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Author : Robert Etheridge Moore
Publisher : Praeger
Page : 290 pages
File Size : 48,7 Mb
Release : 1974
Category : Biography & Autobiography
ISBN : STANFORD:36105042506696
A study of Purcell's operas; works of great musical stature, which, with the exception of Dido and Aeneas, are seldom studied or staged by contemporary opera companies.
Author : Robert Etheridge Moore
Publisher : Unknown
Page : 223 pages
File Size : 47,7 Mb
Release : 1974
Category : Electronic
ISBN : OCLC:248993589
Author : C. A. Price
Publisher : Cambridge University Press
Page : 414 pages
File Size : 42,9 Mb
Release : 1984-06-14
Category : Music
ISBN : 0521238315
This book was the first comprehensive survey of Purcell's dramatic music. It is concerned as much with the London theatre world - playhouses, poets, actors, singers, producers - as with the music itself. Purcell wrote music for more than fifty plays of various types, most of them produced at the Theatre Royal, Drury Lane, between 1690 and 1695. The songs, dialogues, choruses, act tunes and larger musical scenes are often active participants in the spoken drama, not simply grafted-on entertainments. The extraordinary semi-operas - Dioclesian, King Arthur, and The Fairy-Queen - are placed in the context of a theatre that thrived mainly on plays that, though less lavish, were no less musical. The traditional picture of a composer trapped within a degraded musical society, his natural predilection for opera ignored, is redrawn to show a consummate dramatist exploiting a remarkably musical theatre.
Author : Curtis Alexander Price
Publisher : Unknown
Page : 336 pages
File Size : 54,6 Mb
Release : 1979
Category : Music
ISBN : UOM:39015009426340
Author : Rebecca Herissone
Publisher : Routledge
Page : 438 pages
File Size : 46,7 Mb
Release : 2016-04-01
Category : Music
ISBN : 9781317043270
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author : Andrew R. Walkling
Publisher : Routledge
Page : 344 pages
File Size : 40,5 Mb
Release : 2019-03-19
Category : Music
ISBN : 9781315524207
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Author : John Dryden
Publisher : Cambridge University Press
Page : 99 pages
File Size : 43,6 Mb
Release : 2015-02-19
Category : Literary Criticism
ISBN : 9781107486881
Originally published in 1928, this book contains an edition of John Dryden's play King Arthur, which was first performed in 1691. The subsequent alterations made by Henry Purcell are noted where they alter or expand the text. This book will be of value to anyone with an interest in English opera or Restoration drama.
Author : Rebecca Herissone
Publisher : Routledge
Page : 558 pages
File Size : 48,5 Mb
Release : 2016-04-01
Category : Music
ISBN : 9781317043263
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author : Franklin B. Zimmerman
Publisher : University of Pennsylvania Press
Page : 512 pages
File Size : 48,8 Mb
Release : 2016-11-11
Category : Biography & Autobiography
ISBN : 9781512809091
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author : Ellen T. Harris
Publisher : Oxford University Press
Page : 271 pages
File Size : 47,7 Mb
Release : 2018
Category : Music
ISBN : 9780190271664
Although widely regarded as the greatest operatic achievment of seventeenth-century England, Dido and Aeneas is surrounded by conflicting theories on it origin and chronology. In this thirtieth-anniversary edition of her groundbreaking book, Ellen T. Harris closely examines these theories and traces the performance history of the work, shedding light on the inherent mutability of this opera that continues to hold a fascination for audiences. -- Provided by publisher.
Author : Martin Adams
Publisher : Cambridge University Press
Page : 408 pages
File Size : 40,6 Mb
Release : 1995-03-09
Category : Music
ISBN : 052143159X
Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late-seventeenth-century English style in general and Purcell's style in particular, and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant.
Author : Ellen T. Harris
Publisher : Oxford University Press on Demand
Page : 184 pages
File Size : 47,8 Mb
Release : 1989
Category : Business & Economics
ISBN : 0193152525
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England. Ellen Harris's comprehensive study examines the work in its historical and cultural context, with detailed coverage of contemporary performance practice and of the work's performance historyand critical reception. The author examines the various surviving sources - all of which postdate the first performance by at least 80 years - and discusses their inconsistencies with Nahum Tate's original libretto. A useful reference section includes a critical discography and appendices charting ahistorical survey of national premieres and of editions.
Author : Richard W. Bevis
Publisher : Routledge
Page : 374 pages
File Size : 44,5 Mb
Release : 2014-06-06
Category : Literary Criticism
ISBN : 9781317870913
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
Author : John McVeagh
Publisher : Routledge
Page : 232 pages
File Size : 50,6 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351879408
Though once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.
Author : Kathryn Lowerre
Publisher : Routledge
Page : 497 pages
File Size : 48,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557610
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.