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Author : Daigorō Chihara
Publisher : BRILL
Page : 468 pages
File Size : 46,7 Mb
Release : 1996
Category : Architecture
ISBN : 9004105123
This book deals with the technical, artistic and architectural aspects of the Hindu and Buddhist monuments from the beginning until today in Southeast Asia.
Author : Guy, John
Publisher : Metropolitan Museum of Art
Page : 338 pages
File Size : 52,5 Mb
Release : 2014-04-07
Category : Art
ISBN : 9781588395245
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
Author : Christopher Tadgell
Publisher : Batsford
Page : 328 pages
File Size : 53,5 Mb
Release : 1998
Category : Architecture
ISBN : UVA:X006020569
A History of Architecture is a series of books that focuses on the story of the classical tradition from its origins in Egypt & Mesopotamia through to the present day and the modernist and post-modernist styles.
Author : Fredrick W. Bunce
Publisher : D.K. Print World Limited
Page : 600 pages
File Size : 45,8 Mb
Release : 2002
Category : Architecture
ISBN : UOM:39015056173175
With surveys of diverse 'Buddhic' and 'Hindic' temples in India, Sri Lanka, Indonesia, Myanmar, Thailand, Vietnam, and even Malaysia, the book shows how the basic element in their architecture: the plan, was fraught with iconographic import and input, necessitating the guidance of an authoritative compendia, the arcane knowledge of the sthapati (priest-architect), and other complex procedures steeped in symbolism.
Author : John Guy,Pierre Baptiste,Lawrence Becker,Bérénice Bellina,Robert L. Brown,Federico Carò,Pattaratorn Chirapravati (M.L.),Janet G. Douglas,Arlo Griffiths,Agustijanto Indradjaya,Thị Liên Lê,Pierre-Yves Manguin,Stephen A. Murphy,Ariel O'Connor,Peter Skilling,Janice Stargardt,Donna K. Strahan,Thein Lwin (U),Geoff Wade,Win Kyaing (U),Hiram W. Woodward,Thierry Zéphir,Metropolitan Museum of Art (New York, N.Y.) Staff
Publisher : Unknown
Page : 317 pages
File Size : 40,6 Mb
Release : 2014
Category : Buddhist architecture
ISBN : 6167339481
"Numerous Hindu and Buddhist kingdoms flourished in Southeast Asia from the 5th to the 9th century, yet until recently few concrete details were known about them. Lost Kingdoms reveals newly discovered architectural and sculptural relics from this region, which provide key insights into the formerly mysterious kingdoms. The first publication to use sculpture as a lens to explore this period of Southeast Asian history, Lost Kingdoms offers a significant contribution and a fresh approach to the study of cultures in Cambodia, Thailand, Burma, and other countries"--Distributor's website.
Author : Amitav Acharya
Publisher : Cornell University Press
Page : 411 pages
File Size : 44,5 Mb
Release : 2013-02-15
Category : Political Science
ISBN : 9780801466342
Developing a framework to study "what makes a region," Amitav Acharya investigates the origins and evolution of Southeast Asian regionalism and international relations. He views the Association of Southeast Asian Nations (ASEAN) "from the bottom up" as not only a U.S.-inspired ally in the Cold War struggle against communism but also an organization that reflects indigenous traditions. Although Acharya deploys the notion of "imagined community" to examine the changes, especially since the Cold War, in the significance of ASEAN dealings for a regional identity, he insists that "imagination" is itself not a neutral but rather a culturally variable concept. The regional imagination in Southeast Asia imagines a community of nations different from NAFTA or NATO, the OAU, or the European Union. In this new edition of a book first published as The Quest for Identity in 2000, Acharya updates developments in the region through the first decade of the new century: the aftermath of the financial crisis of 1997, security affairs after September 2001, the long-term impact of the 2004 tsunami, and the substantial changes wrought by the rise of China as a regional and global actor. Acharya argues in this important book for the crucial importance of regionalism in a different part of the world.
Author : Sambit Datta,David Beynon
Publisher : Routledge
Page : 361 pages
File Size : 45,7 Mb
Release : 2016-04-22
Category : Architecture
ISBN : 9781317150930
This unique book presents a broad multi-disciplinary examination of early temple architecture in Asia, written by two experts in digital reconstruction and the history and theory of Asian architecture. The authors examine the archetypes of Early Brahmanic, Hindu and Buddhist temple architecture from their origins in north western India to their subsequent spread and adaptation eastwards into Southeast Asia. While the epic monuments of Asia are well known, much less is known about the connections between their building traditions, especially the common themes and mutual influences in the early architecture of Java, Cambodia and Champa. While others have made significant historiographic connections between these temple building traditions, this book unravels, for the first time, the specifically compositional and architectural linkages along the trading routes of South and Southeast Asia. Through digital reconstruction and recovery of three dimensional temple forms, the authors have developed a digital dataset of early Indian antecedents, tested new technologies for the acquisition of built heritage and developed new methods for comparative analysis of built form geometry. Overall the book presents a novel approach to the study of heritage and representation within the framework of emerging digital techniques and methods.
Author : Huu Phuoc Le
Publisher : Grafikol
Page : 345 pages
File Size : 47,9 Mb
Release : 2010
Category : Buddhist architecture
ISBN : 9780984404308
"The volume thoroughly examines the origins and principal types of Buddhist architecture in Asia primarily between the third century BCE-twelfth century CE with an emphasis on India. It aims to construct shared architectural traits and patterns alongwith the derivative relationships between Indian and Asian Buddhist monuments. It also discusses the historical antecedents in the Indus Civilization and the religious and philosophical foundations of the three schools of Buddhism and its founder, Buddha. Previously obscure topics such as Aniconic and Vajrayana (Tantric) architecture and the four holiest sites of Buddhism will also be covered in this comprehensive volume. The author further investigates the influences of Buddhist architecture upon Islamic, Christian, and Hindu architecture that have been overlooked by past scholars."
Author : Andrea Acri,Peter Sharrock
Publisher : ISEAS-Yusof Ishak Institute
Page : 375 pages
File Size : 51,7 Mb
Release : 2022-04-12
Category : Religion
ISBN : 9789814951494
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
Author : Eric Stratton
Publisher : Vedams eBooks (P) Ltd
Page : 182 pages
File Size : 43,7 Mb
Release : 2000
Category : Architecture
ISBN : 8179360067
Contents: I. Introduction. II. Symbolic analysis of religious architecture. III. Indianization in Southeast Asia: lineage one: 1. Religious foundations. 2. Architecture. 3. Java. 4. Cambodia. 5. Champa. IV. Burma : lineage two: 1. Thai Era. 2. The lineages of stupa forms. V. The philosophical Indianization of Northeast Asia : the third lineage: 1. China. 2. Korea. 3. Japan. 4. Tibet. 5. Mongolia. 6. The Tibetan stupa. Bibliography."This work seeks to explore the development of East Asian architecture based upon its borrowings from the Indian stupa. While most scholars agree that some features of East Asian religious architecture have been strongly influenced by the symbolic architecture of the stupa, this study specifically seeks to identify three distinct architectural "lineages" originating from India to East Asia. These lineages were inspired by the work of Liang Ssu-Ch?eng who first identified several "families" of pagoda structures in Mainland China in the early part of the 20 century. However, here we extend our search to all the nations that have employed the stupa architecture outside India (and Nepal). These other lineages have been identified through careful analysis in archaeological, anthropological, historical, and religious studies."The first of these lineages extends through Indo-China and Indonesia. The second lineage is mainly found extending through Burma. Both lineages, one and two, meet together in later Thai architecture. The third lineage extends across Central Asia to the shores and nations of Far East Asia, such as Japan, Korea and China. As all the lineages are demonstrated to be imbued and propagated by the scared and ancient symbolism of India, each chapter examines the history of Indian thought as it was introduced into a region and then discusses the features of the most well known structures of that region." (jacket)
Author : Andrea Acri,Peter Sharrock
Publisher : ISEAS-Yusof Ishak Institute
Page : 265 pages
File Size : 51,7 Mb
Release : 2022-08-29
Category : Religion
ISBN : 9789814951524
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. "Although Maritime Asia in mediaeval times was not as densely populated as the agrarian hinterland, Asia’s coasts were highly urbanized. The region from southern India to south China was a heterogeneous blend of cultures, leavened with a strong interest in trade. This cosmopolitan society afforded plentiful opportunities for artists to find patrons and develop individual styles and aesthetic sensibilities. In the bustling ports of Asia’s south coast, rulers sought to embellish their prestige and attract foreign merchants by sponsoring the development of monumental complexes and centres of learning and debate. These educational institutions attracted teachers from all over Asia, and in their cloisters they developed new intellectual frameworks which were reflected in works of art and architecture. Scholars moved frequently by sea, influencing and being influenced by other foreigners such as Japanese and central Asians who were also attracted to these places. This very variety has hindered scholarly research in the past. This volume contributes to the endeavour to show how Maritime Asia was not an incoherent jumble of misunderstood influences from better-known civilizations; there was a pattern to this creativity, which the authors in this collection clarify for us. The maritime world of Asia may have lain on the margins of the land, but it provided a physical and intellectual medium through which artistic ideas from east and west flowed freely. Maritime Asia also made significant original contributions which hold their own with those of the hinterland of the Asian continent. Unconstrained by the burden of static hierarchical courts, the peoples of Maritime Asia built on the inspiration provided by a hybrid society to demonstrate a high degree of artistic originality while testing but not breaking the link with conventional iconography."-- Professor John Miksic, Department of Southeast Asian Studies, Faculty of Arts and Social Sciences, National University of Singapore (NUS) "The collective objective of this two-volume work is to give substance to the oft cited mantra that mediaeval maritime Southeast Asia was as much an innovative contributor to, as a recipient, in the cultural conversations that took place across the Bay of Bengal and South China Sea. In bracketing these studies between the 7th and 14th centuries, the editors have drawn into focus two key traditions that are explicated in texts, ritual art and architecture and religious landscapes of this period: tantric Buddhism and esoteric Shaivism. A great strength of these studies is this focus, for which the editors are to be commended. The chapters contain much that represents significant milestones in building new understanding in the field, including overdue recognition of the importance of Southeast Asian esoteric Buddhist practice in shaping Chinese Buddhism. Nowhere did the architects of the religious landscape of early Southeast Asia think of themselves as being on the periphery, or as outsiders, looking in. Rather, they knowingly imbued their tirthas and sacred centres with the same authority as those in India and created religious edifices that were on occasions beyond India’s experience. I highly commend this publication to anyone with an interest in bringing a wider lens to the study of Indian esoteric religious practices and to understanding the relationship of early Hindu-Buddhist Southeast Asia to the wider Asian world." -- John Guy, Senior Curator of South and Southeast Asian Art, The Metropolitan Museum of Art, New York "The Creative South is a rich compendium of scholarship concerning the religious art of Southeast Asia and its ties to India in the period beginning in the 8th century. It was a time when merchants were crisscrossing the seas from India to China and when advocates of innovative doctrines and rituals were finding ready support among the rulers of the varied kingdoms. From the identification of images embraced by the seafarers to the mysteries of the fire shrines in Cambodian temples, from the funerary beliefs of Odisha to the unique character of the Javanese Ramayana, these eighteen studies provide fresh understandings of the patterns of reception and innovation." -- Hiram Woodward, Mr. and Mrs. Thomas Quincy Scott Curator of Asian Art Emeritus, The Walters Art Museum
Author : National Museum Institute (New Delhi, India)
Publisher : Unknown
Page : 444 pages
File Size : 52,5 Mb
Release : 2004
Category : Social Science
ISBN : UOM:39015061022078
This Collection Of Scholarly Papers Focuses On The Centrality Of The Indian Contribution In Defining The Asian Cultural Matrix And Brings Under One Rubric The Views Of Indian As Well As Eurasian Experts On The Subject.
Author : Gwyneth Chaturachinda,Sunanda Krishnamurty,Pauline W. Tabtiang
Publisher : Silkworm Books
Page : 240 pages
File Size : 53,7 Mb
Release : 2004-04-01
Category : Art
ISBN : 9781943932153
This basic dictionary of South and Southeast Asian art offers clear and concise explanations of hundreds of useful terms. With over 1,300 entries and 112 line illustrations, this volume makes a handy reference for anyone interested and engaged in South and Southeast Asia Entries range from terms encountered in South and Southeast Asian history, religion, mythology, literature, to those specific to art and architecture, and are drawn from the diverse religious traditions of the region.
Author : Sachchidanand Sahai
Publisher : Unknown
Page : 398 pages
File Size : 52,8 Mb
Release : 2012
Category : Hindu antiquities
ISBN : MINN:31951D03728288Q
Author : Shyam Saran
Publisher : Springer
Page : 371 pages
File Size : 48,8 Mb
Release : 2018-07-20
Category : Business & Economics
ISBN : 9789811073175
The books presents the study undertaken by the ASEAN-India Centre (AIC) at Research and Information System for Developing Countries (RIS) on India’s cultural links with Southeast Asia, with particular reference to historical and contemporary dimensions. The book traces ancient trade and maritime links, Chola Empire and Southeast Asia, religious exchanges (the Hindu, Buddhist and Islamic heritage), language, scripts and folklore, performing arts, painting and sculpture, architecture, role of the Indian Diaspora, contemporary cultural interaction, etc.
