Grouping Articulating And Phrasing In Musical Interpretation

Author : Adolph Carpé
Publisher : Nabu Press
Page : 124 pages
File Size : 47,7 Mb
Release : 2014-02
Category : Electronic
ISBN : 1294778595

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Grouping, Articulating and Phrasing in Musical Interpretation by Adolph Carpé Pdf

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Grouping, Articulating And Phrasing In Musical Interpretation: A Systematic Exposition For Players, Teachers And Advanced Students Adolph CarpE Bosworth & co., 1898 Music

Author : Adolph Carpe
Publisher : Unknown
Page : 126 pages
File Size : 45,6 Mb
Release : 1898
Category : Music
ISBN : NYPL:33433056652393

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Grouping, Articulating and Phrasing in Musical Interpretation by Adolph Carpe Pdf

Author : Adolph Carpé
Publisher : Legare Street Press
Page : 0 pages
File Size : 51,6 Mb
Release : 2022-10-27
Category : Electronic
ISBN : 1016307861

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Grouping, Articulating And Phrasing In Musical Interpretation by Adolph Carpé Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : Adolph Carpe
Publisher : Andesite Press
Page : 124 pages
File Size : 51,9 Mb
Release : 2015-08-08
Category : Electronic
ISBN : 1296566463

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Grouping, Articulating and Phrasing in Musical Interpretation by Adolph Carpe Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : Adolph Carpe
Publisher : Scholar's Choice
Page : 124 pages
File Size : 47,9 Mb
Release : 2015-02-15
Category : Electronic
ISBN : 1298037530

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Grouping, Articulating and Phrasing in Musical Interpretation by Adolph Carpe Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : Leslie David Blasius
Publisher : Cambridge University Press
Page : 176 pages
File Size : 42,8 Mb
Release : 1996-10-03
Category : Music
ISBN : 9780521550857

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Schenker's Argument and the Claims of Music Theory by Leslie David Blasius Pdf

Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.

Author : Anonim
Publisher : Unknown
Page : 704 pages
File Size : 40,6 Mb
Release : 1898
Category : Music
ISBN : UIUC:30112099862531

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The Musician by Anonim Pdf

Author : Anton Rubinstein
Publisher : Unknown
Page : 60 pages
File Size : 48,5 Mb
Release : 1897
Category : Piano
ISBN : UCAL:C3030313

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Guide to the Proper Use of the Pianoforte Pedals by Anton Rubinstein Pdf

Author : Victor L. Wooten
Publisher : Penguin
Page : 292 pages
File Size : 48,9 Mb
Release : 2008-04-01
Category : Music
ISBN : 0425220931

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The Music Lesson by Victor L. Wooten Pdf

From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker

Author : Stephanie Vial
Publisher : University Rochester Press
Page : 382 pages
File Size : 40,9 Mb
Release : 2008
Category : History
ISBN : 1580460348

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The Art of Musical Phrasing in the Eighteenth Century by Stephanie Vial Pdf

This book is the collection of papers that came out of an interdisciplinary symposium held in the spring of 1991 in the Republic of San Marino. The conference "Effects of War on Society" was planned as the first in a series aimed ultimately at placing in perspective the sociocultural variables that make outbreaks of war probable, and delineating for researchers and policy makers alike some important steps that can be taken to control these variables. This is Volume 1 of a series entitled "Studies on the Nature of War", which the University of Rochester Press has been publishing from Volume 2 (War and Ethnicity: Global Connections and Local Violence (1997)). after much demand, we are now distributing this book on behalf of the conference organizers, The Center for Interdisciplinary Research on Social Stress, in San Marino.

Author : Joseph Rezits,Gerald Deatsman
Publisher : Park Ridge, Ill. : Pallma Music Corporation N. A. Kjos
Page : 1016 pages
File Size : 54,5 Mb
Release : 1974
Category : Piano
ISBN : UOM:39015009655443

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The Pianist's Resource Guide by Joseph Rezits,Gerald Deatsman Pdf

Author : Hans Lampl
Publisher : Scarecrow Press
Page : 166 pages
File Size : 51,9 Mb
Release : 1996-10-17
Category : Music
ISBN : 9781461723400

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Turning Notes Into Music by Hans Lampl Pdf

By enabling performers to grasp the fundamentals of interpretation, this work allows them to satisfy the requirements of the music and follow their artistic impulse simultaneously. It outlines the steps that transform a literal rendition ("playing the notes") into a musical and convincing performance. Organized into nine chapters, each focused on a single area of interpretation, Turning Notes into Music presents musicians with a comprehensive, illustrated guide to the interpretative problems that they must address while preparing a piece of music for performance. Bibliography.

Author : David Temperley
Publisher : MIT Press
Page : 432 pages
File Size : 47,6 Mb
Release : 2004-08-20
Category : Music
ISBN : 0262701057

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The Cognition of Basic Musical Structures by David Temperley Pdf

In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.

Author : Anonim
Publisher : New York : R.R. Bowker Company
Page : 1726 pages
File Size : 52,6 Mb
Release : 1981
Category : Performing Arts
ISBN : UOM:39015057247424

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Performing Arts Books, 1876-1981 by Anonim Pdf

Author : Glenn Spring,Jere Hutcheson
Publisher : Waveland Press
Page : 416 pages
File Size : 43,9 Mb
Release : 2013-08-29
Category : Music
ISBN : 9781478611738

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Musical Form and Analysis by Glenn Spring,Jere Hutcheson Pdf

Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.