Historical Dictionary Of World S Fairs And Expositions 1851 1988
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Author : John E. Findling,Kimberly D. Pelle Publisher : McFarland Page : 0 pages File Size : 53,6 Mb Release : 2015-10-12 Category : History ISBN : 1476664501
Encyclopedia of World's Fairs and Expositions by John E. Findling,Kimberly D. Pelle Pdf
This encyclopedia contains individual histories of each of the nearly 100 World's Fairs and expositions held in more than 20 countries since 1851. This is a thorough revision and updating of the book originally published as A Historical Dictionary of World's Fairs and Expositions in 1990. The new entries include essays on the world's fairs to be held in Zaragoza, Spain, in 2008 and in Shanghai, China, in 2010. Many of the original essays have been revised and expanded. Topics covered include goods, tourism, nationalistic competition, architecture, art and culture, and "exhibition fatigue." Each fair history has its own annotated bibliography which provides, when possible, the location of relevant primary sources and comments on the quality of secondary sources. Appendices cover the Bureau of International Expositions, fair statistics, fair officials, fairs that did not qualify for inclusion, and fairs that were planned but never held. The book includes a foreword (and appendix) by Vicente Gonzalez Loscertales, the secretary general of the Bureau of International Expositions.
Author : Robert W. Rydell,John E. Findling,Kimberly Pelle Publisher : Smithsonian Institution Page : 177 pages File Size : 51,9 Mb Release : 2000-03-17 Category : History ISBN : 9781560983842
Fair America by Robert W. Rydell,John E. Findling,Kimberly Pelle Pdf
Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
Historical Dictionary of American Propaganda by Martin J. Manning,Herbert Romerstein Pdf
From the French and Indian War in 1754, with Benjamin Franklin's Join or Die cartoon, to the present war in Iraq, propaganda has played a significant role in American history. The Historical Dictionary of American Propaganda provides more than 350 entries, focusing primarily on propaganda created by the U.S. government throughout its existence. Two specialists, one a long-time research librarian at the U.S. Information Agency (the USIA) and the State Department's Bureau of Diplomacy, and the other a former USIA Soviet Disinformation Officer, Martin J. Manning and Herbert Romerstein bring a profound knowledge of official U.S. propaganda to this reference work. The dictionary is further enriched by a substantial bibliography, including films and videos, and an outstanding annotated list of more than 105 special collections worldwide that contain material important to the study of U.S. propaganda. Students, researchers, librarians, faculty, and interested general readers will find the Historical Dictionary of American Propaganda an authoritative ready-reference work for quick information on a wide range of events, publications, media, people, government agencies, government plans, organizations, and symbols that provided mechanisms to promote America's interests, both abroad and domestically, in peace and in war. Almost all entries conclude with suggestions for further research, and the topically arranged bibliography provides a further comprehensive listing of important resources, including films and videos.
City authorities in recent years have competed vigorously to gain the right to host international festivals. In doing so they are heirs to a long tradition, since cities have always served as a natural location for festivals and fairs, providing settings on a scale impossible elsewhere. Cities of Culture examines the role of the Western city as the scene of staged cultural events over the last 150 years. Adopting a lively comparative perspective, it highlights the development of international festivals since London's Great Exhibition of 1851. Making extensive use of case studies and illuminating examples, it offers thought-provoking insight into the material and symbolic significance of international festivals in urban affairs. The book opens with an historical analysis of the role of the city as centre for celebrations, rites and festivities from Antiquity to the French Revolution. The next three sections of the book each focus on a different form of international festival. The first deals with the history of staging the International Expositions, with case studies of the Great Exhibition (1851), New York's World's Fair (1939-40) and Montreal's Expo 67 (1967). The next part covers the Summer Olympic Games from their revival at Athens in 1896 to the Atlanta Games (1996), discussing the implications of their fluctuating fortunes for their host cities. The third section discusses the history of a recently-founded event that is assuming ever-greater importance - the European Cities of Culture programme. The conclusion provides an overview of the events that celebrated the Millennium and examines the prospects for international festivals as part of the urban agenda of the twenty-first century. Cities of Culture will appeal to students of cultural history, urban and cultural geography, specialists in arts and heritage events management, and anyone with an interest in the development of the contemporary Western city.
Author : Frank W. Thackeray,John E. Findling Publisher : Bloomsbury Publishing USA Page : 1908 pages File Size : 54,8 Mb Release : 2012-05-31 Category : History ISBN : 9781598849028
Events That Formed the Modern World [5 volumes] by Frank W. Thackeray,John E. Findling Pdf
This comprehensive five-volume set contains readable essays that describe and interpret the most important global events since the European Renaissance, some accompanied by related document excerpts and primary source materials. What were the effects of the Age of Exploration on today's ethnic groups and social structure? How did the development of moveable type pave the way for Facebook and Twitter? Why is the Reformation so critical for understanding today's religious controversies? This set will help readers answer these questions by exploring the most significant historical events of the modern world. This five-volume set covers times from the Renaissance to the present. Each volume focuses on a specific historic period and examines 12 events within those time frames that changed the world. Each entry provides an introduction that lays out factual material in a chronological manner, an in-depth essay interpreting the event's significance, and an annotated bibliography of the most important current works on the topic. Select entries are followed by primary sources pertaining to the event under consideration, such as diary entries. Targeted to both general readers as well as entry-level university students, this book also directly supports high school and undergraduate curricula, allowing students to identify and contextualize events in order to think critically about their causes, aftermath, and legacy.
How did one long and expensive party change a city forever? World Expo 88 was the largest, longest, and loudest of Australia's bicentennial events. A shiny 1980s amalgam of cultural precinct, shopping mall, theme park, travelogue, and rock concert, Expo 88 is commonly credited as the catalyst for Brisbane's 'coming of age'. So how did an elaborate and expensive party change a city forever? We'll Show the World explores the shifting social and political environment of Expo 88, shaped as much by Queensland's controversial premier Sir Joh Bjelke-Petersen as it was by those who reacted against him. It shows how something initially greeted with outrage, scepticism, and indifference came to mean so much to so many, how a state better known for eliciting insults enchanted much of the nation, and how, to Brisbane, Expo was personal.
Author : Cheryl R. Ganz Publisher : University of Illinois Press Page : 270 pages File Size : 41,8 Mb Release : 2008-09-24 Category : History ISBN : 9780252095504
The 1933 Chicago World's Fair by Cheryl R. Ganz Pdf
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. Fair organizers, together with corporate leaders, believed that progress rides on the tide of technological innovation and consumerism. But not all those who struggled for a voice at Chicago's 1933 exposition had abandoned the traditional notions of progress that entailed social justice and equality, recognition of ethnic and gender-related accomplishments, and personal freedom and expression. The stark pronouncement of the fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of others, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. They all met obstacles but ultimately introduced personal, social definitions of "progress" and thereby influenced the ways the fair took shape. In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.
International Exhibitions and Urbanism by Javier Monclús Pdf
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half. The first half offers a comparative analysis of nearly 50 events which haven taken place over the past 150 years, as well as exploring the relationships with urbanism from a planning perspective Underpinned by the first-hand information that the author has as one of the event's organizers the second half is devoted to the Zaragoza project for the 2008 Exposition. After giving contextual (historical and demographic) information, the Expo's master plan and building projects are then described.
The Great Exhibition of 1851 by Louise Purbrick Pdf
These essays expose how meaning has been produced around the Great Exhibition. It contains readings of the historical record of the exhibition, exploring the use of industrial knowledge & the contested definitions of nation & colony.
Author : Keith Walden Publisher : University of Toronto Press Page : 458 pages File Size : 50,8 Mb Release : 1997-01-01 Category : History ISBN : 0802078702
In Becoming Modern in Toronto, Keith Walden shows how the Toronto Industrial Exhibition, from its founding, in 1879, to 1903 (when it was renamed the Canadian National Exhibition), influenced the shaping and ordering of the emerging urban culture.
Divi Zheni identifies itself as a Bulgarian women's chorus and band, but it is located in Boston and none of its members come from Bulgaria. Zlatne Uste is one of the most popular purveyors of Balkan music in America, yet the name of the band is grammatically incorrect. The members of Sviraci hail from western Massachusetts, upstate New York, and southern Vermont, but play tamburica music on traditional instruments. Curiously, thousands of Americans not only participate in traditional music and dance from the Balkans, but in fact structure their social practices around it without having any other ties to the region. In Balkan Fascination, ethnomusicologist Mirjana Lausevic, a native of the Balkans, investigates this remarkable phenomenon to explore why so many Americans actively participate in specific Balkan cultural practices to which they have no familial or ethnic connection. Going beyond traditional interpretations, she challenges the notion that participation in Balkan culture in North America is merely a specialized offshoot of the 1960s American folk music scene. Instead, her exploration of the relationship between the stark sounds and lively dances of the Balkan region and the Americans who love them reveals that Balkan dance and music has much deeper roots in America's ideas about itself, its place in the world, and the place of the world's cultures in the American melting pot. Examining sources that span more than a century and come from both sides of the Atlantic, Lausevic shows that an affinity group's debt to historical movements and ideas, though largely unknown to its members, is vital in understanding how and why people make particular music and dance choices that substantially change their lives.
Through an examination of surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the beautifully illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar, they seek to break down repressive hierarchies. At the same time, they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein, with essays by Therese Lichtenstein, Julia Kelly, Colin Jones, and Whitney Chadwick, this absorbing volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity. Copub: Frist Center for the Visual Arts