Hallucinating Foucault Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Hallucinating Foucault book. This book definitely worth reading, it is an incredibly well-written.
In this ravishing tale of sexual and textual obsession, the young unnamed narrator sets forth from Cambridge on a quest. He is to rescue the subject of his doctoral research, Paul Michel, the brilliant but mad writer, from incarceration in a mental institution in France. What ensues is a drama of terrible intimacy and tenderness played out one hot and humid summer in Paris and in the south of France. Hallucinating Foucault is a literary thriller that explores with consummate mastery the passionate relationship between reader and writer, between the factual and the fictional, between sanity and madness. In blurring these boundaries, Patricia Duncker has written a novel of astonishing power and beauty.
A captivating first novel of love and madness, Hallucinating Foucault tells of a devoted reader's quest to find and liberate Paul Michel, enfant terrible of French Letters, who is schizophrenic and incarerated in an asylum. As its builds towards a startling conclusion, the novel unravels and probes the intriguing connections between writer Paul Michel and philosopher Michel Foucault, and the elusive bond that exists between writer and reader.
Seven Tales of Sex and Death by Patricia Duncker Pdf
Illuminating the dark side of the erotic, these interwoven stories explore obsession, violence, and the thin line between sex and death. Under a Mediterranean sun a man searches for the Temple of Zeus as his wife awaits her stalker; a sex worker at an illegal fetish club contemplates her options; a strike spirals out of control with eerie consequences; and a conflict with noisy neighbours reaches theatrical heights. Driven by lust, greed and revenge, chillingly calm or maddened by rage, Patricia Duncker's characters use every tool at their disposal to get what they want. Unapologetically disturbing and provocative like the B movies that inspired them, Seven Tales of Sex and Death holds up a mirror to humanity at its most flawed, ruthless and seductive.
Elizabeth Webster is a spinster pushing seventy. Forced out of her teaching job, she unleashes her sharp tongue and dogmatic opinions on everyone in the English village of Little Blessington. Then, one night, she grinds to a dead halt. To recover from this illness, she travels to North Africa where she has a brush with terrorism - not that she cares about politics. Three weeks after Miss Webster has returned home her doorbell rings. There stands a beautiful young Arab man carrying a large suitcase. Who is he, why is he there and what does he want?
Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the "insane" and the rest of humanity.
In Berlin, Max Duncker and his brother, Wolfgang, own a thriving publishing business, which owes its success to one woman: the Sibyl, or Mary Ann Evans, better known as George Eliot,who is writing the final installment of her bestselling serial Middlemarch. Max is as fond of gambling and brothels as Wolfgang is of making a profit and berating his spendthrift brother, but Max is given a chance to prove his worth by visiting the Sibyl and her not-quite-husband Lewes, to finalize the publishing rights to her new novel. The Sibyl proves to be as enthralling and intelligent as her books, bewitching Max and all of those around her. But Wolfgang has an ulterior motive for Max's visit; he wants his brother to consider the beautiful eighteen-year-old Countess Sophie von Hahn as a potential wife. An acquaintance from Max's childhood, she comes from a German family of great wealth. However, Sophie proves to be nothing like the angelic vision of domesticity Max envisaged; wild and willful, she gambles recklessly yet always wins, rides horses fiercely, and is happy to disobey authority, especially when it comes to her idol, George Eliot. Enchanted by this whirlwind of a woman, Max nevertheless fears he will never be able to tame her. With its vivid portrayal of George Eliot and how she lived her life, and the turbulent love story of the countess and Max, Sophie and the Sibyl is both a compulsive read and a high literary achievement.
The Strange Case of the Composer and His Judge by Patricia Duncker Pdf
From the vineyards of Southern France to the gabled houses of Lubeck, through cathedrals, opera houses, museums and the cobbled streets of an Alpine village, this literary thriller is a metaphysical mystery of astonishing verve and power.
Author : William Anthony Nericcio Publisher : University of Texas Press Page : 268 pages File Size : 41,7 Mb Release : 2007 Category : Social Science ISBN : 0292714572
“Marvels! Rompecabezas! And cartoons that bite into the mind appear throughout this long-awaited book that promises to reshape and refocus how we see Mexicans in the Americas and how we are taught and seduced to mis/understand our human potentials for solidarity. This is the closest Latin@ studies has come to a revolutionary vision of how American culture works through its image machines, a vision that cuts through to the roots of the U.S. propaganda archive on Mexican, Tex-Mex, Latino, Chicano/a humanity. Nericcio exposes, deciphers, historicizes, and 'cuts-up' the postcards, movies, captions, poems, and adverts that plaster dehumanization (he calls them 'miscegenated semantic oddities') through our brains. For him, understanding the sweet and sour hallucinations is not enough. He wants the flashing waters of our critical education to become instruments of restoration. In this book, Walter Benjamin meets Italo Calvino and they morph into Nericcio. Orale! -Davíd Carrasco, Harvard University A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? “Mexican Spitfire” Lupe Vélez? The Frito Bandito? Familiar and reassuring-at least to Anglos-these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex[t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood than “seductive hallucinations,” less reality than consumer products, a kind of “digital crack.” Nericcio engages in close readings of rogue/icons Rita Hayworth, Speedy Gonzalez, Lupe Vélez, and Frida Kahlo, as well as Orson Welles' film Touch of Evil and the comic artistry of Gilbert Hernandez. He playfully yet devastatingly discloses how American cultural creators have invented and used these and other Tex[t]-Mexicans since the Mexican Revolution of 1910, thereby exposing the stereotypes, agendas, phobias, and intellectual deceits that drive American popular culture. This sophisticated, innovative history of celebrity Latina/o mannequins in the American marketplace takes a quantum leap toward a constructive and deconstructive next-generation figuration/adoration of Latinos in America.
In this new addition to the Collège de France Lecture Series Michel Foucault explores the birth of psychiatry, examining Western society's division of 'mad' and 'sane' and how medicine and law influenced these attitudes. This seminal new work by a leading thinker of the modern age opens new vistas within historical and philosophical study.
Contemporary Fiction and the Uses of Theory by M. Greaney Pdf
This topical study examines the 'novelizations' of radical literary theory in the work of A.S. Byatt, Angela Carter, Umberto Eco, John Fowles, Richard Powers and many other leading novelists. It offers a comprehensive analysis of the 'post-theoretical novel', and traces an alternative history of the 'theory revolution' in recent literary fiction.
So begins The Doctor, a provocative, illuminating novel based on a true story about a brilliant female physician who is compelled to live as a man under the name James Miranda Barry. Patricia Duncker traces Barry's incredible life over the course of five decades and across three continents, from his cross-dressing child genius days to medical school in Edinburgh, Scotland; from his glorious career as a military surgeon to his adventures as a celebrated duelist and social figure known throughout the world. This richly inventive and entertaining tale of dark family secrets, adultery, and colonial history is a transforming contemplation on the substance of gender, the power of will, and an unforgettable portrait of a brilliant mind.
When her mistress departs from Victorian London society to seek relief from tuberculosis symptoms in Egypt, maid Sally throws herself into their new culture and comes to know freedoms she has never experienced before she is harshly reminded of her humble station in life.
Novels began to incorporate literary theory in unexpected ways in the late twentieth century. Through allusion, parody, or implicit critique, theory formed an additional strand in fiction that raised questions about the nature of authorship and the practice of writing. Studying this phenomenon provides fresh insight into the recent development of the novel and the persistence of modern theory beyond the period of its greatest success. In this book, Judith Ryan opens these questions to a range of readers, drawing them into debates over the value of theory. Ryan investigates what prompted fiction writers to incorporate and respond to theory nearly thirty years ago. Designed for readers unfamiliar with the complexities of theory, Ryan’s book introduces the discipline’s major trends and controversies and notes the salient ideas of a carefully selected set of individual thinkers. Ryan follows novelists’ adaptation to and engagement with arguments drawn from theory as they translate abstract ideas into language, structure, and fictional strategy. At the core of her book is a fascinating microstudy of French poststructuralism in its dialogue with narrative fiction. Investigating theories of textuality, psychology, and society in the work of Don DeLillo, Thomas Pynchon, J. M. Coetzee, Margaret Atwood, W. G. Sebald, and Umberto Eco, as well as Monika Maron, Alain Robbe-Grillet, Marguerite Duras, Marilynne Robinson, David Foster Wallace, and Christa Wolf, Ryan identifies subtle negotiations between author and theory and the richness this dynamic adds to texts. Resetting the way we think and learn about literature, her book reads current literary theory while uniquely tracing its shaping of a genre.
This work highlights Foucault's life and thought, showing his impact on society, as well as tackling his thoughts on literature, in particular the avant-garde scene; his philosophical and historical work; and his treatment of knowledge and power in modern society.
