Henry Lee Mcfee And Formalist Realism In American Still Life 1923 1936
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Henry Lee McFee and Formalist Realism in American Still Life, 1923-1936 by John Baker Pdf
The first full-length study of the life and works of Henry Lee McFee, pioneer American cubist and prominent member of the Woodstock artists colony. McFee's still lifes are considered in detail and a survey of the critics, art theorists, and aestheticians of the period is presented. Nearly 200 illustrations, including 22 color plates. A Center Gallery Publication.
Author : Richard H. Love,Carl William Peters Publisher : University Rochester Press Page : 960 pages File Size : 55,9 Mb Release : 1999 Category : Art ISBN : 1580460240
Carl W. Peters by Richard H. Love,Carl William Peters Pdf
Throughout his life Peters depicted the ordinary places and people of America. From Rochester to Rockport, Peters made an amazingly coherent group of fascinating, masterful American pictures.
This is a biography of Forbes Watson, art commentator for the New York Evening Post and New York World but probably best known as the editor of The Arts, an influential art magazine of the 1920s.
The Not-So-Still Life by Susan Landauer,William H. Gerdts,Patricia Trenton Pdf
"Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre."--BOOK JACKET.
Author : Nelson-Atkins Museum of Art Publisher : University of Washington Press Page : 570 pages File Size : 41,9 Mb Release : 2007 Category : Art ISBN : UOM:49015003450633
The Collections of the Nelson-Atkins Museum of Art by Nelson-Atkins Museum of Art Pdf
Showcasing one of the nation's finest collections of American art, this remarkable two-volume set features 267 exceptional paintings reproduced in full color and illuminated with never-before-published research findings. Works span American history from the colonial period through the close of World War II and are by many of the nation's best-known artists, including Mary Cassatt, Thomas Cole, Childe Hassam, Winslow Homer, Edward Hopper, and Georgia O'Keeffe. Pre-1900 subject strengths reside in portraiture with canvases by John Singleton Copley, John Singer Sargent, and Henry Ossawa Tanner; still lifes by John Peto and Severin Roesin; and landscapes from the brushes of Frederic Edwin Church, Martin Johnson Heade, Fitz Henry Lane, Thomas Moran, and others. Scenes and portraits by artists including John Steuart Curry, Robert Henri, Peter Hurd, Maurice Prendergast, and John Sloan provide honest, enduring assessments of early 20th-century American life. A stunning sample of early Modernism is seen in important canvasses by Albert Bloch, Stuart Davis, Arthur Dove, and Marsen Hartley, to name a few. Volume 1 includes 140 extended essays on the most important canvases in the collection, which are represented in full-page color reproductions. Volume 2 reproduces in color all the works in the collection and is accompanied by thorough technical notes based on recent object examination, complete provenance, listings of directly related works, and exhaustive exhibition and publication histories. American Paintings is an outstanding resource and a beautifully illustrated record of our country's history and culture.
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Los Angeles County Museum of Art,Ilene Susan Fort,Michael Quick
Author : Los Angeles County Museum of Art,Ilene Susan Fort,Michael Quick Publisher : University of Washington Press Page : 520 pages File Size : 40,5 Mb Release : 1991 Category : Art ISBN : UOM:39015019486169
The American Painting Collection of the Sheldon Memorial Art Gallery by Sheldon Memorial Art Gallery Pdf
The Sheldon Memorial Art Gallery houses one of the most highly regarded collections of twentieth-century American art anywhere, including paintings by Edward Hopper, Georgia O'Keeffe, Mark Rothko, Willem de Kooning, Marsden Hartley, Robert Motherwell, Robert Henri, Grant Wood, Frank Stella, and many more internationally renowned artists. Calling the Sheldon collection "exemplary," the art historian and critic Barbara Rose notes: "Because the collection does not reflect fashion, the misguided inspiration of much art collecting today, but is rather an effort of connoisseurship, and informed by an art historical viewpoint, it is certain to remain as durable and exciting tomorrow as it is today." The American Painting Collection of the Sheldon Memorial Art Gallery offers for the first time a full description of the collection, now numbering more than one thousand works, that has been nearly a century in the making. The first part of the book presents full-color reproductions of 101 of the most noteworthy paintings in the collection, each accompanied by a brief discussion of the artist and his or her work. The second part, or catalog, consists of a complete inventory of the collection, including for each painting its physical description, provenance, exhibition history, and publication history, as well as a black and white reproduction. Publication of the book coincides with a year-long celebration of the centennial of the Nebraska Art Association, the Sheldon Gallery's support group and one of the oldest continuous arts organizations in the country.
Roger Kuntz by Susan Mary Anderson,Roger Edward Kuntz Pdf
By about 1950 Kuntz believed that post-war abstract expressionism had run its course and that the time was ripe for the reappearance of structure in art that communicated to the viewer. Kuntz embarked on several painting series, culminating in the nationally acclaimed Freeway series. These bare geometric paintings dated 1959 to 1962 of concrete canyons, underpasses, ramps, pedestrian spirals, tunnels, and signs carved in deep shadow and light, embodied Kuntz's search for the union of formal abstraction and mundane reality. This stylistic shift away from gestural abstraction was in sync with the times and Kuntz was included in the first national survey of Pop Art organized by John Coplans, editor of Artforum magazine, in 1963.
