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The epic story of Annie Sullivan's perseverance and triumph in the face of hardship will enthrall readers of every age. This pioneering teacher overcame disability and misfortune before achieving her success as one of the most famous educators of all
Helen of Troy and Her Shameless Phantom by Norman Austin Pdf
Like the male heroes of epic poetry, Helen of Troy has been immortalized, but not for deeds of strength and honor; she is remembered as the beautiful woman who disgraced herself and betrayed her family and state. Norman Austin here surveys interpretations of Helen in Greek literature from the Homeric period through later antiquity. He looks most closely at a revisionist myth according to which Helen never sailed to Troy, but remained blameless, while a libertine phantom or ghost impersonated her at Troy. Comparing the functions of contradictory images of Helen, Austin helps to clarify the problematic relations between beauty and honor and between ugliness and shame in ancient Greece. Austin first discusses the canonical account of the Iliad and the Odyssey: Helen as the archetype of woman without shame. He next considers different versions of Helen in the Homeric tradition. Among these, he shows how Sappho presents Helen as an icon of absolute beauty while she defends her own preference of eros over honor and her choice of woman as the object of desire. Austin then turns to three major authors who repudiated the traditional Helen of Troy: the lyric poet Stesichorus and the dramatist Euripides, who embraced the alternative myth of Helen's phantom; and the historian Herodotus, who claimed to have found in Egypt a Helen story that dispenses with both Helen and the phantom. Austin maintains that the conflicting motives that prompted these writers to rehabilitate Helen led to further revisions of her image, though none have endured as a credible substitute for the Helen of epic tradition.
Jack & Helen Frye Story by Randall D. Reynolds Pdf
From the shadows of beyond the words pour forth like summer rain.... The Jack and Helen Frye Story is much more than the chronology of two people's lives, it's a spiritual quest, a yearning from the heart of soul-mates Helen and Jack who desire their story to be told, their priceless paths not be erased! Time has a way of forgetting who was, and what was, but the written word lays it all at our feet. From a small town in West Virginia, to the gold-paved streets of Fifth Avenue, Helen Varner knew she was born to walk a path; a path that would lead her far and away from her origins. Her talents as a hat-maker and seamstress, writer, sculptor, and artist, opened doors to a gilded and rose-hued horizon. Within these pages, unfolds the sojourn of a woman who knows what she wants and goes after it. Voluptuous and beautiful, the world's most powerful men fall at her feet. In 1935, 26-year-old Helen Varner marries 36-year-old playboy Cornelius Vanderbilt IV. Later, after a separation, she moves to mystical Shanghai and Hollywood. By 1938, Helen meets the love of her life, aviation-legend Jack Frye. As President of TWA, Frye trail-blazes the dawning of aviation and tames Helen's heart with his fleet of sleek airliners and big western charm. Jack and Helen marry by January 1941, and embark on the wings of an American Love Story, as only soul mates can share. In flights over the Western United States in their private plane, Jack and Helen settle on the Red Rock Country of Sedona Arizona to build a new life together. With a grand act of chivalry, Jack buys a massive ranch adjoining Oak Creek and hands the deed to Helen. Frye and Howard Hughes develop the Lockheed Constellation during W.W. II and Frye loans his planes to the U.S. Government, culminating in a wartime partnership with the White House. Meanwhile, Helen secures a grand colonial mansion on the shores of the Potomac, as a political power-center for TWA, and a home. By war's end, in 1946, TWA has gained enough experience flying war personnel overseas, for Jack to secure the world's commercial air routes. Jack's dream of the first transatlantic commercial air service and round-the-world passenger travel is realized and the 'Camelot Years of TWA' have unfolded! By 1950, after Helen and Jack divorce, Helen remains at their Sedona Ranch. Soon though, she is engaged to Tyrone Power. Later still, she plans a re-marriage to Frye. Tragically, though, Frye is killed by a drunk driver, returning home from a secret meeting with Howard Hughes at Tucson. Sinking into the depths of despair, Helen becomes fodder for a notorious new-age cult called Eckankar. By 1979, she dies of cancer, but not before the group fleeces her of most her assets. Helen's Will is burned by an ex-cult member con artist who had craftily befriended Helen before her death with his youthful charm ending her saga with a sensational estate trial. Is this really the end of Helen's story? Thankfully, no, Helen saw to that! Reaching across the sands of time, she engaged the services of a kindred spirit, a member of her soul-family, a writer with the passion and dedication to insure that she and Jack; their 'telling' was not forgotten. Welcome to the World of Jack and Helen Frye! Note: (The Jack & Helen Frye Story - The Camelot Years of TWA is a Biography, however, it is written in a Novel format. This to reflect a movie script style for future development.) Cover photo by Randall Reynolds- Helen Frye's Wings of the Wind House- View of Cathedral Rock to the North.
"The story of Helen of Troy has its origins in ancient Greek epic and didactic poetry, more than 2500 years ago, but it remains one of the world's most galvanizing myths about the destructive power of beauty. Much like the ancient Greeks, our own relationship to female beauty is deeply ambivalent, fraught with both desire and danger. We worship and fear it, advertise it everywhere yet try desperately to control and contain it. No other myth evocatively captures this ambivalence better than that of Helen, daughter of Zeus and Leda, and wife of the Spartan leader Menelaus. Her elopement with (or abduction by) the Trojan prince Paris "launched a thousand ships" and started the most famous war in antiquity. For ancient Greek poets and philosophers, the Helen myth provided a means to explore the paradoxical nature of female beauty, which is at once an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction, yet also grants women terrifying power over men, posing a threat inseparable from its allure. Many ancients simply vilified Helen for her role in the Trojan War but there is much more to her story than that: the kidnapping of Helen by the Athenian hero Theseus, her sibling-like relationship with Achilles, the religious cult in which she was worshipped by maidens and newlyweds, and the variant tradition which claims she never went to Troy at all but was whisked away to Egypt and replaced with a phantom. In this book, author Ruby Blondell offers a fresh look at the paradoxes and ambiguities that Helen embodies. Moving from Homer and Hesiod to Sappho, Aeschylus, Euripides, and others, Helen of Troy shows how this powerful myth was continuously reshaped and revisited by the Greeks. By focusing on this key figure from ancient Greece, the book both extends our understanding of that culture and provides a fascinating perspective on our own." - Besedilo s knjižnega zavihka.
The Attentive Eye by Helen Dudar,Peter Louis Goldman Pdf
This book is an album of the famous and infamous seen through the attentive eye of the late journalist Helen Dudar "a writer," as the editor's preface remarks, "of wit, grace, rigor, intellect and astonishing range." In these pages, Paul Cézanne cohabits with John Updike, Sigmund Freud with Shelley Winters, Michael Douglas with Malcolm X; Dylan Thomas and Janice Joplin are discovered sleeping under the same roof, although in different beds and at different times; Woody Allen is encountered as a young comic on the way up, Henry Kissinger as a world leader on the way down, Norman Mailer as an office-seeker on the way nowhere. The threads binding them together in these fifty-two stories are Dudar's luminous prose, her authoritative voice, and her keen, ironic vision. "She is a writer's writer, a journalist's journalist, and a reporter's reporter," the filmmaker Nora Ephron says in her introduction. "...Helen Dudar writes frequently about everything and does it better than just about anyone else." The Editor
This study argues that twentieth-century American women writers' textual representations of female beauty generally recognize a link between beauty standards and aesthetic ideology, exploring female beauty as a symptom of prevailing ideas about art and esthetics. Female beauty, in their texts, is not merely an issue of whether a female character is pretty or not; it is an expression of the controlling discourses negotiated by character, text, and author. In this study, therefore, the women writers' texts are read after interchapters outlining their key cultural and literary contexts. Revising Paul de Man's method of exploring scenes of reading, this study focuses on scenes of beauty in which a character, narrator, or speaker negotiates ideas about beauty. The author pairs Euro-American and African American women writers across the century in three generations: H.D. and Zora Neale Hurston; Gwendolyn Brooks and Sylvia Plath; and Toni Morrison and Louis Gluck. As such, this study offers a landmark black/white dialogue on female beauty in twentieth-century American culture and literature. Scenes of beauty in the texts of these writers suggest multiple feminine aesthetics in twentieth-century American writing, unified in their negotiation of the aesthetic ideologies embodied in female beauty.
Flower in the Snow—Helen’s Story by Leslie Thomas Pdf
Leslie Thomas journals the difficult life journey of Helen, from a small child to adulthood. Helen’s compelling story can help you realize why it is important to stay positive in life and seeks to remind you to be ever grateful in your endeavors.
History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial anchor for much of Western thought and literature. Grafting Helen looks at "classicism"—the privileged rhetorical language for describing cultural origins in the West—as a protracted form of cultural embezzlement. No coin in the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coveted once again. Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.