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Author : Eugène Emmanuel Viollet-le-Duc
Publisher : Unknown
Page : 302 pages
File Size : 52,8 Mb
Release : 1978
Category : Drawing
ISBN : OCLC:27242806
Author : Eugène-Emmanuel Viollet-le-Duc
Publisher : Unknown
Page : 334 pages
File Size : 48,9 Mb
Release : 1879
Category : Drawing
ISBN : OXFORD:591016236
Author : Eugène-Emmanuel Viollet-le-Duc
Publisher : Unknown
Page : 536 pages
File Size : 52,7 Mb
Release : 1994
Category : Drawing
ISBN : OCLC:31704215
Author : Eugène Emmanuel Viollet-le-Duc
Publisher : Unknown
Page : 0 pages
File Size : 45,7 Mb
Release : 1899
Category : Electronic
ISBN : OCLC:1360333677
Author : Eugène-Emmanuel Viollet-le-Duc
Publisher : Unknown
Page : 268 pages
File Size : 50,5 Mb
Release : 1881
Category : Drawing
ISBN : OCLC:83095495
Author : Eugène Emmanuel Viollet-le-Duc
Publisher : Unknown
Page : 128 pages
File Size : 44,9 Mb
Release : 2001
Category : Electronic
ISBN : 2406020703
Author : Eugene-Emmanuel Viollet-Le-Duc
Publisher : MIT Press
Page : 316 pages
File Size : 50,5 Mb
Release : 1990-03-07
Category : Architecture
ISBN : 0262720132
Among architects and preservationists, the writings of Viollet-le-Duc (1814-1879) have long been considered major resources. They inspired a generation of American architects, including Frank Furness, John Wellborn Root, Louis Sullivan, and Frank Lloyd Wright. In 1894, the critic Montgomery Schuyler observed that Viollet-le-Duc's books "have had the strongest influence on this generation of readers." But for the past century, all but one of his works have been out of print in English. These readings carefully selected from the entire range of Viollet-le-Duc's work make available the historical insights and practical principles of one of the most imaginative, and inspiring architectural theorists of the modern era. M.F. Hearn has culled from Viollet-le-Duc's books on architecture the passages in which his major ideas about the theory of architecture are most cogently expressed.Hearn has arranged and interplated the readings in a sequence of topics covering Viollet-le-Duc's views on the architecture of the past, his convictions about the education of architects, his philosophy of method, principles of design, and his guidelines for restoration. The selections are introduced by a biographical essay connected by interpretive commentaries, and followed by a biographical note.
Author : Martin Bressani
Publisher : Routledge
Page : 624 pages
File Size : 46,6 Mb
Release : 2016-04-15
Category : Architecture
ISBN : 9781317179320
Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.
Author : Jonathan David Fineberg,Jonathan Fineberg
Publisher : Princeton University Press
Page : 306 pages
File Size : 55,9 Mb
Release : 2001-01-23
Category : Art
ISBN : 0691086826
This book brings together thirteen distinguished critics and scholars to explore children's art and its profound but rarely documented influence on the evolution of modern art. It shows that children's art and childhood have inspired major works of art, served as central metaphors for artistic spontaneity and honesty, and provided a window into the fundamental human qualities explored by modern artists. The volume complements editor Jonathan Fineberg's groundbreaking new book, The Innocent Eye (Princeton, 1997), in which he showed how many of the greatest masters of modern art collected and were directly influenced by children's drawings. Contributors here both expand on Fineberg's themes and take the study of children's art in new directions. They examine, for example, the influence of child art on such artists as Kandinsky, Klee, Larionov, and Miró; the diverse styles of children's art; the influence of Romantic ideas on perceptions of children's art; the conception of giftedness versus education in children's drawings; and the relationship between children's art and primitivism. The book offers unique glimpses into the working processes of great modern artists, presenting, for example, Dora Vallier's personal recollections of Miró and his creative process, and new documentation about the works of the Russian avant-garde. The essays draw on art theory, psychology, and the close study of individual works of art and written texts. Discovering Child Art will appeal to a wide range of readers, including art historians, psychologists, and art educators. Contributors to the book are Troels Andersen, Rudolf Arnheim, John Carlin, Marcel Franciscono, Ernst Gombrich, Christopher Green, Josef Helfenstein, Werner Hofmann, Yuri Molok, G. G. Pospelov, Richard Shiff, Dora Vallier, and Barbara Würwag.
Author : Anonim
Publisher : Unknown
Page : 672 pages
File Size : 44,5 Mb
Release : 1890
Category : Electronic
ISBN : BSB:BSB11455997
Author : Adrien Genoudet
Publisher : Éditions Le Manuscrit
Page : 238 pages
File Size : 53,5 Mb
Release : 2015-09-21T00:00:00+02:00
Category : History
ISBN : 9782304045055
Le dessin est un champ fructueux et aujourd’hui inexploré. Dessiner l’Histoire, c’est se demander ce que cela implique de traduire le passé, qui par définition est évanoui, par le biais du dessin. Si quelque chose, au-delà du style graphique des auteurs rassemble les bandes dessinées «historiques» c’est bien qu’elles re-donnent à voir, qu’elles re-mettent en scène le passé par le biais de l’image et plus précisément du dessin. Là où une bande dessinée « historique » pourrait se définir c’est bien là où – qu’elle soit « sérieuse » ou humoristique – le dessinateur invoque tout un espace d’imagination, de considérations, de connaissances et d’influences qui viennent s’incarner au sein de sa production, de son tracé. Que ce soit Astérix, Fritz Haber ou les bandes dessinées de Séra, ces oeuvres transcrivent et traduisent, par le dessin, une certaine forme du passé historique. Dessiner l’Histoire interroge cette culture du passé au coeur de notre époque. Si le passé est une image, comment peut-on comprendre et répandre une nouvelle pensée de l’écriture visuelle de l’histoire ?
Author : Chicago Public Library
Publisher : Unknown
Page : 534 pages
File Size : 55,5 Mb
Release : 1884
Category : Library catalogs
ISBN : UIUC:30112084973731
Author : Timothy Attanucci
Publisher : Walter de Gruyter GmbH & Co KG
Page : 236 pages
File Size : 44,9 Mb
Release : 2020-09-21
Category : Literary Criticism
ISBN : 9783110689471
Geohistoricism examines two mid-nineteenth century thinkers – the Austrian writer Adalbert Stifter and the French architect Eugène E. Viollet-le-Duc – who imagined cultural history on the model of earth history: as a history of objects to be restored and worlds to be reconstructed. The nascent field of geology shaped cultural thought; their conservationism, informed by erosion, envisions a future of restorative renewal.
Author : Dragan Damjanović,Aleksander Łupienko
Publisher : Berghahn Books
Page : 366 pages
File Size : 43,6 Mb
Release : 2022-03-11
Category : History
ISBN : 9781800733381
During the nineteenth century, a change developed in the way architectural objects from the distant past were viewed by contemporaries. Such edifices, be they churches, castles, chapels or various other buildings, were not only admired for their aesthetic values, but also for the role they played in ancient times, and their role as reminders of important events from the national past. Architectural heritage often was (and still is) an important element of nation building. Authors address the process of building national myths around certain architectural objects. National narratives are questioned, as is the position architectural heritage played in the nineteenth and the early twentieth centuries.
Author : Adolphe Crémieux
Publisher : Unknown
Page : 286 pages
File Size : 45,9 Mb
Release : 1885
Category : Autographs
ISBN : STANFORD:36105119713050
