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Henry Williamson and the FWW by Anne Williamson Pdf
Henry Williamson is perhaps best known for his Hawthornden Prize-winning "Tarka the Otter", yet he devoted a major part of his life to fiction which drew closely on his experiences during World War I, including his sequence of novels "A Chronicle of Ancient Sunlight". His time in the trenches affected him profoundly and, like many young soldiers, he was changed utterly by what he saw. This book draws closely on his letters, diaries, photographs and notebooks written at the time to give an account of life in the trenches of World War I. It also affords an insight into the making of a novelist.
The Dark Lantern (1951) was the first of Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlightspanning the years from the late Victorian period to the Second World War. In it we meet Richard Maddison, a countryman working in London as a City clerk, struggling to make do on a few shillings a week. He falls for Hetty Turner, youngest daughter of a prosperous merchant, but her father rates Richard an unsuitable suitor. 'There is magic in Henry Williamson's novel . . . which raises it right out of the family saga class. The magic is of the steam train age of South London which is so lovingly described.' John Betjeman , Daily Telegraph 'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939
Twelve year-old Ante (Antonia) Alganesh has a problem. It’s lunchbreak and Florence’s gang are after her. Desperate for a place to hide, she climbs the forbidden staircase to the old organ loft, where a hundred years ago a boy tumbled to his death. No one will think of looking for her there... Except Florence. Petrified, Ante watches her enemy approach, leaning on the rotten hand-rail. She shouts a warning, but it’s too late. There’s a crash – and a boy appears from nowhere, just as a door opens in the wall behind them. All three find themselves in a tunnel leading to a river bank where people queue to be rowed across by a filthy old ferryman…Forced to bury their differences, Ante and Florence accompany the strange boy, Gil, on a journey he should have taken 100 years ago through the Underworld. Making their way past the Shopping Maul and Multivice Complex, attacked by Cerberus, Harpies, Furies and the Minotaur, all this is bad enough: far worse is the doubt gnawing at Ante’s heart...Ante’s Inferno is a gripping combination of fantasy, Greek mythology and adventure, for children aged 9-12 years old. Author Griselda is inspired by C. S. Lewis and Norton Juster’s The Phantom Tollbooth. Ante's Inferno won the Children's award in the People's Book Prize 2013, and the Silver award in the 9-12 year-old category of the Wishing Shelf Independent Book Awards 2012.
Salar is a five-year-old salmon returning to the stream of his birth. He faces great dangers - cruising lampreys, poachers with their cruel nets and spears, sharp-eyed otters, cascading falls - all between Salar and his goal in the spawning sands.
Volume eleven of Th e Chronicle of Ancient Sunlight. Twelve hundred acres of downland valley with a trout stream await an heir and Sir Hilary Maddison wants his only nephew Phillip to learn farming the hard way, beginning as a labourer and rising to a tenancy-for-life. But Phillip has other ideas. Unable to forget the early death of his wife Barley as well as his friends who died in the Great War, he needs to recreate his past in his writing. Trying to combine both worlds Phillip is bound to fail in one of them; and literary success only intensifies the dilemma. 'The finest yet in Mr Williamson's long series' Kenneth Allsop
Author : Henry Williamson,Henry Williamson Society Publisher : Unknown Page : 104 pages File Size : 46,5 Mb Release : 1998-10-01 Category : War and literature ISBN : 1873507135
The Great and Holy War offers the first look at how religion created and prolonged the First World War, and the lasting impact it had on Christianity and world religions more extensively in the century that followed. The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. A steady stream of patriotic and militaristic rhetoric was served to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Philip Jenkins reveals how the widespread belief in angels, apparitions, and the supernatural, was a driving force throughout the war and shaped all three of the Abrahamic religions - Christianity, Judaism, and Islam - paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism. Connecting remarkable incidents and characters - from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide - Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis. We cannot understand our present religious, political, and cultural climate without understanding the dramatic changes initiated by the First World War. The war created the world's religious map as we know it today.
Before the First World War, the British Admiralty conceived a plan to win rapid victory in the event of war with Germany-economic warfare on an unprecedented scale.This secret strategy called for the state to exploit Britain's effective monopolies in banking, communications, and shipping-the essential infrastructure underpinning global trade-to create a controlled implosion of the world economic system. In this revisionist account, Nicholas Lambert shows in lively detail how naval planners persuaded the British political leadership that systematic disruption of the global economy could bring about German military paralysis. After the outbreak of hostilities, the government shied away from full implementation upon realizing the extent of likely collateral damage-political, social, economic, and diplomatic-to both Britain and neutral countries. Woodrow Wilson in particular bristled at British restrictions on trade. A new, less disruptive approach to economic coercion was hastily improvised. The result was the blockade, ostensibly intended to starve Germany. It proved largely ineffective because of the massive political influence of economic interests on national ambitions and the continued interdependencies of all countries upon the smooth functioning of the global trading system. Lambert's interpretation entirely overturns the conventional understanding of British strategy in the early part of the First World War and underscores the importance in any analysis of strategic policy of understanding Clausewitz's "political conditions of war."
This novel of one man's experiences during World War I captures the grim flavour of the ordinary man caught up in a conflict over which he has no control. John Bullock is the archetypal soldier, fighting out of patriotism for a cause he does not understand and facing the terrors of trench warfare.
A Test to Destruction (1960) was the eighth entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. It begins in the final year of the Great War. After the harsh winter of 1917 everyone is nearing the limits of their endurance. Hetty, temporarily relieved to have Phillip safely home, hopes desperately that her son will not be posted to France again. Phillip, however, is determined to go back, and adds his name to a list of those available for service. After returning to the Front, however, he is injured and sent on convalescent leave in the West Country, where his post-war civilian life begins. 'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939
Volume twelve of A Chronicle of Ancient Sunlight. In this novel of the troubled and decadent years before the Second World War, Phillip Maddison sees the survivors of the Western Front as a phoenix generation impelled to reject the past in order to make a country 'fit for heroes'. Yet he remains aloof from any direct action, preferring to plan his own history of the Great War and its aftermath while becoming deeply involved in his own problems. Looking meanwhile over the international scene, as the storm clouds of war gather inexorably, the Faust-like figure of Hitler is preaching the advent of a new Europe, based on a thousand years of peace. 'He commands, and is able to turn to artistic ends, a powerful and mournful sense of the near past which has shaped and distorted us into what we are.' Normal Shrapnel, Guardian