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Author : David Damschroder
Publisher : Cambridge University Press
Page : 293 pages
File Size : 55,8 Mb
Release : 2018
Category : Music
ISBN : 9781108418034
A creative and accessible harmonic analysis of major works by key composers, demonstrating innovative methods in harmonic theory with sound examples.
Author : Robert Schumann
Publisher : Courier Corporation
Page : 226 pages
File Size : 51,7 Mb
Release : 2012-11-13
Category : Music
ISBN : 9780486143095
Includes 61 important critical pieces Schumann wrote for the Neue Zeitschrift fur Musik, 1834–1844. Perceptive evaluations of Beethoven, Chopin, Schubert, other giants; also Spohr, Moscheles, Field, other minor masters. Annotated.
Author : David Damschroder
Publisher : Cambridge University Press
Page : 128 pages
File Size : 53,6 Mb
Release : 2016-03-31
Category : Music
ISBN : 9781316477922
David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis – both in terms of how Roman numerals are deployed and how musical processes are described in words.
Author : Robert Schumann
Publisher : London : W. Reeves
Page : 556 pages
File Size : 55,7 Mb
Release : 1880
Category : Composers
ISBN : UCLA:L0070152749
Author : David Damschroder
Publisher : Cambridge University Press
Page : 313 pages
File Size : 40,9 Mb
Release : 2015-06-11
Category : Music
ISBN : 9781107108578
Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.
Author : Robert Schumann
Publisher : Unknown
Page : 456 pages
File Size : 41,7 Mb
Release : 1993
Category : Biography & Autobiography
ISBN : UOM:39015032734744
The Schumann Marriage diaries provide a vivid portrait of the unique artistic and personal union between two renowned musicians. For the first four years of their marriage, Robert and Clara Schumann kept a joint diary, recording their entries, at least initially, on alternate weeks. Begun on September 13, 1840, the day after their marriage, the diary opens with guidance from Robert: "This little book . . . has a very intimate meaning; it shall be a diary about everything that touches us mutually in our household and marriage." The diaries reflect the harmony as well as the discord in their marriage. Robert and Clara describe in intimate detail their honeymoon period, the births of their children, their busy social lives, travels throughout Europe, financial problems, separations, and reunions. The book also evokes the artistic milieu of nineteenth-century Germany. The Schumanns came in contact with many musicians, including their close friends Felix Mendelssohn and Franz Liszt, and recorded their insightful reactions to the artists and their music. The marriage diaries cover a fertile period in Robert Schumann's life, during which he wrote the Spring Symphony, the Piano Concerto, most of his chamber music, his first oratorio, "Paradise and the Peri, " and numerous songs. They reflect the frenetic pace at which he worked, as well as his growing bouts of depression, his ambivalent response to Clara's decision to return to the concert stage after a prolonged hiatus, and her anxiety in the face of Robert's changing moods. This edition includes the couple's travel book, written during their stressful concert tour of Russia in 1844, which marked the end of the marriage diaries; RobertSchumann's descriptions of Russian customs; and the poems he wrote in Moscow - all of which provide a fascinating and uniquely detailed glimpse at what it was like to travel in Russia at the time.
Author : Ebenezer Prout
Publisher : Cambridge University Press
Page : 515 pages
File Size : 46,5 Mb
Release : 2011-11-08
Category : History
ISBN : 9781108038799
The 1903 sixteenth, substantially revised edition of the Victorian music scholar Prout's classic text on harmony, first published in 1889.
Author : Jon W. Finson,R. Larry Todd
Publisher : Durham, N.C. : Duke University Press
Page : 232 pages
File Size : 45,8 Mb
Release : 1984
Category : Music
ISBN : UOM:39015056405494
Author : Daniel Gregory Mason
Publisher : Good Press
Page : 199 pages
File Size : 52,7 Mb
Release : 2023-11-13
Category : Music
ISBN : EAN:8596547641377
"The Romantic Composers" by Daniel Gregory Mason. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author : David Damschroder
Publisher : Cambridge University Press
Page : 311 pages
File Size : 45,8 Mb
Release : 2012-08-16
Category : Literary Criticism
ISBN : 9781107025349
Innovative analytical techniques provide a penetrating view of how Haydn and Mozart employ harmony in their compositions.
Author : John Stainer
Publisher : BoD – Books on Demand
Page : 214 pages
File Size : 55,9 Mb
Release : 2023-04-13
Category : Fiction
ISBN : 9783382185336
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author : Harry Thacker Burleigh,Laurence Hope
Publisher : Franklin Classics Trade Press
Page : 34 pages
File Size : 55,7 Mb
Release : 2018-11-13
Category : Electronic
ISBN : 0353487295
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Robert Schumann
Publisher : Unknown
Page : 464 pages
File Size : 47,7 Mb
Release : 1891
Category : Music
ISBN : UOM:39015066069256
Author : Percy Goetschius
Publisher : New York : G. Schirmer
Page : 286 pages
File Size : 51,5 Mb
Release : 1923
Category : Harmony
ISBN : UOM:39015009600878
Author : Christian Thorau,Hansjakob Ziemer
Publisher : Oxford University Press, USA
Page : 545 pages
File Size : 41,8 Mb
Release : 2018-12-03
Category : Music
ISBN : 9780190466961
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.