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'I have never read such a stimulating short guide to art' Lynn Barber, Sunday Times Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Gallery and not 'Sucking up to an Academic Elite'). Based on his hugely popular BBC Radio 4 Reith Lectures and full of pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but seem too embarrassing to ask.
What does it mean to be male in the 21st Century? Award-winning artist Grayson Perry explores what masculinity is: from sex to power, from fashion to career prospects, and what it could become—with illustrations throughout. In this witty and necessary new book, artist Grayson Perry trains his keen eye on the world of men to ask, what sort of man would make the world a better place? What would happen if we rethought the macho, outdated version of manhood, and embraced a different ideal? In the current atmosphere of bullying, intolerance and misogyny, demonstrated in the recent Trump versus Clinton presidential campaign, The Descent of Man is a timely and essential addition to current conversations around gender. Apart from gaining vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships—and that’s happiness, right? Grayson Perry admits he’s not immune from the stereotypes himself—yet his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness, and the belief that, for everyone to benefit, updating masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.
A new examination of the early ceramic work of the world’s most famous potter, Grayson Perry, this book includes previously lost and unpublished pieces. Grayson Perry was the first ceramicist to win the Turner Prize, the internationally renowned award for the best young British Artist. He rapidly established a unique brand as “the transvestite potter.” This book examines the plates, pots, and statues from the 1980s to the mid-1990s with which he established his career. Perry sold many of his early pieces for modest sums and subsequently lost track of their whereabouts. With the help of an international art treasure hunt this book brings together both his known and previously lost and undocumented pieces. Accompanying Perry’s traveling exhibition, which opens at the Holburne Museum, Bath, in January 2020, this book features full color illustrations of his seminal ceramic works from this period. As well as an essay from the artist and critical essays from experts on Perry’s work.
"Perry's embrace of decoration becomes a springboard into a dazzling range of forms and surfaces; his keen sense of adornment also helps to shape questions about human nature, politics, and aesthetic choices." --Fiberarts
Every inch of Grayson's childhood bedroom was covered with pictures of aeroplanes, and every surface with models. Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. He grew up. And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of his stepfather, leading to constant swerving between his parents' houses, and between boys' and women's clothes. But as Grayson enters art college and discovers the world of London squats and New Romanticism, he starts to find himself. At last he steps out as a potter and transvestite.
Since winning the Turner Prize in 2003 and exhibiting at The British Museum in 2011, Grayson Perry seems doomed to become `a national treasure'. 'They're preparing the embroidered slippers,' he remarks. Now one of his virtually unknown works - the graphic novel Cycle of Violence - is available to the public in a beautiful case bound edition. Originally issued as a private publication in 1992, the story features an idealised male hero with tones of crossdressing and bondage, which Perry created as an adolescent and developed while facing up to becoming a dad.
Grayson's Art Club by Grayson Perry,Swan Films,Bristol Museum & Art Gallery,Bristol Museum and Art Gallery Staff Pdf
During the pandemic, Grayson Perry helped the nation find comfort and company through art during the hit TV series Grayson's Art Club by Swan Films for Channel 4. Each week Grayson hosted the show from his studio with his wife, Philippa (and often their cat, Kevin). Using video chat, Grayson spoke to famous artists and creatives about how they were spending their time and invited them to respond creatively to lockdown. Each week had a different theme - family, nature, food, dreams, work, and travel. Members of the public were also invited to share their own artworks and over 17,000 entries were submitted throughout series two in a vast range of mediums - from paintings and photography, to ceramics and textiles. Collectively, the artworks are powerful and very personal responses to the pandemic and form a lasting artistic record of the unprecedented times the nation experienced together. The artworks from season two are collected here to catalogue the exhibition at Bristol Museum & Art Gallery
Author : Grayson Perry Publisher : British Museum Press Page : 0 pages File Size : 46,6 Mb Release : 2011 Category : Antiquities in art ISBN : 0714118206
The internationally renowned British artist Grayson Perry, winner of the Turner Prize in 2003, is a vivid chronicler of contemporary life. His work abounds with autobiographical references, which can be read in tandem with issues relating to class, taste and the status of artists and artisans. Packed with vivid images, and a number of gatefold pages, this book provides an overview of Perry's fascinating career focusing on his work in a variety of media ranging from ceramic and tapestry to embroidery and print. The acclaimed art historian and biographer Jenny Uglow provides a personal insight into Perry's work, and interviews between Perry, Christopher Le Brun, painter and President of the Royal Academy, and Tim Marlow, the RA's Artistic Director, reveal the many sides of Perry's personality. This book accompanies the exhibition 'Making Meaning', curated by Erin Manns and is the first exhibition in a three year collaboration between the Gallery at Windsor and the Royal Academy. Winner of the 2003 Turner Prize, Grayson Perry CBE RA is one of Britain's best-known artists. Renowned for his ceramic vases and appearances as his female alter ego Claire, he curated the show 'The Tomb of the Unknown Craftsman' (2011) at the British Museum, and delivered the BBC's influential Reith Lectures, which he entitled 'Playing to the Gallery', in 2013. The prizewinning biographer Jenny Uglow has written on Elizabeth Gaskell, William Hogarth, Thomas Bewick and Edward Lear, among many others. SELLING POINTS: * A handsome new publication on Grayson Perry CBE RA, one of Britain's best-known artists * With an incisive new text by the prize-winning biographer Jenny Uglow 35 colour images
The Most Popular Art Exhibition Ever! by Grayson Perry Pdf
There are some artists for whom 'popular' is a bit of a dirty word. Grayson Perry is not one of them. He thinks art shouldn't be an exclusive club for people who 'get' it, but for everyone - that's why his new show is called The Most Popular Art Exhibition Ever! This accompanying book contains all his latest works, in full colour - including his much-discussed 'Leave' and 'Remain' pots, and creations inspired by his recent TV series All Man - along with an introduction by Grayson, his sketches and his commentary on each piece, explaining the thinking behind them. The images and words here explore populism, celebrity, masculinity, identity, Britain today and Grayson himself. They invite us to look again at the things we think we know, and show us that nothing, not even Brexit, is black and white.
Since winning the Turner Prize in 2003, Grayson Perry has become as famous for his monumental tapestries and outrageous dress designs as his richly decorated ceramic vases. Behind the allure of the colourful and brazen decoration in his works, however, lies a wry commentary on the darker aspects of society - such as child abuse, social hierarchies and environmental disaster. Bringing us closer to both the artist and the themes that mark his work, Sketchbooks is a first-time collection of drawings which demonstrates the evolution of Grayson's creative processes as well as his career, following his journey from art school to the present day. With over 100 double-page illustrations selected by the artist himself, this is a funny, revealing and personal book that bursts at the seams with gorgeous art.
Grayson Perry by Grayson Perry,Rachel Kent,Mike Baird, MP Pdf
The Museum of Contemporary Art Australia is pleased to present the first major survey exhibition in the Southern hemisphere by internationally renowned artist and Turner Prize recipient, Grayson Perry, as part of the Sydney International Art Series. It introduces the full spectrum of his practice from the early 1980s to the present, including new work. Grayson Perry is one of the best known British artists of his generation, acclaimed for his ceramics, sculptures, drawings, prints and tapestries. With a keen eye for detail and a love of the popular and vernacular, Perry infuses his artworks with a sly humour and reflection on society past and present. The artist's highly decorated pots in particular reveal a panoply of imagery ranging from the highly personal to the political, their subjects including his own family, the art world, Biblical stories, the royal family, and images of warfare and sexual fantasy. Perry's transvestism and feminine alter ego 'Claire' emerges through his practice as a recurring visual motif. A contemporary of the YBA (Young British Artists) generation, he has forged a distinctive career that sits apart from the cooler theoretical approach of some of his peers, favouring a more flamboyant, accessible aesthetic that blurs the division of high art and popular culture.