Greek Tragedy After The Fifth Century Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Greek Tragedy After The Fifth Century book. This book definitely worth reading, it is an incredibly well-written.
Beyond the Fifth Century by Ingo Gildenhard,Martin Revermann Pdf
Beyond the Fifth Century brings together 13 scholars from various disciplines (Classics, Ancient History, Mediaeval Studies) to explore interactions with Greek tragedy from the 4th century BCE up to the Middle Ages. The volume breaks new ground in several ways. Its chronological scope encompasses periods that are not usually part of research on tragedy reception, especially the Hellenistic period, late antiquity and the Middle Ages. The volume also considers not just performance reception but various other modes of reception, between different literary genres and media (inscriptions, vase paintings, recording technology). There is a pervasive interest in interactions between tragedy and society-at-large, such as festival culture and entertainment (both public and private), education, religious practice, even life-style. Finally, the volume features studies of a comparative nature which focus less on genealogical connections (although such may be present) but rather on the study of equivalences.
Crisis on Stage by Andreas Markantonatos,Bernhard Zimmermann Pdf
This volume explores the relationships between masterworks of Sophocles, Euripides and Aristophanes and critical events of Athenian history, by bringing together internationally distinguished scholars with expertise on different aspects of ancient theatre. These specialists study how tragic and comic plays composed in late fifth century BCE mirror the acute political and social crisis unfolding in Athens in the wake of the military catastrophe in 413 BCE and the oligarchic revolution in 411 BCE. With events of such magnitude the late fifth century held the potential for vast and fast cultural and intellectual change. In times of severe emergency humans gain a more conscious understanding of their historically shaped presence; this realization often has a welcome effect of offering new perspectives to tackle future challenges. Over twenty academic experts believe that the Attic theatre showed increased responsiveness to the pressing social and political issues of the day to the benefit of the polis. By regularly promoting examples of public-spirited and capable figures of authority, Greek drama provided the people of Athens with a civic understanding of their own good.
Greek Tragedy and the Historian by C. B. R. Pelling Pdf
The tragic theme was no mere diversion for a fifth-century Athenian: it was a focal part of the experience of being a citizen. Tragedy explores fundamental issues of religion, of ethics, of civic ideology, and we should expect it to be a central source for the reconstruction and analysis ofthe Athenian thought-world. Yet is is also a peculiarly delicate source to use, and the combination of tragic with other material often poses particular problems to the historian. This collection of eleven papers investigates the methods and pitfalls of using tragedy to illuminate fifth-centurythought, culture, and society. In the concluding essay Christopher Pelling summarizes two important themes of the book: the problems of using tragedy as evidence; and the light tragedy can shed on civic ideology.
Author : Anna A. Lamari Publisher : Walter de Gruyter GmbH & Co KG Page : 207 pages File Size : 48,8 Mb Release : 2017-10-23 Category : Literary Criticism ISBN : 9783110559934
An inexplicably understudied field of classical scholarship, tragic reperformance, has been surveyed in its true dimension only in the very recent years. Building on the latest discussions on tragic restagings, this book provides a thorough survey of reperformance of Greek tragedy in the fifth and fourth centuries BC, also addressing its theatrical, political, and cultural context. In the fifth and fourth centuries, tragic restagings were strongly tied to cultural mobility and exchange. Poets, actors, texts, vases, and vase-painters were traveling, bridging the boundaries between mainland Greece and Magna Graecia, boosting the spread of theater, facilitating theatrical literacy, and setting a new theatrical status quo, according to which popular tragic plays were restaged, by mobile actors, in numerous dramatic festivals, in and out of Attica, with or without the supervision of their composers. This book offers a holistic examination of ancient reperformances of tragedy, enhancing our perception of them as a vital theatrical practice that played a major part in the development of the tragic genre in the fifth and fourth centuries BC.
Five Great Greek Tragedies by Sophocles,Euripides,Aeschylus Pdf
Features Oedipus Rex and Electra by Sophocles (translated by George Young), Medea and Bacchae by Euripides (translated by Henry Hart Milman), and Prometheus Bound by Aeschylus (translated by George Thomson).
Author : Francis M. Dunn Publisher : University of Michigan Press Page : 252 pages File Size : 47,8 Mb Release : 2010-02-09 Category : History ISBN : 9780472025619
Present Shock in Late Fifth-Century Greece by Francis M. Dunn Pdf
Francis M. Dunn's Present Shock in Late Fifth-Century Greece examines the widespread social and cultural disorientation experienced by Athenians in a period that witnessed the revolution of 411 B.C.E. and the military misadventures in 413 and 404---a disturbance as powerful as that described in Alvin Toffler's Future Shock. The late fifth century was a time of vast cultural and intellectual change, ultimately leading to a shift away from Athenians' traditional tendency to seek authority in the past toward a greater reliance on the authority of the present. At the same time, Dunn argues, writers and thinkers not only registered the shock but explored ways to adjust to living with this new sense of uncertainty. Using literary case studies from this period, Dunn shows how narrative techniques changed to focus on depicting a world in which events were no longer wholly predetermined by the past, impressing upon readers the rewards and challenges of struggling to find their own way forward. Although Present Shock in Late Fifth-Century Greece concentrates upon the late fifth century, this book's interdisciplinary approach will be of broad interest to scholars and students of ancient Greece, as well as anyone fascinated by the remarkably flexible human understanding of time. Francis M. Dunn is Professor of Classics at the University of California, Santa Barbara. He is author of Tragedy's End: Closure and Innovation in Euripidean Drama (Oxford, 1996), and coeditor of Beginnings in Classical Literature (Cambridge, 1992) and Classical Closure: Reading the End in Greek and Latin Literature (Princeton, 1997). "In this fascinating study, Francis Dunn argues that in late fifth-century Athens, life became focused on the present---that moving instant between past and future. Time itself changed: new clocks and calendars were developed, and narratives were full of suspense, accident, and uncertainty about things to come. Suddenly, future shock was now." ---David Konstan, John Rowe Workman Distinguished Professor of Classics and the Humanistic Tradition and Professor of Comparative Literature, Brown University "In this fascinating work, Dunn examines the ways in which the Greeks constructed time and then shows how these can shed new light on various philosophical, dramatic, historical, scientific and rhetorical texts of the late fifth century. An original and most interesting study." ---Michael Gagarin, James R. Dougherty, Jr., Centennial Professor of Classics, the University of Texas at Austin "Interesting, clear, and compelling, Present Shock in Late Fifth-Century Greece analyzes attitudes toward time in ancient Greece, focusing in particular on what Dunn terms 'present shock,' in which rapid cultural change undermined the authority of the past and submerged individuals in a disorienting present in late fifth-century Athens. Dunn offers smart and lucid analyses of a variety of complex texts, including pre-Socratic and sophistic philosophy, Euripidean tragedy, Thucydides, and medical texts, making an important contribution to discussions about classical Athenian thought that will be widely read and cited by scholars working on Greek cultural history and historiography." ---Victoria Wohl, Associate Professor, Department of Classics, University of Toronto
Stories from the Greek Tragedians by Alfred John Church Pdf
Stories from the Greek Tragedians - By the Rev. Alfred J. Church - Greek tragedy is a form of theatre from Ancient Greece and Asia Minor. It reached its most significant form in Athens in the 5th century BC. Greek tragedy is an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most important authors of Greek tragedies are Aeschylus, Sophocles and Euripides. The Story of The Love of Alcestis - The Story of the Vengeance of Medea - The Story of the Death of Hercules - The Story of the Seven Chiefs against Thebes - The Story of Antigone - The Story of Iphigenia in Aulis - The Story of Philoctetes, Or the Bow of Hercules - The Story of the Death of Agamemnon - The Story of Electra, Or The Return Of Orestes - The Story of The Furies, Or The Loosing Of Orestes - The Story of Iphigenia among the Taurians - The Story of the Persians, Or The Battle Of Salamis - The Story of Ion.
An advanced critical introduction to Greek tragedy for those who do not read Greek. Combines the best contemporary scholarly analysis of the classics with a wide knowledge of contemporary literary studies in discussing the masterpieces of Athenian drama.
Greek tragedy is one of the most important cultural legacies of the classical world, with a rich and varied history and reception, yet it appears to have its roots in a very particular place and time. The authors of the surviving works of Greek tragic drama-Aeschylus, Sophocles, and Euripides-were all from one city, Athens, and all lived in the fifth century BC; unsurprisingly, it has often been supposed that tragic drama was inherently linked in some way to fifth-century Athens and its democracy. Why then do we refer to tragedy as 'Greek', rather than 'Attic' or 'Athenian', as some scholars have argued? This volume argues that the story of tragedy's development and dissemination is inherently one of travel and that tragedy grew out of, and became part of, a common Greek culture, rather than being explicitly Athenian. Although Athens was a major panhellenic centre, by the fifth century a well-established network of festivals and patrons had grown up to encompass Greek cities and sanctuaries from Sicily to Asia Minor and from North Africa to the Black Sea. The movement of professional poets, actors, and audience members along this circuit allowed for the exchange of poetry in general and tragedy in particular, which came to be performed all over the Greek world and was therefore a panhellenic phenomenon even from the time of the earliest performances. The stories that were dramatized were themselves tales of travel-the epic journeys of heroes such as Heracles, Jason, or Orestes- and the works of the tragedians not only demonstrated how the various peoples of Greece were connected through the wanderings of their ancestors, but also how these connections could be sustained by travelling poets and their acts of retelling.