to gramophone record collectors, record archives, and music libraries, as well as to scholars, music students, and buffs.
From Keroncong to Xinyao: The Record Industry in Singapore, 1903–1985 by Ross Laird Pdf
From Keroncong to Xinyao presents a captivating and groundbreaking exploration of Singapore’s vibrant record industry from 1903 to 1985, revealing how Singapore was once a significant recording centre in Southeast Asia. The book highlights the pioneers and innovators of the industry, from performing artists to recording engineers. Records made during this musical heyday covered diverse genres, from Malay keroncong to Chinese opera and pop songs, and, from the 1950s, the rock ’n’ roll wave that was sweeping the world. Beautifully illustrated with photographs, record album art and archival images, this book takes readers on a fascinating journey through the music industry’s triumphs and challenges, revealing its resonating contributions to Singapore’s cultural heritage.
The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.
How did one of the great inventions of the nineteenth century—Thomas Edison's phonograph—eventually lead to one of the most culturally and economically significant technologies of the twentieth and twenty-first centuries? Sound Recording traces the history of the business boom and the cultural revolution that Edison's invention made possible. Recorded sound has pervaded nearly every facet of modern life—not just popular music, but also mundane office dictation machines, radio and television programs, and even telephone answering machines. Just as styles of music have evolved, so too have the formats through which sound has been captured—from 78s to LPs, LPs to cassette tapes, tapes to CDs, and on to electronic formats. The quest for better sound has certainly driven technological change, but according to David L. Morton, so have business strategies, patent battles, and a host of other factors.
Giacomo Meyerbeer by Robert Ignatius Letellier Pdf
ARSC Awards for Excellence, 2014: Best Historical Research in Classical Music (Certificate of Merit). This book presents a discography of recordings made from the works of Giacomo Meyerbeer (1791–1864) – from the inception of recording techniques in 1889 until the dominance of the long-playing record in 1955. It is a testimony to the once-universal fame of the composer and the esteem in which in his works were held. During that period some nearly 2000 artists (at least 1065 of them singers) recorded arias and ensembles from all six of the French operas of Meyerbeer's maturity (Robert le Diable, Les Huguenots, Le Prophète, L'Étoile du Nord, Dinorah, L'Africaine), as well as selections from other works, orchestral pieces, and a variety of arrangements for band and other instruments. Covering more than 150 different pieces, the whole of this recorded legacy makes Meyerbeer one of the most popular classical composers of any age. Many of the legendary names of this Golden Age of Song were devoted to Meyerbeer's compositions (like Aumonier, Amato, Gilion, Rethberg, Lazzari, Barrientos, Delmas, Slezak, Belhomme, Branzell, Lehmann, Hempel, Escalais, Ancona, De Lucia, De Angelis, De Cisneros, Tamagno, Rothier, Pertile, Ruffo, Siems, Kurz, Caruso, Chaliapin). This discography is integral to the history of opera, the nature of lyric recording, and the story of song and vocal technique. It is divided into chapters listing the works recorded, the singers, orchestras, bands and other musicians who recorded pieces from the operas (with details of the labels, places, dates, matrix and record numbers), as well as providing anthologies of modern transfers of the some of the old 78 records to modern media (LP, CD, MP3), and also listing a bibliography devoted to vintage records and singers from the early days of recording.
During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author Jo o Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.
