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The present monograph looks closely at and identifies a new subgenre, histopias. A (late) postmodernist phenomenon, histopias are fictional retellings of the history of the world. They often use utopian/dystopian scenarios, which are necessary as “world-historical effect”: the end and/or rebirth of the world offer the possibility of narrating the fate of all mankind. Whether novelists or playwrights, histopian authors use a structural pattern that mirrors the way in which the world tells itself: both continuous and discontinuous, in turn linear, cyclical, or radial.
Chinese Visions of Progress, 1895 to 1949 by Thomas Fröhlich,Axel Schneider Pdf
Chinese Visions of Progress, 1895 to 1949 offers a panoramic study of Chinese reflections on “progress,” its multifaceted expressions, contesting interpretations, highly optimistic implications, but also the criticism it encountered.
Ana Isabel: A Respectable Girl by Antonia Palacios Pdf
This is the first English translation of one of the key works of 20th-century Venezuelan fiction. Published in 1949, Ana Isabel: A Respectable Girl by Antonia Palacios is a classic coming-of-age story set in Caracas in the 1920s, exploring issues of race, class, and gender and exposing the colonial and patriarchal legacy of the country in the era before urban development and the dependence on an oil economy. A modern Latin American classic and the Venezuelan counterpart of Sandra Cisneros’ The House on Mango Street(1984), Ana Isabel: A Respectable Girl broke with the symbolic realist genre in vogue in Latin American narrative works and inaugurated a new form of expression with poetic overtones.
“Once one understands the nature and magnitude of defuturing as the negation of world futures, how one has to account for the history and making of the material world – including design - dramatically changes. Defuturing as our condition forces the generation of a new philosophy of design.” With these thoughts this book presents a radically new understanding of the history, context and futures of designing. First published in 1999, now reissued with a new preface by the author, Defuturing: A New Design Philosophy is a prescient and powerful account of what it means to comprehend that we live in world that is taking away futures for ourselves and non-human others. Arguing that designing is doubly implicated in this process, first in its roles in helping to create the unsustainable, but second, re-thought through the lens of defuturing, as a mode of acting in the world that can help contest the negation of the world, Defuturing transforms our comprehension of designing and of how futures can be constituted. Working not through abstract theorizing but through the analysis of concrete examples, the book uses historical material on design to expose the archaeology of defuturing. Shattering the illusion that the future simply “is”, Defuturing confronts designing with the challenge of remaking while offering the elements of a new practical reasoning of design acting.
Queering Visual Cultures by Subashish Bhattacharjee Pdf
The contemporary popular cultural space has leveraged the queer in the same format of representation as its presentation in the 1990s. Although the queer is portrayed in a less perverse light than a decade ago, popular cultural representations of the queer in the visual culture genres are still on the level of the banal. While popular culture has become more encouraging towards the queer, the broader cultural opinion about the queer has been progressively more skeptical, compromised by the idea that the queer is encroaching on spaces reserved exclusively for heteronormative recreation. The essays in this volume look closely at how the queer is portrayed across media and throughout the world.
"Introduces the idea of defuturing, which is first employed here as a deconstructive method to expose foundational flaws in those worlds so familiar to us. It places the significance of understanding design before all concerned people while also confronting design students and professionals with a practical retooling exercise" (Amazon)
Stanford University. Latin American Studies Association
Author : Stanford University. Latin American Studies Association Publisher : Unknown Page : 192 pages File Size : 46,7 Mb Release : 1968 Category : Latin America ISBN : STANFORD:36105080311710
Ideas Across Borders by Gaby Mahlberg,Thomas Munck Pdf
Building on the historical study of cultural translation, this volume brings together a range of case studies and fresh approaches to early modern intellectual history by scholars from across Europe reflecting on ideological and political change from c. 1600 to 1840. Translations played a crucial role in the transmission of political ideas across linguistic and cultural borders in early modern Europe. Yet intellectual historians have been slow to adopt the study of translations as an analytical tool for the understanding of such cultural transfers. Recently, a number of different approaches to transnational intellectual history have emerged, allowing historians of early modern Europe to draw on work not just in translation studies, literary studies, conceptual history, the history of political thought and the history of scholarship, but also in the history of print and its significance for cultural transfer. Thorough qualitative and quantitative analysis of texts in translation can place them more accurately in time and space. This book provides a better understanding of the extent to which ideas crossed linguistic and cultural divides, and how they were re-shaped in the process. Written in an accessible style, this volume is aimed at scholars in cognate disciplines as well as at postgraduate students.
Utopia and Dystopia in the Age of Trump by Barbara Brodman,James E. Doan Pdf
Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.
Breaking up Time by Chris Lorenz,Berber Bevernage Pdf
Thirteen expert historians and philosophers address basic questions on historical time and on the distinctions between past, present and future. Their contributions are organised around four themes: the relation between time and modernity; the issue of ruptures in time and the influence of catastrophic events such as revolutions and wars on temporal distinctions; the philosophical analysis of historical time and temporal distinctions; and the construction of time outside Europe through processes of colonialism, imperialism, and globalisation.
BOOM! SPLAT! by Jim Coby,Joanna Davis-McElligatt Pdf
Contributions by Lawrence Abrams, Diana Álvarez Amell, Partha Bhattacharjee, Natalja Chestopalova, Jim Coby, Rita Costello, Sam Cowling, Joanna Davis-McElligatt, Elisabetta Di Minico, Kiera M. Gaswint, Vincent Haddad, Kaleb Knoblauch, Christina M. Knopf, Leah Milne, Jacob Murel, Priyanka Tripathi, and Steven S. Vrooman In 1954, the culture, distribution, and content of comics forever changed. Long a mainstay of America’s reading diet, comic books began to fall under the scrutiny of parent groups, church leaders, and politicians. The bright colors and cheaply printed pulp pages of comic books that had once provided an escape were suddenly presumed to house something lascivious, insidious, and morally corrosive. While anxieties about representations of violence in comics have largely fallen to the wayside since the moral panic of the 1950s, thematic and symbolic visual depictions of violence remain central to the comics form. BOOM! SPLAT! Comics and Violence examines violence in every iteration—physical violence enacted between people and their environments, formal and structural violence embedded in the comics language itself, representations of historical violence, and ways of reading and seeing violence. BOOM! SPLAT! is composed of fifteen essays from renowned comics scholars and is organized thematically into four sections, including an examination of histories of violence, forms of violence, modes and systems of violence, and political and social violence. Chapters focus on well-known comics and comics creators, such as Steve Ditko, Hulk, X-Men, and the Marvel universe, to newspaper cartoon strips, postwar graphic novels, revolution, civil rights, trauma, #blacklivesmatter, and more. BOOM! SPLAT! serves as a resource to scholars and comics enthusiasts who wish to contemplate and confront the permutations, forms, structures, and discourses of violence that have always animated cartoons. Through this interrogation, our understanding of violence moves beyond the immediately physical and interpersonal into modes of ephemeral, psychological, and ideological violence. Contributors fill critical gaps by offering sustained explorations of the function of manifold violences in the comics language—those seen, felt, and imagined. The essays in this collection are critically necessary for understanding the current and historical role that violence has played in comics and will help recognize how cartooning imbricates, resists, and expands our thinking about and experiences of violence.