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"Born in Berlin in 1891, John Heartfield grew up in Germany during the formative years of the main modern movements: Expressionism, Cubism, Futurism, each of which contributed recognisably to the photomontages for which he would become famous. Sharply critical of the Weimar Republic in which he flourished, in Germany his work was banned for the duration of Hitler's Third Reich. In London, where he lived as an anti-Fascist exile throughout the Second World War, he remained an outsider till after his return to East Germany in 1950, It is only since the 1970s that he has become a European, if not a world figure."--Cover
" Né à Berlin en 1891, John Heartfield grandit en Allemagne à l'époque où apparaissent les grands mouvements modernes - expressionnisme, cubisme, futurisme - dont l'empreinte est reconnaissable dans les photomontages qui le rendront célèbre. Violemment critique à l'égard de la République de Weimar qui voit grandir son talent, son œuvre est interdite en Allemagne pendant tout le Troisième Reich hitlérien. A Londres, où il passe toute la période de la guerre comme exilé anti-fasciste, il reste une figure marginale, même après son retour en Allemagne de l'Est en 1950. Ce n'est qu'à partir des années soixante-dix que sa reconnaissance devient générale en Europe, sinon dans le monde. "
Unmasking Hitler by Klaus L. Berghahn,Jost Hermand Pdf
Among the many studies on German National Socialism that have appeared in the last forty to fifty years, one aspect has seldom been treated in detail: the cultural representations of Adolf Hitler from the late 1920s to the present. This book focuses on the image of Hitler in literature, photography, historiography, film, philosophy, theatre, and comic books by major artists and scholars such as Ernst Ottwalt, Heinrich Hoffmann, Bertolt Brecht, John Hearfield, Leni Riefenstahl, Charles Chaplin, Theodor W. Adorno, Heiner Muller, and George Tabori.
Author : Andrés Mario Zervigón Publisher : University of Chicago Press Page : 330 pages File Size : 50,8 Mb Release : 2012-12-01 Category : Art ISBN : 9780226981789
John Heartfield and the Agitated Image by Andrés Mario Zervigón Pdf
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
John Heartfield by Angela Lammert,Rosa von der Schulenburg,Anna Schultz Pdf
The political collages of John Heartfield (1891-1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin's Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact. Heartfield was a sharp and uncompromising observer who subverted the documentary character of the press photograph. He employed his art as political propaganda, and fought against war and Fascism with gripping pictures and trenchant humour. This catalogue will include not only the working materials which reveal Heartfield's method but also his trick films, work for the theatre and book design. The original art-works and documents all derive from his personal estate in Berlin. Statements by contemporary artists formulate positions and pose questions, which Heartfield's work raises in the age of fake news. Exhibition: Akademie der Künste, Berlin, Germany (21.03. - 21.06.2020) / Museum de Fundatie, Zwolle, The Netherlands (27.09.2020 - 03.01.2021) / Royal Academy of Arts, London, UK (27.06. - 26.09.2021).
Author : Wolfgang Benz Publisher : Univ of California Press Page : 331 pages File Size : 42,8 Mb Release : 2007-12-17 Category : History ISBN : 9780520253834
A Concise History of the Third Reich by Wolfgang Benz Pdf
This is an authoritative history of the twelve years of the Third Reich from its political takeover of January 30, 1939 to the German capitulation in May 1945.
Deutschland, Deutschland Über Alles by Kurt Tucholsky Pdf
"Kurt Tucholsky (1890-1935) achieved popular success in Germany before the First World War with a witty and sensitive novel of young love. But he is best known for his work as a satirist and critic, most of it written as a left-wing journalist in Berlin during the twenties and the years leading up to the Nazis, the fateful Weimar years. He is considered by some an exemplar of the intemperately critical spirit that doomed Weimar--a cautionary and bitter footnote to an era; by others, an indispensable moral and prophetic voice of the period, basically correct in his assessments and values." -- Book jacket.
Encyclopedia of Twentieth-Century Photography, 3-Volume Set by Lynne Warren Pdf
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
From “one of the great . . . American short story writers,” comes a collection of dark fantastical fiction (The Washington Post). In the Locus Award–winning “Croatoan,” a man descends into the sewers of New York City to confront the detritus of his irresponsibility. An “Emissary from Hamelin” presents humanity with an ultimatum, or everyone on Earth will have a dear price to pay the piper. And in the title story—famously written by the author in the storefront window of a Santa Monica bookshop—Willis Kaw is convinced that he is an alien trapped inside an Earthman’s body, only to discover his suffering serves a purpose. Strange Wine includes these three stories and a dozen more unique visions from the writer the Washington Post hails as a “lyric poet, satirist, explorer of odd psychological corners, and purveyor of pure horror and black comedy.” Includes: “Croatoan,” “Working With the Little People,” “Killing Bernstein,” “Mom,” “In Fear of K,” “Hitler Painted Roses,” “The Wine Has Been Left Open Too Long and the Memory Has Gone Flat,” “From A to Z, in the Chocolate Alphabet,” “Lonely Women Are the Vessels of Time,” “Emissary from Hamelin,” “The New York Review of Bird Seeing,” “The Boulevard of Broken Dreams,” “Strange Wine,” “The Diagnosis of Dr. D’arqueAngel”
“Fascinating material . . . This book will likely be the last word and the standard work on the Thälmann myth and its role in East German history.” —Catherine Epstein, author of Nazi Germany: Confronting the Myths Throughout the 1920s, German politician and activist Ernst Thälmann (1886–1944) was the leader of the largest Communist Party organization outside the Soviet Union. Thälmann was the most prominent left-wing politician in the country’s 1932 election and ran third in the presidential race after Hitler and von Hindenberg. After the Nazi Party’s victory in that contest, he was imprisoned and held in solitary confinement for eleven years before being executed at Buchenwald concentration camp in 1944 under the Führer’s direct orders. Hitler’s Rival examines how the Communist Party gradually transformed Thälmann into a fallen mythic hero, building a cult that became one of their most important propaganda tools in central Europe. Author Russel Lemmons analyzes the party intelligentsia’s methods, demonstrating how they used various media to manipulate public memory and exploring the surprising ways in which they incorporated Christian themes into their messages. Examining the facts as well as the propaganda, this unique volume separates the intriguing true biography of the cult figure from the fantastic myth that was created around him. “Lemmons analyzes in great detail the myth and legend that formed around Ernst Thälmann, who became the leader of the German Communist Party in 1925 and was a dominant politician in Weimar Germany until imprisoned by the Nazis in 1933. This comprehensive study, which treats the years before the war ended for the first time, is thoroughly researched and well written; it will be a standard work on the subject.” —G. P. Blum, Professor Emeritus, University of the Pacific
Author : Jacques R. Pauwels Publisher : James Lorimer & Company Page : 330 pages File Size : 45,9 Mb Release : 2015-03-06 Category : History ISBN : 9781459408722
The Myth of the Good War by Jacques R. Pauwels Pdf
In the spirit of historians Howard Zinn, Gwynne Dyer, and Noam Chomsky, Jacques Pauwels focuses on the big picture. Like them, he seeks to find the real reasons for the actions of great powers and great leaders. Familiar Second World War figures from Adolf Hitler to Franklin D. Roosevelt and Joseph Stalin are portrayed in a new light in this book. The decisions of Hitler and his Nazi government to go to war were not those of madmen. Britain and the US were not allies fighting shoulder to shoulder with no motive except ridding the world of the evils of Nazism. In Pauwels' account, the actions of the United States during the war years were heavily influenced by American corporations -- IBM, GM, Ford, ITT, and Standard Oil of New Jersey (now called Exxon) -- who were having a very profitable war selling oil, armaments, and equipment to both sides, with money gushing everywhere. Rather than analyzing Pearl Harbor as an unprovoked attack, Pauwels notes that US generals boasted of their success in goading Japan into a war the Americans badly wanted. One chilling account describes why President Truman insisted on using nuclear bombs against Japan when there was no military need to do so. Another reveals that Churchill instructed his bombers to flatten Dresden and kill thousands when the war was already won, to demonstrate British-American strength to Stalin. Leaders usually cast in a heroic mould in other books about this war look quite different here. Nations that claimed a higher purpose in going to war are shown to have had far less idealistic motives. The Second World War, as Jacques Pauwels tells it, was a good war only in myth. The reality is far messier -- and far more revealing of the evils that come from conflicts between great powers and great leaders seeking to enrich their countries and dominate the world.
The Weimar Republic Sourcebook by Anton Kaes,Martin Jay,Edward Dimendberg Pdf
A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
This is a story of suffering and heroism, love and hatred, death and survival during the most destructive years of the 20th century in Europe. Originally published in Welsh under the title "e;Yr Erlid"e;, it won the Welsh Book of the Year prize in 2013. It tells the story of the family of Kate Bosse-Griffiths, of German-Jewish descent, who fled the brutal regime of the Nazis and became one of Wales' leading academic and literary figures.
