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Great Scenes from Shakespeare's Plays by John Green,Paul Negri Pdf
Well-known scenes from "Hamlet," "King Lear," "Macbeth," "Romeo and Juliet," "Julius Caesar," and 15 other popular plays. Summaries, selections from the appropriate text, and captions accompany the illustrations. 30 black-and-white illustrations.
More Scenes from Shakespeare by William Shakespeare,Michael Wilson Pdf
A book of selected scenes from Shakespeare's most recognisable plays. Designs to solve classroom or workshop performance needs: only scenes with small casts are included; each scene contains two to seven characters; scenes are between five and twenty minutes in length; each scene is preceded by a plot synopsis and setting; scenes include character descriptions and motivation; excellent contest material.
Author : Charles A. Hallett,Elaine S. Hallett Publisher : Cambridge University Press Page : 248 pages File Size : 46,8 Mb Release : 1991-04-04 Category : Drama ISBN : 0521392039
Analyzing Shakespeare's Action by Charles A. Hallett,Elaine S. Hallett Pdf
Here the authors invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help one to discover how the narrative works; and offer instead a division into smaller units which they define as beats, sequences and frames.
Shakespeare Scenes by William Shakespeare,Kim Gilbert Pdf
I have personally compiled and edited this collection of 33 Shakespearean scenes specifically for aspiring female actors to study as well as enjoy. The scenes within this book are most suited to older, teenage actors, who have already begun to acquire some of the technical skills necessary to perform Shakespeare's wonderfully drawn, young adult female characters. These scenes are suitable for a range of acting exams and awards as well as for auditions and festivals. I have tried and tested these scenes with numerous students over the years with great success and more importantly, they have thoroughly enjoyed working on them. I have not provided guidelines as to how to perform these scenes. This is something for the individual performer to explore and what is what will make your performance individual. However, I do strongly believe, it is crucial to play characters within ones' playing range. As a developing actor, in your late teens and beyond, now is the time to tackle the more demanding female characters which Shakespeare has so brilliantly created. Continue to build your vocal skills and acting technique systematically. In this way your performances will have the necessary depth and will be exciting to watch. Learn to discover your character's subtext and objectives. This will enable your characters to spring to life and hence, help your audience believe in you. Methodical preparation will pay dividends when exploring these fascinating characters. I hope you enjoy working on them.
I have compiled and edited this collection of Shakespearean duologue scenes for young female actors to study as well as enjoy. These scenes are suitable for a range of acting exams and awards as well as for auditions and festivals. I have tried and tested these scenes on numerous students over the years with great success and more importantly, they have thoroughly enjoyed working on them. I believe, it is crucial to choose characters within ones' playing range. The duologues in this collection are taken from a range of plays: Romeo & Juliet, The Merry Wives of Windsor, Henry V, Henry VIII, Othello, Much Ado About Nothing, The Two Gentlemen of Verona, The Merchant of Venice, Twelfth Night, As You Like It and A Midsummer Night's Dream. There is a biography on Shakespeare, some notes about his writing style and a short synopsis of each play. Each scene has an introduction prepared, suitable for exam or festival work. I hope you enjoy this collection.
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
The 30-Minute Shakespeare Anthology by William Shakespeare Pdf
Drawing on his eighteen years of experience as a teaching artist for Folger Shakespeare Library, Nick Newlin offers eighteen scenes to get young actors on their feet performing Shakespeare with confidence, understanding, and fun! Each scene averages five minutes in length, containing two to six characters, and features a monologue that young performers can use in performance, audition, or competition. Every scene has been "road tested" by one of Newlin's student groups at the Folger's annual Secondary School Shakespeare Festival, and includes dynamic stage directions and incisive performance notes to help teachers and students bring Shakespeare's plays to life. The 30-Minute Shakespeare Anthology includes one scene and monologue from eighteen of Shakespeare's greatest plays, including Romeo and Juliet, Macbeth, Hamlet, Othello, A Midsummer Night's Dream, Julius Caesar, Much Ado About Nothing, As You Like It, The Merchant of Venice, and The Taming of the Shrew. Additionally, the anthology contains a scene and monologue from Henry IV Part I, King Lear, As You Like It, The Comedy of Errors, The Tempest, Twelfth Night, The Merry Wives of Windsor, and Love's Labor's Lost. Also featured is an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgment at the Folger Shakespeare Library's annual Student Shakespeare Festival. Each scene and monologue has accompanying notes and performance suggestions.
A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn't really tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant, deflecting us from investigating the challenges of his inconsistencies and flaws. This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex. It takes us into a world of politicking and copy-catting, as we watch him emulating the blockbusters of Christopher Marlowe and Thomas Kyd, the Spielberg and Tarantino of their day; flirting with and skirting round the cut-throat issues of succession politics, religious upheaval and technological change. The Shakespeare in this book poses awkward questions rather than offering bland answers, always implicating us in working out what it might mean. This is Shakespeare. And he needs your attention.
The Complete Guide to Shakespeare's Best Play by Aileen M. Carroll Pdf
Ideal as a year-long program or for selective units. This packed volume takes an intense look at Romeo and Juliet, Julius Caesar, Macbeth, Hamlet, A Midsummer Night’s Dream, and The Tempest. Each of the 40 lessons opens up the world of Shakespeare, his words, and his characters. Extensive teacher support includes assessments, historical background and language study, synopses, and suggestions for engaging hard-to-reach learners.
