Guitar Hacks Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Guitar Hacks book. This book definitely worth reading, it is an incredibly well-written.
The very first scale most guitarists learn when they begin to explore the world of improvisation is often the Minor Pentatonic Scale, usually it’s A Minor or E Minor form. While this scale has been the crux of much of rock and blues music for the best part of a century, in the modern era of guitar playing it deserves a more thorough exploration through new pentatonic concepts, ideas and insight. Over 10 in-depth lessons, this book will deepen your understanding of pentatonic scales while opening your eyes to a myriad of ways in which they can be used and exploited to build up an arsenal of improvisational tools based on these five-note scales. We’ll also cover the difficult transition from pentatonics to modes through a new method that allows you to retain your pentatonic prowess by intertwining it with the modes instead of abandoning pentatonic scales in favor of other more cumbersome scale systems. In truth, most guitarists have barely scratched the surface when it comes to pentatonic scales, believing the major and minor pentatonic scales to be the end of the story when in fact, it’s just the beginning. So, if you know those five minor/major pentatonic boxes, and want to see how much farther this can go, this book is for you.
50 Guitar Hacks for the Thinking Man's Guitarist has just received an extensive update and now features more detailed explanations, plus new hacks, diagrams and insight. Guitar Hacks can be clever ways to do things on guitar, priceless nuggets of information, or new perspectives on vital concepts for learning and understanding guitar, out-of-the-box thinking and much more besides. These hacks are based on 20+ years of hindsight so that you can get to where you want to be with your playing quicker and more efficiently. whatever your current level, or provide an excellent reference for guitar teachers looking for lesson ideas that can be easily expanded upon.
Due to the fantastic response to the first book in this series, ’50 Guitar Hacks for the Thinking Man’s Guitarist’, it gives me immense pleasure to bring you this second installment; 50 More Guitar Hacks for the Thinking Man’s Guitarist. My hope is to again provide you with timely insight into all aspects of learning and playing guitar. These hacks are things I’ve learned from years of playing that should and will be passed on to those seeking insight, out-of-the-box thinking, and the deepening of their knowledge of the guitar whatever their current level may be. The information herein takes the form of mini-lessons, anecdotes, wisdom and knowledge, divine inspiration and friendly advice. It is my desire to help you on your journey to being the best guitarist you can possibly be.
When it comes to scales and improvising, the guitar fretboard is a maze, and this is both good and bad… Well, instead of bad, let’s say it’s ‘challenging’ because like any maze it’s easy to get lost, familiar routes can often lead to dead-ends, and it can be overwhelming to find your way out. On the other hand, we have countless routes (possibilities) to choose from, all of which provide different creative opportunities; what I’m basically saying is that by learning one or two scale systems to ‘get through the maze’, we stop seeing (or even avoid) the many other ways there are to navigate the fretboard. This is where 25 Guitar Scale Hacks comes in. This book is about exploring the fretboard using those other routes to create motion, fluidity and bring the music out of any static pattern. Here, we dispense with the standard patterns such as 3NPS scales or the CAGED system in order to explore the many other patterns, nuances and hacks the guitar fretboard has to offer. Who is this book for? This book is for the intermediate to advancing students who really want to make their playing stand out from the crowd, feel stuck in a rut, or want to move away from rote pattern playing and predictable-sounding solos. 25 Guitar Scale Hacks looks at improvisation based on the guitar fretboard; in other words, we’re putting the guitar and all its nuances first, rather than working from generic patterns that are traditionally taught in scale and arpeggio books. The concept of 25 Guitar Scale Hacks then is a collection of mini-lessons or hacks for a deeper exploration of scales and how to make music with them. Feel free to work through the book in the order it’s written or choose the hacks that interest you the most.
The Advancing Guitarist faces many challenges on the instrument, yet it is one of the most exciting periods in a player’s development. This book features hacks, mini-lessons, insights, tricks and tips to push you past your new-found comfort zone and make real progress on the instrument. You will reach many plateaus as you progress on guitar, and these are fantastic opportunities to do something different, and to learn something new while deepening the knowledge you’ve already acquired. This book provides solutions to many of the issues faced by guitarists on the intermediate plateau, those stuck in a rut, or those simply wishing to break into advanced territory on the instrument. I hope to be a facilitator on this journey, and help you get to where you want to be with your guitar playing.
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.
I was watching a YouTube video a while back where Lee Anderton (of Anderton’s fame) gets a guitar lesson from Ariel Posen. Ariel tries his best to teach him a few things in a very thorough and well-meaning way, but about half-way through Lee says something along the lines of, ‘Just teach me the quick and dirty way to do things, I’m a middle-aged man who doesn’t have the time (or the patience) to practice scales for 8 hours a day’, which is both totally valid and completely doable on guitar as it’s one of the few instruments that lends itself well to a wide range of methodologies, be they theory-based or the other extreme. This book was also inspired by many students of a variety of ages who came to me saying they just wanted to play and not be bogged down by theory and scales and whatnot. They weren’t looking for shortcuts, they just genuinely wanted to solo and sound good without having to learn theory in order to do it. Admittedly, I was discouraged at first but I put myself in their shoes and came up with this method to get to the good stuff faster, and sound good. I won’t deal with pentatonic scales here as you’re probably already well-versed in those and are looking to be able to solo over simple and common chord progressions or add more variety to your improvisations. If you’re looking for a system to learn pentatonic scales (and modes), which is also theory-lite, check out another of my books: Beyond Pentatonics. All the music theory terms you’ll find in this book are for labeling purposes only and will help you recognize these concepts in songs or pieces you already know; they’ll also help you find the information on the fretboard when you need it instead of fumbling around. What’s more, due to the simplicity of this approach, you’ll be able to reduce your thinking to a minimum and concentrate on making a musical contribution to whatever situation you find yourself in and making jamming/playing out a far more enjoyable experience. I love this approach and often teach it to people who don’t want to practice 10 hours a day, are not interested in theory or knowing the whys and wherefores of everything. They just want a straightforward, “if you learn this and play it here, it’ll sound good”, method so that they can express themselves in a jam session, solo with more than just a pentatonic scale, or play out on the weekends. If you have even half an hour a day to play/practice guitar, you can make a world of progress with your soloing by using this method.
Simple Chord Tone Soloing System by Graham Tippett Pdf
Chord tone soloing and soloing over changes on guitar is a complex area which can be approached in many ways, and where even a cursory search for online resources is likely to leave you with more questions than answers. It’s particularly difficult on guitar because guitarists tend to arrive at this point with varying amounts of knowledge and gaps in their playing, whereas other instrumentalists approach soloing over changes in a more uniform way. While it’s true that everyone learns differently, I believe that a solid approach to soloing over changes requires a system that is a) not based on patterns, b) develops the ability to locate notes on the neck either by interval or by the name of the note, and c) develops the player’s ear to the point where he/she is able to fully express themselves and truly improvise on their instrument as oppose to a formulaic, calculated and somewhat cold approach to something that should be, insofar as is possible, spontaneously created in the moment; and this is what I hope to achieve with this eBook.
The Hacking the CAGED System series was inspired by my own,and other guitarist’s frustrations with the infamous CAGED System for learning guitar. It all started back in Music College in the early 2000s, at the ACM in Guildford (UK) to be precise, where we were handed, by none other than Guthrie Govan, an inch-thick binder containing all manner of shapes and patterns for the CAGED system, including chords and arpeggios. I duly slaved over the book while burning the midnight oil for an entire semester and while my technique improved no end, I just couldn’t turn those patterns into music,or connect them to what I was learning in music theory class.Fast forward to 2016, and with the benefit of hindsight from more than 20 years of playing, I’ve been able to look at the CAGED system from a different perspective, and one that will hopefully make it a useful system for anyone wishing to learn it. The CAGED system has many flaws, but these can be hacked and rectified to turn it into a powerful system for understanding how the guitar fretboard works, leading to a versatile, and above all, functional knowledge of chords, arpeggios, scales and modes, and key signatures. What’s in Book 1? Book 1 teaches you the basic major scale forms, shows you where to find the basic diatonic chords as well as seventh chords.We then venture into intervals which are the key to making your solos sound like you know what you’re doing. Next we bring out the arpeggios,and finally the modes. Everything is tied together using key signatures as a framework to build up a practical knowledge of chords, scales,arpeggios and modes on the guitar.
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.
Here's a book intended to challenge you. Here’s a book meant to inspire you. This book is a wake-up call to the global problems and roadblocks for you as a guitarist. This book is meant to be a reality check. Even if guitar playing is a hobby for you, your level of enjoyment and satisfaction will increase exponentially if you get better, start to like your playing and sound, and then continue to move forward. But if you aspire to be a part-time gigging and recording musician or full-time musician/guitarist, this book is filled with the ten reasons that are seriously holding you back. (It might even give you enough clues to help you teach guitar lessons for years to come!) I want you to attack any or all of these problems that apply to you, and get your momentum back as a guitarist. I’ve always believed that the expression “momentum builds motivation” is the key to developing as a musician. Once you’re truly excited about your playing, your creativity, and your growth, amazing things can happen with your music. If you’re here reading a book called “Why You Suck at Guitar” then it means that you’re finally ready to deal with those issues that plague aspiring musicians everywhere. It means that you’re brave. Brave enough to face the facts. I wrote this to help you, and not to make you feel bad — or worse — about your music. This is your wake-up call — a musician-to-musician intervention — with the goal of helping you get back on the right path. Music should be fun, and it’s always fun to get better. I wrote this to help all guitarists because I know that if we don’t like our sound, our abilities, or our playing, then music isn’t fun at all. It’s an annoying feeling. By the way, if you’re just looking for a book of guitar exercises, that’s not what you’ll find here. If you wanted to buy another book of riffs that some random musician-author thinks every guitarist in the world should know, that’s fine -- but maybe you don’t understand what being a real musician means. What you need is clear. You need a personal sound — and that takes a very personal, grounded approach. That means that you need to deal with some big, global issues in your music-making and not worry about which new lick or riff will suddenly transform your playing. On the other hand, if you’ve already totally decided what you — as a guitarist — need to do to get better, but you’re kind of pissy and stubborn about it, then may I suggest that you just go and do that thing. Don’t read this book to see if I can or will change your mind. Do what you want! Follow your musician instincts. If you pretty much know what you want as a musician, and you already have a sense about what you need to work on, seriously, just practice that! But if you do need some more input, some more ideas, some feedback, and a dose of outside inspiration, then you are my ideal reader because: 1) You want to get better now and 2) You admit that you don’t have all the answers 3) You have enough of an open mind to check out what I’m going to say and work on removing those roadblocks that apply to you.
In Rock Lick Method for Guitar you’ll learn the rock licks, techniques and concepts you need to become an awesome rock and metal guitar soloist with this easy to follow, step-by-step method. No music reading necessary plus over 75 minutes of supporting video lessons and demonstrations and over 50 minutes of backing tracks in a variety of rock styles. - Build the soloing vocabulary and technical skills you need to play authentic rock and metal guitar solos - Over 100 sample licks and exercises based on the playing of legendary guitarists like Jimi Hendrix, Jimmy Page, Angus Young, Michael Schenker, Tony Iommi, Ritchie Blackmore, Gary Moore, Randy Rhoads,, Zakk Wylde, Kirk Hammett, Slash, Paul Gilbert, George Lynch, Warren DeMartini and others - Learn essential blues-rock licks, repeating licks, ‘sliding scale’ licks, double-stop licks, legato licks and more - Learn and understand essential rock scales like the minor pentatonic, blues scale, major pentatonic, natural minor scale and Dorian mode - Nail essential rock techniques like string bending, ‘wide’ rock vibrato, muting and string damping, pinch harmonics, ‘hammering-from-nowhere’ and others - Discover how to put it all together into solos that make an impact by exploring techniques like repetition, contrast, phrasing, dynamics etc. - Includes lessons on how to practice efficiently, building speed with a metronome, using ’speed learning’ techniques for faster memorisation of new material, different bending techniques (pre-bends, repicked bends etc), amp setting guidelines, understanding basic rhythm reading and more - Easy to follow method with no music reading necessary! This is more than just another ‘book of licks’! It literally gives you a step-by-step method for building the technique and soloing vocabulary all the great rock players have. This can potentially transform your playing and get you playing authentic rock solos with more fluency and authority than you perhaps thought possible. Rock Lick Method for Guitar also comes with an optional free download pack containing over 75 minutes of video tuition/demonstration of the material in the book, over 20 authentic rock backing tracks plus a blank tab workbook/practice diary to use alongside the method. Rock Lick Method for Guitar is perfect for: - Rock players who wants to massively expand their soloing vocabulary and their repertoire of licks and techniques - Players from other styles (blues, country etc) who want to build their rock guitar skills - Players who are sick-and-tired of playing the same licks and need some fresh ideas! - Intermediate players looking to level up their playing - Intermediate-advanced players looking for inspiration and ideas so they can build on their existing skills Who is this book not for? This book is not really aimed at the complete beginner, some experience and ability playing licks and solos is preferable. This book is not aimed at someone looking for a library of ‘shred’ licks using sweep picking, tapping etc. These advanced playing techniques are not covered.
Have you ever seen those guitarists that sound like they know exactly what they’re doing when they’re improvising? They just seem to hit all the right notes while their playing sounds crisp and melodic, as if they’d planned it all out beforehand, or were born with a God-given sense of melody. I’d always wondered how on earth they were able to come up with such melodic and flowing lines, thinking that they must simply be gifted, or have done some serious woodshedding. Then, during one unforgettable class at music college the door was opened to a method for playing and thinking as melodically and as effortlessly as they did, and this is what I want to share with you in this eBook.
I’ll get straight to the point; I wrote this book as a quick and dirty method for learning a ton of chords. For most guitarists there is nothing more tedious than sitting down to learn a bunch of chords from a dry chord book, only to find that after hours of going through them, very few of them actually stick. A good knowledge of chords will make you a far more rounded player, and allow you to be much more versatile in many playing situations. In truth, you’re more likely to be asked to come up with a rhythm part than a scorching lead break, and if you are you’ll need to know what chords you’re attempting to wail over anyway. I won’t go into chord theory here, there are plenty of other books that do that very well. What I’ll deal with here is how to memorize chords so that you can start, or expand, your chord vocabulary; what’s more you’ll develop a way to access chords quickly as if you need to hunt and peck for them, they’re pretty much useless. The idea of this method is to build up a vocabulary of chords by organizing them in a memorable way. New chords are more likely to stick in your brain if they’re connected or related to chords you already know. We'll combine this idea with another simple yet powerful memory technique to make those chords really stick in your head, and be available on demand. The book takes on the form of a private lesson, or conversation with the author where he seamlessly weaves together chord shapes and helps you actually remember them. There’s no heavy theory work here, just a simply method to learn and remember chords on guitar quickly and easily.