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Hip-Hop Nature Boy and Other Poems by Ruskin Bond Pdf
If a tortoise could run And losses be won, And bullies be buttered on toast; If a song brought a shower And a gun grew a flower, This world would be nicer than most! Beautiful, poignant and funny, Ruskin Bond’s verses for children are a joy to read to yourself on a lazy summer afternoon or to recite in school among friends. For the first time, his poems for children, old and new, come together in this illustrated volume. Nature, love, friends, school, books -- all find a place in the poetry of India’s favourite children’s writer.
SKY WRI TEI NGS [Sky Writings] by Nasser Hussain Pdf
Every major airport has a three-letter code from the International Air Transport Association. In perhaps history's greatest-ever feat of armchair travel, Nasser Hussain has written a collection of poetry entirely from those codes. In a dazzling aeronautic feat of constraint-based writing, SKY WRI TEI NGS explores the relationship between language and place in a global context. Watch as words jet-set across the map, leaving a poetic flight path. See letters take flight (and leave their baggage behind).
For over six decades, Ruskin Bond has celebrated the wonder and beauty of nature as few other contemporary writers have, or indeed can. The Book of Nature brings together the best of his writing on the natural world, not just in the Himalayan foothills, but also in the cities and small towns that he has lived in or travelled through. In these pages, you will find leopards padding down the lanes of Mussoorie after dark, the first shower of the monsoon that brings with it a tumult of new life, the chorus of insects at twilight, ancient banyan trees and the short-lived cosmos flower, among other fascinating beings. This volume proves, yet again, that for the serenity and lyricism of his prose and his sharp yet sympathetic eye, Ruskin Bond has few equals.
If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the source of some of the most exciting developments in verse today. The media uproar in response to its controversial lyrical content has obscured hip hop's revolution of poetic craft and experience: Only in rap music can the beat of a song render poetic meter audible, allowing an MC's wordplay to move a club-full of eager listeners.Examining rap history's most memorable lyricists and their inimitable techniques, literary scholar Adam Bradley argues that we must understand rap as poetry or miss the vanguard of poetry today. Book of Rhymes explores America's least understood poets, unpacking their surprisingly complex craft, and according rap poetry the respect it deserves.
Birds are the most obvious wild things we have around us. They are much watched and much loved, not least by poets. Bird poetry is as old as British poetry itself, and a remarkable number of poets have written poems about birds. Indeed some of the most famous poems in the language concern birds, from Keats's nightingale and Shelley's skylark to Yeats's swans and Hardy's thrush. In this wonderful anthology poet Simon Armitage and birdwatching enthusiast Tim Dee gather together the best of the past and the present, including those famous poems but also many overlooked gems. And in a fascinating divergence from standard anthology practice, the poems are organized according to ornithological classification, beginning with poems by Marianne Moore and David Wright on the ostrich and the emperor penguin and ending with Emily Dickinson and Wallace Stevens on the oriole and the blackbird.
Read all the stories about Ruskin Bond’s bumbling and endearing Uncle Ken in this collection. Whenever Uncle Ken arrives at Grandma's house, as he does frequently, there is trouble afoot! Uncle Ken drives his car into a wall, is mistaken for a famous cricketer, troubled by a mischievous ghost, chased by a swarm of bees and attacked by flying foxes. Be it the numerous bicycle rides with the author or his futile attempts at finding a job, Uncle Ken's misadventures provide huge doses of laughter. Crazy Times with Uncle Ken includes old classics as well as new stories, and will be enjoyed by all Ruskin Bond fans.
Jacob Sam-La Rose has been described as 'a one-man literary industry'. This was Patrick Neate's comment on the BBC Poetry Season website: 'Passionate about poetry and its power to change people's lives, he's a lesson to us all. He's also a damn fine writer.' Already well-known on the UK performance circuit, Sam-La Rose has also spent many years working with young people in schools and communities, especially around London. So it will come as a surprise to many that Breaking Silence is his first book-length collection of poetry. It is a collection that sits on the threshold between the personal and the profound, with eyes on race and dual heritage; masculinity and manhood; definitions and senses of self. Above all, it's a collection that's invested in the power of the voice, in the work of giving a voice to issues and entities that would otherwise remain silent. It speaks on divides, from the spaces in between. Jacob Sam-La Rose's work is grounded in a belief that poetry can be a powerful force within a community, and that it's possible to combine the immediacy of poetry in performance with formal rigour and innovation on the page. Shortlisted for the Forward Prize for Best First Collection and the Aldeburgh First Collection Prize
Mr. West covers the main events in superstar Kanye West’s life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities—to their portrayal in the media—and how we sometimes find great private meaning in another person’s public story, even across lines of gender and race. Blake’s aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader’s companion will be available at http://sarahblake.site.wesleyan.edu.
All-time Favourite Nature Stories by Ruskin Bond Pdf
I am lucky to be up here on this mountain, where the wind still hums in the deodars, the horse chestnuts fall in the autumn and the flycatchers flit among the ancient oaks.' ALL-TIME FAVOURITE NATURE STORIES is a collection of twenty-five soulful and timeless tales about nature, featuring endearing characters and stunning illustrations. From 'The Cherry Tree' to 'Grandfather's Feathered Foes', each story is replete with a different sensorial experience-rustling leaves, still forests, burbling streams, chirping birds, picturesque landscapes and so much more! Curated by Ruskin Bond, this book celebrates the magnificence of nature and his deep, abiding love for it.
In KILLERNOVA Omar Musa remixes this ancient art form with fiery poetry forged in the stars. Relentlessly on beat, visually captivating and deceptively intimate, this is a collection of words and art that burns blindingly bright.
A New York Times Best Seller A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus. And a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.